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Carolyn Sampson, Cappella Amsterdam & Daniel Reuss - Poulenc: Stabat Mater (2014) [Official Digital Download 24/96]
![Carolyn Sampson, Cappella Amsterdam & Daniel Reuss - Poulenc: Stabat Mater (2014) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/c3/5e/004d5ec3.jpg)
Carolyn Sampson, Cappella Amsterdam & Daniel Reuss - Poulenc: Stabat Mater (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 62:03 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
FLAC (tracks) 24-bit/96 kHz | Time - 62:03 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet
Poulenc’s „Stabat Mater“, which he described as a „requiem without despair“, was written in 1950 following the death of Christian Bérard who designed the sets for Cocteau’s films and plays and was a leading figure of 1940s Paris. This masterly work, dedicated to the Virgin of Rocamadour, gives pride of place to the chorus and clearly shows its line of descent from the French grands motets. On completing it, Poulenc wrote to Pierre Bernac: 'It’s good, because it’s completely authentic'.
From the time of his pilgrimage to Rocamadour in 1936, Poulenc's religious output was filtered through his Catholic interpretation of the world and his personal trajectory. The 'Stabat Mater' is no exception to this rule, in that it associates the events and circumstances of his own life with the drama of the Gospels. It identifies the three figures of Christ, the Virgin and the Faithful Disciple with biographical figures: Bérard, Poulenc, and the latter’s lover Lucien Roubert, whom he was to refer to as ‘the secret’ of the 'Stabat Mater' and 'Dialogues des Carmélites'.
In December 1959 Leonard Bernstein commissioned a new work from Poulenc for the New York Philharmonic Orchestra. He chose to write the 'Sept Répons des Ténèbres' (Seven Tenebrae Responses) for treble soloist, a chorus of boys’ and men’s voices and symphony orchestra. The posthumous first performance took place on 11 April 1963 at Philharmonic Hall (now Avery Fisher Hall) under the direction of Thomas Schippers. Poulenc had insisted on these all-male vocal forces, but, 50 years after his death, it is important to allow for more widespread performance of this fascinating score which has too long languished in the shadows.
Tracklist:
Francis Poulenc (1899-1963)
Sept Répons des Ténèbres pour soprano, chœur et orchestre
01. I. Una hora non potuistis vigilare mecum
02. II. Judas mercator pessimus
03. III. Jesum tradidit impius
04. IV. Caligaverunt oculi mei
05. V. Tenebrae factae sunt
06. VI. Sepulto Domino
07. VII. Ecce quomodo moritur justus
Stabat Mater pour soprano, chœur mixte et orchestre
08. I. Stabat mater dolorosa
09. II. Cujus animam gementem
10. III. O quam tristis et afflicta
11. IV. Quae moerebat et dolebat
12. V. Quis est homo, qui non fleret
13. VI. Vidit suum dulcem natum
14. VII. Eja mater, fons amoris
15. VIII. Fac Ut Ardeat Cor Meum
16. IX. Sancta mater, istud agas
17. X. Fac ut portem Christi mortem
18. XI. Inflammatus et accensus
19. XII. Quando corpus morietur
Personnel:
Carolyn Sampson, soprano
Cappella Amsterdam
Estonian Philharmonic Chamber Choir
Estonian National Symphony Orchestra
Daniel Reuss, conductor
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-12-07 12:31:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cappella Amsterdam, Daniel Reuss, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (1)
Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir and Estonian National Symphony Orchestra / Poulenc: Stabat Mater (2-7)
Cappella Amsterdam, Estonian National Symphony Orchestra, Daniel Reuss and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (8-9)
Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir and Daniel Reuss / Poulenc: Stabat Mater (10-13)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra and Daniel Reuss / Poulenc: Stabat Mater (14)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss and Carolyn Sampson / Poulenc: Stabat Mater (15)
Carolyn Sampson, Cappella Amsterdam, Daniel Reuss, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (16)
Carolyn Sampson, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir and Daniel Reuss / Poulenc: Stabat Mater (17)
Carolyn Sampson, Daniel Reuss, Cappella Amsterdam, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (18)
Carolyn Sampson, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss and Cappella Amsterdam / Poulenc: Stabat Mater (19)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.20 dB -17.68 dB 3:35 16-IX. Sancta mater, istud agas
DR9 -0.20 dB -13.47 dB 2:43 02-II. Judas mercator pessimus
DR12 -0.20 dB -17.44 dB 3:11 06-VI. Sepulto Domino
DR13 -4.65 dB -24.10 dB 2:54 10-III. O quam tristis et afflicta
DR12 -6.56 dB -21.76 dB 1:28 11-IV. Quae moerebat et dolebat
DR13 -5.00 dB -25.03 dB 2:32 15-VIII. Fac Ut Ardeat Cor Meum
DR8 -0.20 dB -12.72 dB 2:07 18-XI. Inflammatus et accensus
DR12 -0.20 dB -18.58 dB 3:44 01-I. Una hora non potuistis vigilare mecum
DR16 -0.21 dB -22.29 dB 3:01 04-IV. Caligaverunt oculi mei
DR12 -0.20 dB -17.67 dB 6:02 07-VII. Ecce quomodo moritur justus
DR13 -4.87 dB -23.40 dB 4:50 08-I. Stabat mater dolorosa
DR10 -0.20 dB -13.90 dB 1:11 09-II. Cujus animam gementem
DR12 -0.21 dB -16.33 dB 1:26 14-VII. Eja mater, fons amoris
DR8 -0.20 dB -11.62 dB 1:33 12-V. Quis est homo, qui non fleret
DR13 -3.98 dB -21.72 dB 4:15 13-VI. Vidit suum dulcem natum
DR8 -0.20 dB -14.22 dB 4:11 05-V. Tenebrae factae sunt
DR9 -0.20 dB -15.49 dB 4:46 19-XII. Quando corpus morietur
DR14 -0.20 dB -20.05 dB 4:11 17-X. Fac ut portem Christi mortem
DR12 -0.20 dB -17.28 dB 4:28 03-III. Jesum tradidit impius
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2497 kbps
Codec: FLAC
================================================================================
log date: 2017-12-07 12:31:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Cappella Amsterdam, Daniel Reuss, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (1)
Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir and Estonian National Symphony Orchestra / Poulenc: Stabat Mater (2-7)
Cappella Amsterdam, Estonian National Symphony Orchestra, Daniel Reuss and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (8-9)
Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir and Daniel Reuss / Poulenc: Stabat Mater (10-13)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra and Daniel Reuss / Poulenc: Stabat Mater (14)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss and Carolyn Sampson / Poulenc: Stabat Mater (15)
Carolyn Sampson, Cappella Amsterdam, Daniel Reuss, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (16)
Carolyn Sampson, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir and Daniel Reuss / Poulenc: Stabat Mater (17)
Carolyn Sampson, Daniel Reuss, Cappella Amsterdam, Estonian National Symphony Orchestra and Estonian Philharmonic Chamber Choir / Poulenc: Stabat Mater (18)
Carolyn Sampson, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss and Cappella Amsterdam / Poulenc: Stabat Mater (19)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.20 dB -17.68 dB 3:35 16-IX. Sancta mater, istud agas
DR9 -0.20 dB -13.47 dB 2:43 02-II. Judas mercator pessimus
DR12 -0.20 dB -17.44 dB 3:11 06-VI. Sepulto Domino
DR13 -4.65 dB -24.10 dB 2:54 10-III. O quam tristis et afflicta
DR12 -6.56 dB -21.76 dB 1:28 11-IV. Quae moerebat et dolebat
DR13 -5.00 dB -25.03 dB 2:32 15-VIII. Fac Ut Ardeat Cor Meum
DR8 -0.20 dB -12.72 dB 2:07 18-XI. Inflammatus et accensus
DR12 -0.20 dB -18.58 dB 3:44 01-I. Una hora non potuistis vigilare mecum
DR16 -0.21 dB -22.29 dB 3:01 04-IV. Caligaverunt oculi mei
DR12 -0.20 dB -17.67 dB 6:02 07-VII. Ecce quomodo moritur justus
DR13 -4.87 dB -23.40 dB 4:50 08-I. Stabat mater dolorosa
DR10 -0.20 dB -13.90 dB 1:11 09-II. Cujus animam gementem
DR12 -0.21 dB -16.33 dB 1:26 14-VII. Eja mater, fons amoris
DR8 -0.20 dB -11.62 dB 1:33 12-V. Quis est homo, qui non fleret
DR13 -3.98 dB -21.72 dB 4:15 13-VI. Vidit suum dulcem natum
DR8 -0.20 dB -14.22 dB 4:11 05-V. Tenebrae factae sunt
DR9 -0.20 dB -15.49 dB 4:46 19-XII. Quando corpus morietur
DR14 -0.20 dB -20.05 dB 4:11 17-X. Fac ut portem Christi mortem
DR12 -0.20 dB -17.28 dB 4:28 03-III. Jesum tradidit impius
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR11
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2497 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.