Simon & Garfunkel - Bridge Over Troubled Water (1970) US Pressing - LP/FLAC In 24bit/96kHz
Simon And Garfunkel - Bridge Over Troubled Water
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered With TLC At Half-Speed At The CBS Recording Studios
Label: Columbia/HC 49914 | Released: 1970 | This Issue: 1980 | Genre: Country-Pop
A1 Bridge Over Troubled Water
A2 El Cóndor Pasa
A3 Cecilia
A4 Keep The Customer Satisfied
A5 So Long, Frank Lloyd Wright
-
B1 The Boxer
B2 Baby Driver
B3 The Only Living Boy In New York
B4 Why Don't You Write Me
B5 Bye Bye Love
B6 Song For The Asking
Artwork By [Design] – Tony Lane
Bass – Joe Osborn
Drums – Hal Blaine
Engineer – Roy Halee
Guitar – Fred Carter, Jr., Paul Simon
Keyboards – Larry Knechtel
Photography – Abbott Mills, Peter Powell
Producer – Arthur Garfunkel*, Paul Simon, Roy Halee
Recorded By – Ted Brosnan
Strings – Ernie Freeman, Jimmy Haskell*
Written-By [Songs By] – Paul Simon (tracks: A1, A3 to B6)
Notes
Mastered with TLC at Half-Speed at the CBS Recording Studios, New York
(P)1980 CBS Inc.
Barcode and Other Identifiers
Barcode: 07464-49914-1
Matrix / Runout (On the label): HBL 49914
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered With TLC At Half-Speed At The CBS Recording Studios
Label: Columbia/HC 49914 | Released: 1970 | This Issue: 1980 | Genre: Country-Pop
A1 Bridge Over Troubled Water
A2 El Cóndor Pasa
A3 Cecilia
A4 Keep The Customer Satisfied
A5 So Long, Frank Lloyd Wright
-
B1 The Boxer
B2 Baby Driver
B3 The Only Living Boy In New York
B4 Why Don't You Write Me
B5 Bye Bye Love
B6 Song For The Asking
Artwork By [Design] – Tony Lane
Bass – Joe Osborn
Drums – Hal Blaine
Engineer – Roy Halee
Guitar – Fred Carter, Jr., Paul Simon
Keyboards – Larry Knechtel
Photography – Abbott Mills, Peter Powell
Producer – Arthur Garfunkel*, Paul Simon, Roy Halee
Recorded By – Ted Brosnan
Strings – Ernie Freeman, Jimmy Haskell*
Written-By [Songs By] – Paul Simon (tracks: A1, A3 to B6)
Notes
Mastered with TLC at Half-Speed at the CBS Recording Studios, New York
(P)1980 CBS Inc.
Barcode and Other Identifiers
Barcode: 07464-49914-1
Matrix / Runout (On the label): HBL 49914
Simon & Garfunkel - Bridge Over Troubled Water (1970) US Pressing - LP/FLAC In 24bit/96kHz
Simon & Garfunkel - Bridge Over Troubled Water (1970) US Pressing - LP/FLAC In 24bit/96kHz
Simon & Garfunkel - Bridge Over Troubled Water (1970) US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX4: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Bridge Over Troubled Water was one of the biggest-selling albums of its decade, and it hasn't fallen too far down on the list in years since. Apart from the gospel-flavored title track, which took some evolution to get to what it finally became, however, much of Bridge Over Troubled Water also constitutes a stepping back from the music that Simon & Garfunkel had made on Bookends – this was mostly because the creative partnership that had formed the body and the motivation for the duo's four prior albums literally consumed itself in the making of Bridge Over Troubled Water. The overall effect was perhaps the most delicately textured album to close out the 1960s from any major rock act. Bridge Over Troubled Water, at its most ambitious and bold, on its title track, was a quietly reassuring album; at other times, it was personal yet soothing; and at other times, it was just plain fun. The public in 1970 – a very unsettled time politically, socially, and culturally – embraced it; and whatever mood they captured, the songs matched the standard of craftsmanship that had been established on the duo's two prior albums. Between the record's overall quality and its four hits, the album held the number one position for two and a half months and spent years on the charts, racking up sales in excess of five million copies. The irony was that for all of the record's and the music's appeal, the duo's partnership ended in the course of creating and completing the album.Review by Bruce Eder, allmusic.com
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