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John McLaughlin - Music Spoken Here (1982) US 1st Pressing - LP/FLAC In 24bit/48kHz

Posted By: Fran Solo
John McLaughlin - Music Spoken Here (1982) US 1st Pressing - LP/FLAC In 24bit/48kHz

John McLaughlin - Music Spoken Here
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/48kHz | 700mb
Mastered At Dyam/A&M Studios
Label: Warner Bros. Records/9 23723-1 | Released: 1982 | Genre: Jazz-Fusion


A1 Aspan 5:39
A2 Blues Fow L.W. 6:20
A3 The Translators 2:37
A4 Honky Tonk Haven 4:07
A5 Viene Clareando 0:28
-
B1 David 7:44
B2 Negative Ions 3:51
B3 Brise De Coeur 5:19
B4 Loro 2:08


Companies, etc.

Phonographic Copyright (p) – Warner Bros. Records Inc.
Copyright © – Warner Bros. Records Inc.
Recorded At – Studio Ramsès
Mastered At – Dyam
Mastered At – A&M Studios

Credits

Bass – Jean-Paul Celea
Composed By – Atahualpa Yutanki* (tracks: A5), Egberto Gismonti (tracks: B4), John McLaughlin (tracks: except A5, B4), Segundo Aredes (tracks: A5), Shankar (tracks: A4)
Drums – Tommy Campbell
Engineer – Jean Luis Rizet*
Guitar, Electric Guitar – John McLaughlin
Piano, Keyboards [Fender Rhodes, Prophet 5] – François Couturier
Piano, Keyboards [Synclavier] – Katia Labèque
Producer – John McLaughlin

Notes
Recorded June/July 1982 at Ramses Studio, Paris
Mastered at Diam Sound, Paris and A & M Studios, Los Angeles

© 1982 Warner Bros. Records Inc.
Barcode and Other Identifiers

Barcode: 0 7599-23723-1


John McLaughlin - Music Spoken Here (1982) US 1st Pressing - LP/FLAC In 24bit/48kHz

John McLaughlin - Music Spoken Here (1982) US 1st Pressing - LP/FLAC In 24bit/48kHz

John McLaughlin - Music Spoken Here (1982) US 1st Pressing - LP/FLAC In 24bit/48kHz



This Rip: 2012
This LP: EX+ / From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Though this fitfully inspired yet always intelligently musical record is an electric album, McLaughlin is more often heard on acoustic guitar in something resembling his electric manner, along with more pronounced classical and flamenco influences. This quintet, along with bass and drums, contained two keyboard players, Francois Couturier and the noted classical pianist Katia Labeque (who was McLaughlin's companion). Labeque, seated at a Synclavier and a grand piano, has acres of technique and almost no feeling for jazz, though she is adept at providing moody backdrops, and her rapid-fire synth runs and Jarrett-like etudes on the Steinway aren't too far away stylistically from McLaughlin's helter-skelter flurries. In a continued homage to McLaughlin's once and future employer Miles Davis, "Blues for L.W." brazenly quotes "Blues for Pablo," and sometimes the music texturally resembles the heavily synthesized things that Miles would soon be putting out.
AllMusic Review by Richard S. Ginell
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip.

Vinyl / CUE/ FLAC/ High Definition Cover: