Graham Nash/David Crosby - Graham Nash/David Crosby
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Atlantic/SD 7220 | Released: 1972 | Genre: Country-Folk
A1 Southbound Train
A2 Whole Cloth
A3 Blacknotes
A4 Strangers Room
A5 Where Will I Be?
A6 Page 43
-
B1 Frozen Smiles
B2 Games
B3 Girl To Be On My Mind
B4 The Wall Song
B5 Immigration Man
Manufactured By – Atlantic Recording Corporation
Credits
Design – Tom Wilkes (2)
Engineer – Bill Halverson, Doc Storch
Photography By [Back & Inside] – Joel Bernstein
Photography By [Front] – Robert Hammer (2)
Producer – Bill Halverson, David Crosby, Graham Nash
Vocals – David Crosby, Graham Nash
Written-By – David Crosby (tracks: A2, A5 to A6, B2, B4), Graham Nash (tracks: A1, A3 to A4, B1, B3, B5)
Notes
Trifold die cut cover.
Inner lyric sleeve.
PR in label matrix = Presswell pressing plant
Barcode and Other Identifiers
Matrix / Runout (Side A runout): ST-A-722465-D AT PR
Matrix / Runout (Side B runout): ST-A-722466-G PR
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Atlantic/SD 7220 | Released: 1972 | Genre: Country-Folk
A1 Southbound Train
A2 Whole Cloth
A3 Blacknotes
A4 Strangers Room
A5 Where Will I Be?
A6 Page 43
-
B1 Frozen Smiles
B2 Games
B3 Girl To Be On My Mind
B4 The Wall Song
B5 Immigration Man
Manufactured By – Atlantic Recording Corporation
Credits
Design – Tom Wilkes (2)
Engineer – Bill Halverson, Doc Storch
Photography By [Back & Inside] – Joel Bernstein
Photography By [Front] – Robert Hammer (2)
Producer – Bill Halverson, David Crosby, Graham Nash
Vocals – David Crosby, Graham Nash
Written-By – David Crosby (tracks: A2, A5 to A6, B2, B4), Graham Nash (tracks: A1, A3 to A4, B1, B3, B5)
Notes
Trifold die cut cover.
Inner lyric sleeve.
PR in label matrix = Presswell pressing plant
Barcode and Other Identifiers
Matrix / Runout (Side A runout): ST-A-722465-D AT PR
Matrix / Runout (Side B runout): ST-A-722466-G PR
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: EX++
About this LP Project: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
This self-titled release is one of – if not arguably the – most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash.
The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Déjà Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" – a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening – a live acoustic release from October 10, 1971 – which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room."allmusic.com
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