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    3. Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz

    Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Date: 20 Dec 2019 12:48:06
    Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz

    Pablo Milanés - Canta A José Martí "Mi Verso Es Como Un Puñal"
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Label: Movieplay/170902/9 | Released: 1973 | This Issue: 1977 | Genre: Latin-Folk

    A1 Mi Verso Es Como Un Puñal 2:00
    A2 Yo Soy Un Hombre Sincero 4:50
    A3 Banquete De Tiranos 3:47
    A4 Al Buen Pedro 1:45
    A5 Si Ves Un Monte De Espumas 1:55
    A6 Vierte, Corazón, Tu Pena 3:00
    -
    B1 Éramos… De Nuestra América 1:40
    B2 Amor De Ciudad Grande 6:30
    B3 Poetica 2:07
    B3 El Príncipe Enano 3:30
    B4 El Enemigo Brutal 1:35
    B5 Es Rubia: El Cabello Suelto 2:35

    Lyrics By – José Martí
    Music, Nylon String Guitar & Vocals – Pablo Milanés
    Notes
    Hecho por EGREM CNC (Curva RIAA) LDS 3437 Estereo Compatible.
    Producido y distribuido por Empresa de Grabaciones Musicales. La Habana, Cuba.
    (Text repeated from the original Cuban release, although this is a Spanish release)


    Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz

    Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz

    Pablo Milanés - Canta A José Martí (1973) SP Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2014
    This LP: NM-/From my personal collection
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    On this 1973 record, Pablo Milanés sings selections by 19th century Cuban poet and revolutionary José Martí, drawing primarily on Versos Sencillos (1891) and the posthumously published Versos Libres (1913).
    Although this was Milanés' first album, by the time of its release he was already an accomplished artist. Following early-'60s stints with El Cuarteto del Rey and los Bucaneros, Milanés pursued a solo career; by the end of the decade he was collaborating with Silvio Rodríguez and others, first at El Centro de la Canción Protesta de la Casa de las Américas and then as a member of El Grupo de Experimentación Sonora. Milanés began developing these arrangements for Martí's work while he was in El Grupo de Experimentación Sonora and the resulting solo debut remains a foundational recording of the nueva trova Cubana. Milanés' simple acoustic guitar accompaniment offers an evocative setting for Martí's words, but his voice is the crucial instrument; his smooth tenor captures the cadences, tone, and emotional power of Martí's writing, from its quiet, contemplative passages to its spirited, passionate flourishes. Milanés' adaptation of section one of Versos Sencillos and his stirring versions of "Amor de Ciudad Grande" and "Banquete de Tiranos" are breathtaking. Particularly noteworthy is the brief "Eramos," a rendering of a passage from Martí's famous essay "Nuestra América" which masterfully conveys the musicality of his prose. It's impossible to divorce the nueva trova from its ideological context and to separate Milanés' art from his role in Castro's Cuba. But while that political backdrop is divisive, Cubans on opposite sides of the debate, at home and in exile, embrace José Martí as a hero; likewise, whatever your allegiances, it's hard not to concede that this album is a stunning musical achievement. Pop music lyrics seldom qualify as poetry, but Milanés shows how poetry can inspire phenomenally powerful popular music.
    allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip

    Vinyl / CUE/ FLAC/ High Definition Cover:
    UPWARDS