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    The Stills-Young Band ‎- Long May You Run (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    The Stills-Young Band ‎- Long May You Run (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    The Stills-Young Band ‎- Long May You Run
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Label: Reprise Records/MS 2253 | Released: 1976 | Genre: Country-Rock

    A1 Long May You Run 3:53
    A2 Make Love To You 5:10
    A3 Midnight On The Bay 3:59
    A4 Black Coral 4:41
    A5 Ocean Girl 3:19
    -
    B1 Let It Shine 4:43
    B2 12/8 Blues (All The Same) 3:41
    B3 Fontainebleau 3:58
    B4 Guardian Angel 5:40


    Artwork By [Album Design] – Tom Wilkes
    Bass, Backing Vocals – George "Chocolate" Perry
    Drums, Flute, Backing Vocals – Joe Vitale
    Guitar, Piano, Harmonica, Synthesizer [String Synthesizer], Vocals – Neil Young
    Guitar, Piano, Vocals – Stephen Stills
    Mixed By – Alex Sadkin, Don Gehman, Neil Young, Stephen Stills
    Organ, Piano – Jerry Aiello
    Percussion, Vocals – Joe Lala
    Producer – Don Gehman, Neil Young, Stephen Stills
    Producer [Associate Producer] – Tom Dowd
    Recorded By – Don Gehman
    Recorded By [Assistants] – Michael Lasko, Steve Hart
    Notes
    Recorded at Criteria Recording Studios, Miami, Florida


    The Stills-Young Band ‎- Long May You Run (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    The Stills-Young Band ‎- Long May You Run (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz

    The Stills-Young Band ‎- Long May You Run (1976) US 1st Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2014
    This LP: NM- / From my personal collection
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    Long May You Run is not a Neil Young solo album. It is credited to "The Stills-Young Band," which is to say, Stephen Stills and his band with Young added, and the two divide up the songwriting and lead vocals, five for Young, four for Stills. The pairing, though it proved short-lived and had, in fact, ended before this album was released, must have seemed commercially logical. Like Young, Stills had seen his record sales decline after a successful period following the 1970 breakup of CSNY. So had erstwhile partners David Crosby and Graham Nash, but they had returned to Top Ten, gold-selling status in the fall of 1975 with their Wind on the Water duo album. Why couldn't Stills and Young do the same thing? Maybe they could have (and, actually, this was the first gold album for either in two years) if they had made a better record together. Young's songs were pleasant newly written throwaways with the exception of the title track, a trunk song he had written as a tribute to an old car. Stills' compositions seemed more seriously intended, but still were not substantial. The playing, largely handled by the professional sessionman types in Stills' band, was far smoother than what one was accustomed to in a Young album. The result was a listenable record, but not a compelling one, and thus well below Young's usual standard and Stills' best.
    allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: