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Pablo Milanés ‎- ...A Los Poetas Cubanos (1983) SP 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
Pablo Milanés ‎- ...A Los Poetas Cubanos (1983) SP 1st Pressing - LP/FLAC In 24bit/96kHz

Pablo Milanés ‎- …A Los Poetas Cubanos
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Movieplay/17.3615/4 | Released: 1983 | Genre: Latin-Folk

Pablo Milanés Canta A Nicolás Guillén
A1 Palabras Fundamentales
A2 Solo De Flauta
A3 Canción
A4 Tu No Sabe Inglé
A5 Burgueses
A6 Mariposa
A7 Ho Chi Min
A8 Pasan Días
A9 Tengo
-
Pablo Milanés Canta A José Martí
B1 Yo Soy Un Hombre Sincero
B2 Mi Verso Es Como Un Puñal
B3 Banquete De Tiranos
B4 Al Buen Pedro
B5 Si Ves Un Monte De Espumas
B6 Éramos… De Nuestra América
B7 El Enemigo Brutal
B8 Es Rubia: El Cabello Suelto


Pablo Milanés: Nylon String Guitar & Vocals
Record Company – Movieplay S.A.
Lyrics By – José Martí (tracks: B1 to B8), Nicolás Guillén (tracks: A1 to A9)


Pablo Milanés ‎- ...A Los Poetas Cubanos (1983) SP 1st Pressing - LP/FLAC In 24bit/96kHz

Pablo Milanés ‎- ...A Los Poetas Cubanos (1983) SP 1st Pressing - LP/FLAC In 24bit/96kHz

Pablo Milanés ‎- ...A Los Poetas Cubanos (1983) SP 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2014
This LP: From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Along with Silvio Rodriguez, Pablo Milanés was one of the crucial figures in Cuba's Nueva Trova (New Ballad) popular-song movement of the late '60s; sponsored by Fidel Castro's government, the collective of nueva trova musicians were essentially supposed to reconfigure and update traditional Cuban folk musics for the nation's new, modern, post-revolutionary society.
Milanés gained renown for his highly poetic lyrics and smooth yet emotional singing, becoming one of the most popular and respected Cuban musicians and songwriters of the late 20th century, and releasing a hefty number of records. He is a controversial figure to some – exiles despise his staunch support of Castro, while others criticize his musical forays into sentimental, orchestrated jazz-pop – but his status as one of the most important links between traditional and contemporary Cuban music has remained virtually unassailable into the new millennium.
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