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    Christy Moore ‎- Prosperous (1972) IR 1st Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Christy Moore ‎- Prosperous (1972) IR 1st Pressing - LP/FLAC In 24bit/96kHz

    Christy Moore ‎- Prosperous
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Lacquer Cut At Phonodisc Ltd.
    Label: Tara/TARA 1001 | Released: 1972 | Genre: Irish-Folk


    A1 The Raggle Taggle Gipsies; Tabhar Dom Do Lamh
    A2 The Dark Eyed Sailor
    A3 I Wish I Was In England
    A4 Lock Hospital
    A5 James Connolly
    A6 The Hackler From Grouse Hall
    -
    B1 Tribute To Woody
    B2 The Ludlow Massacre
    B3 Letter To Syracuse
    B4 Spancillhill
    B5 The Cliffs Of Dooneen
    B6 Rambling Robin


    Companies, etc.

    Pressed By – Phonodisc Ltd.
    Lacquer Cut At – Phonodisc Ltd.

    Credits

    Arranged By – C. Moore* (tracks: A1 to A6, B4 to B6)
    Featuring – Clive Collins, Donal Lunny
    Featuring, Bodhrán – Kevin Coneff*
    Featuring, Concertina – Dave Bland
    Featuring, Mandolin – Andy Irvine
    Featuring, Uilleann Pipes, Tin Whistle – Liam Og O'Flynn*
    Producer – Bill Leader
    Written-By – Caddick* (tracks: B3), Dylan* (tracks: B1), C. Moore* (tracks: A3), Cartwright* (tracks: B3), Guthrie* (tracks: B2)

    Notes
    Made in the Republic of Ireland.
    Note, the original sleeve had TARA 1000 catalogue number on rear (a number which never existed) when in fact this, the first record on the label, was TARA 1001. It was also later issued as TARA 2008. This change reflected a change in the price code as the 1000 series was selling at a different price.

    The original recording was made by Bill Leader, who was UK based, so this record was issued in Ireland by Tara, only after the initial release in the UK on the Trailer label.
    Barcode and Other Identifiers

    Matrix / Runout (Runout Stamp A): LER 3035 A//1^420 1 1 04
    Matrix / Runout (Runout Stamp B): LER 3035 B//1^420 1 1 04


    Christy Moore ‎- Prosperous (1972) IR 1st Pressing - LP/FLAC In 24bit/96kHz

    Christy Moore ‎- Prosperous (1972) IR 1st Pressing - LP/FLAC In 24bit/96kHz

    Christy Moore ‎- Prosperous (1972) IR 1st Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2013
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    This LP: With the kind sponsorship from polux, merci beaucoup!
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    This album isn't from Planxty's discography, naturally. But we can't ignore that this album by Christy Moore is Planxty: The date 1972 (a year later published the legend, the Planxty "Black Album" ), the first song Raggle Taggle and … their members.
    Would it be as a proto-Planxty? I think so.
    Well, impossible to ignore the undeniable Christy's genius, to integrate these musicians and their instrumentation. I've heard quite about of music. And my smell I haven't cheated when I'm before a gem that could be the "missing link" of something big. This is the exact example.
    Terrific album.
    5 Stars
    Fran Solo, 2010


    "As I got over the excitement of having made an album I began to hear what it was that had been recorded. I realised how important it was to work with musicians who could hear the work and empathise with the singer. All these songs have an atmosphere and a definite vibe of their own and that must be respected.†

    When Bill Leader agreed to record my work for his Trailer label. I made contact with Donal Lunny, Andy Irvine, Liam O'Flynn and asked them to play on my second album. I'd known Donal since school and followed his music right from the start. He taught me how to play guitar and bowrawn and has always been the most sensitive collaborator and friend.

    He also has a great understanding of the other instruments their capabilities and limitations and can write riffs and fills for all occasions. Liam O'Flynn is the first piper I encountered and forty years on is still my favourite. I'd known Andy from his work with Sweeny's Men and occasional meetings along the trail.

    This was a wonderful session of recordings. It was a time of great music and fun. Bill Leader was the most innovative of engineers and got on with his task of getting it down. Considering he was working with a Revox Reel to Reel and two mikes the sounds he recorded are ageing well.

    I've talked about this album in many interviews. It has been viewed in lots of ways and taken apart, dissected and given all sorts weighty significance these past 30 years. It is flattering and titillating to hear of it's debate but the truth is it was made primarily for the sheer joy of making music. We did it because we loved to do it. We had a ball and all we sought to do was to record the sounds that we liked. All that followed has been an unexpected and most welcome bonus."
    christymoore.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover: