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    Crosby & Nash - Graham Nash/David Crosby (1972) US 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Crosby & Nash - Graham Nash/David Crosby (1972) US 1st Pressing - LP/FLAC  In 24bit/96kHz

    Graham Nash/David Crosby - Graham Nash/David Crosby
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Label: Atlantic/SD 7220 | Released: 1972 | Genre: Country-Folk

    A1 Southbound Train
    A2 Whole Cloth
    A3 Blacknotes
    A4 Strangers Room
    A5 Where Will I Be?
    A6 Page 43
    -
    B1 Frozen Smiles
    B2 Games
    B3 Girl To Be On My Mind
    B4 The Wall Song
    B5 Immigration Man


    Manufactured By – Atlantic Recording Corporation
    Credits
    Design – Tom Wilkes (2)
    Engineer – Bill Halverson, Doc Storch
    Photography By [Back & Inside] – Joel Bernstein
    Photography By [Front] – Robert Hammer (2)
    Producer – Bill Halverson, David Crosby, Graham Nash
    Vocals – David Crosby, Graham Nash
    Written-By – David Crosby (tracks: A2, A5 to A6, B2, B4), Graham Nash (tracks: A1, A3 to A4, B1, B3, B5)
    Notes
    Trifold die cut cover.
    Inner lyric sleeve.
    PR in label matrix = Presswell pressing plant
    Barcode and Other Identifiers
    Matrix / Runout (Side A runout): ST-A-722465-D AT PR
    Matrix / Runout (Side B runout): ST-A-722466-G PR


    Crosby & Nash - Graham Nash/David Crosby (1972) US 1st Pressing - LP/FLAC  In 24bit/96kHz

    Crosby & Nash - Graham Nash/David Crosby (1972) US 1st Pressing - LP/FLAC  In 24bit/96kHz

    Crosby & Nash - Graham Nash/David Crosby (1972) US 1st Pressing - LP/FLAC  In 24bit/96kHz



    This Rip: 2016
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: EX++
    About this LP Project: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    This self-titled release is one of – if not arguably the – most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash.
    The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Déjà Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" – a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening – a live acoustic release from October 10, 1971 – which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room."
    allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: