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    P.F.M. - Cook (1974) SP 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    P.F.M. - Cook (1974) SP 1st Pressing - LP/FLAC In 24bit/96kHz

    P.F.M. - Cook
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1100mb
    Label: Manticore Records/88.544-1 | Released: 1974 | This Issue: 1975 | Genre: Progressive-Rock

    Side 1
    1. Four Holes In The Ground (7:22)
    2. Dove….Quando…. (4:30)
    3. Just Look Away (8:05)
    4. Celebration (including “The World Became The World”) (8:55)
    Side 2
    5. Mr. Nine Till Five (4:25)
    6. Alta Loma Nine Till Five (including “William Tell Overture”) (15:20)


    Companies, etc.

    Record Company – Ariola Eurodisc S.A.
    Distributed By – Ariola Eurodisc S.A.
    Phonographic Copyright (p) – Manticore Records Ltd.
    Printed By – Gráficas Román, S.A.
    Mixed At – Olympic Studios
    Mixed At – Command Studios
    Recorded By – Enactron Truck
    Recorded By – Record Plant Mobile Studio
    Recorded At – Convocation Hall, Toronto
    Recorded At – Central Park, New York

    Credits

    Engineer [New York] – David Hewitt
    Engineer [Toronto] – Chris Skene
    Illustration – Dan Fern
    Mixed By – Andy Hendriksen
    Mixed By [Assistant] – Robert Carvell
    Photography By – Armando Gallo, Chuck Pulin, Lynn Goldsmith
    Producer – Claudio Fabi, PFM*
    Sleeve [Sleeve Concept] – Mike Doud (2)

    Notes
    First catalog number on back cover, second on labels.

    Released by kind permission of Numero Uno S.P.A.

    Recorded at Convocation Hall, Toronto University, 22 August 1974 and at Schaefer Central Park Music Festival, New York on August 31st, 1974.

    Recorded at Toronto by Enactron Studios Mobile.
    Recorded at New York by Record Plant Mobile .
    Mixed at Olympic Studios and Command Studios, London, September 1974.
    Barcode and Other Identifiers

    Matrix / Runout (Runout A Side - Etched): 88.544-I-A-2N2
    Matrix / Runout (Runout B Side - Etched): 88.544-I-B-1N2
    Rights Society: B.I.E.M.
    Depósito Legal: B-2550-1975


    P.F.M. - Cook (1974) SP 1st Pressing - LP/FLAC In 24bit/96kHz

    P.F.M. - Cook (1974) SP 1st Pressing - LP/FLAC In 24bit/96kHz

    P.F.M. - Cook (1974) SP 1st Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2012 With milimetrical manual DeClick for 2018
    This LP: From my personal collection
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    PREMIATA FORNERIA MARCONI (PFM for short) is one of the legendary Italian prog rock bands, they made a sery of beautiful albums in the Seventies.
    This LP is a registration of a concert from 1974 while touring in the USA, to me it’s a perfect compilation of their best work and showcases the band at its pinnacle. PFM starts with “Four Holes In The Ground”: a propulsive rhythm and a catchy melody, delivering fat Minimoog synthesizer runs, some fiery electric guitar and impressive Hammond organ and majestic Mellotron waves in the mellow interludes. The English vocals sound warm and the interplay between the skill full musicians is great. Next is “Dove … Quando” with a classical/jazzy intro on the Fender Rhodes electric piano, turning into a duet from sparkling piano and beautiful Italian vocals. “Just Look Away” has a splendid acoustic guitar intro (featuring elements like tremolo – and sensational rhythm guitar), followed by twanging acoustic guitar, soft Minimoog flights and warm English vocals. The build-up is great with Hammond and flute and a closing section with again tremolo guitar. The ‘crowd-pleaser’ “Celebration” is a cheerful and catchy composition, delivering spectacular Minimoog runs and swirling interplay. The ‘grand finale’ includes the moving final part of “The World Became The World”, enjoy the Mellotron floods! Then “Mr. Nine Till Five”, a track with PFM at their best with the distinctive interplay between flute, Moog and violin. The final song “Alta Loma Five Till Nine” includes a long and bluesy guitar solo with a strong build-up, supported by violin- Mellotron, featuring howling and biting licks, superb! The second part has a moving violin soli, culminating in a version of Rossini’s piece “William Tell Overture” with virtuosic play on the Moog synthesizer and violin, what a way to say good by. This is my favourite PFM LP!
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