John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981) US 1st Pressing - LP/FLAC In 24bit/96kHz
John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At MASTERDISK By Robert Ludwig
Label: Columbia/FC 37152 | Released: 1981 | Genre: Acoustic-Fusion
A1 Mediterranean Sundance / Río Ancho
A2 Short Tales Of The Black Forest
-
B1 Frevo Rasgado
B2 Fantasia Suite
B3 Guardian Angel
Recorded At – The Warfield
Recorded At – Minot Sound
Mixed At – Minot Sound
Mastered At – Masterdisk
Lacquer Cut At – Masterdisk
Pressed By – Columbia Records Pressing Plant, Terre Haute
Manufactured By – Columbia Records
Copyright © – CBS Inc.
Phonographic Copyright (p) – CBS Inc.
Credits
Design – Paula Scher
Engineer [Live Recording] – Rex Olson, Tim Pinch, Tom Pinch
Engineer [Mixing] – Ray Bardani
Engineer [Recording And Mixing] – Ron Carran (tracks: B3)
Executive-Producer – Barrie Marshall, Philip Roberge
Lacquer Cut By – BK*
Mastered By – Bob Ludwig
Photography By [Back Cover Photo] – Randy Backman
Photography By [Sleeve Photo] – Darryl Pitt
Producer – Al Di Meola, John McLaughlin, Paco DeLucia*
Typography [Cover Lettering] – Seth Shaw
Notes
Recorded Live by Tim Pinch Recording Mobile
Mixed at Minot Sound, White Plains, New York
Mastered at Masterdisk, N.Y.
Recorded Live at The Warfield Theatre, San Francisco, California, Friday, December 5, 1980 except "Guardian Angel," recorded and mixed at Minot Sound, White Plains, New York
© 1981 CBS Inc. / ℗ 1981 CBS Inc. / Manufactured by Columbia Records
Barcode and Other Identifiers
Rights Society: BMI
Rights Society: SGAE
Rights Society: ASCAP
Barcode (Text): 0 7464-37152-1
Barcode (Scanned): 07464371521
Matrix / Runout (Side A Label): AL 37152
Matrix / Runout (Side B Label): BL 37152
Matrix / Runout (Side A Etching): AL-37152-1C
Matrix / Runout (Side B Etching): BL-37152-1D
Matrix / Runout (Side A & B Lacquer Cutting Facility Stamp): MASTERDISK
Matrix / Runout (Side A & B Lacquer Cutting Engineer Initials Etching): BK
Matrix / Runout (Side A Pressing Plant Etching): T I
Matrix / Runout (Side B Pressing Plant Etching): I T
Matrix / Runout (Side A & B Stamp): A
Matrix / Runout (Side B Etching after the "A" Stamp): 13
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At MASTERDISK By Robert Ludwig
Label: Columbia/FC 37152 | Released: 1981 | Genre: Acoustic-Fusion
A1 Mediterranean Sundance / Río Ancho
A2 Short Tales Of The Black Forest
-
B1 Frevo Rasgado
B2 Fantasia Suite
B3 Guardian Angel
Recorded At – The Warfield
Recorded At – Minot Sound
Mixed At – Minot Sound
Mastered At – Masterdisk
Lacquer Cut At – Masterdisk
Pressed By – Columbia Records Pressing Plant, Terre Haute
Manufactured By – Columbia Records
Copyright © – CBS Inc.
Phonographic Copyright (p) – CBS Inc.
Credits
Design – Paula Scher
Engineer [Live Recording] – Rex Olson, Tim Pinch, Tom Pinch
Engineer [Mixing] – Ray Bardani
Engineer [Recording And Mixing] – Ron Carran (tracks: B3)
Executive-Producer – Barrie Marshall, Philip Roberge
Lacquer Cut By – BK*
Mastered By – Bob Ludwig
Photography By [Back Cover Photo] – Randy Backman
Photography By [Sleeve Photo] – Darryl Pitt
Producer – Al Di Meola, John McLaughlin, Paco DeLucia*
Typography [Cover Lettering] – Seth Shaw
Notes
Recorded Live by Tim Pinch Recording Mobile
Mixed at Minot Sound, White Plains, New York
Mastered at Masterdisk, N.Y.
Recorded Live at The Warfield Theatre, San Francisco, California, Friday, December 5, 1980 except "Guardian Angel," recorded and mixed at Minot Sound, White Plains, New York
© 1981 CBS Inc. / ℗ 1981 CBS Inc. / Manufactured by Columbia Records
Barcode and Other Identifiers
Rights Society: BMI
Rights Society: SGAE
Rights Society: ASCAP
Barcode (Text): 0 7464-37152-1
Barcode (Scanned): 07464371521
Matrix / Runout (Side A Label): AL 37152
Matrix / Runout (Side B Label): BL 37152
Matrix / Runout (Side A Etching): AL-37152-1C
Matrix / Runout (Side B Etching): BL-37152-1D
Matrix / Runout (Side A & B Lacquer Cutting Facility Stamp): MASTERDISK
Matrix / Runout (Side A & B Lacquer Cutting Engineer Initials Etching): BK
Matrix / Runout (Side A Pressing Plant Etching): T I
Matrix / Runout (Side B Pressing Plant Etching): I T
Matrix / Runout (Side A & B Stamp): A
Matrix / Runout (Side B Etching after the "A" Stamp): 13
John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981) US 1st Pressing - LP/FLAC In 24bit/96kHz
John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981) US 1st Pressing - LP/FLAC In 24bit/96kHz
John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981) US 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX4: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
The day I heard these three musicians, I was literally "combed back." Well, is that this concert became part of the essential in guitar history (long before fashion "unplugged").
Somehow John McLaughlin, Al Di Meola and Paco De Lucía, became my heroes (and for many).
Certainly, they kept together in another LP, but without the same impact. I also had the opportunity to see them live, and I must confess that I left a little disappointed, as Al Di Meola, he used much pedal and sound effects that took away all warmth from guitars.
Anyone who has attended this concert must have been impressed at the time.Fran Solo, MMXII
Not every proghead will be pleased with this addition (an acoustic blend of jazz, blues, rock and flamenco) but I'm delighted about it because it evokes very pleasant memories. I have seen this trio two times, first in the south of France in '81 (in an ancient bullfight arena) and then in my hometown The Hague, it was completely sold out and loaded with guitarfreaks. I remember that one yelled in a sheer euphoric state "this is better than sex with my wife!". On this album you can enjoy the amazing skills and different styles from three virtuosic guitarplayers: Paco De Lucia with his innovative flamenco guitar technique, John McLaughlin with his stunning speed and, last but not least, Al DiMeola with his distinctive 'deading' of the strings. The interplay (in different duo's and in the end as a trio) is awesome, a genuine "guitar heaven"! The way they follow or challenge each other is so exciting, these three musicians are the absolute summit. They play jazz, rock, blues and of course flamenco and there is even room for humor when they start to play the tune of the Pink Panther, very cool! I have to admit that at some moments the 'scale-acrobatics' sound a bit freaky but in general this is superb guitarwork, HIGHLY RECOMMENDED TO ALL GUITAR AFICIONADOS!!Review by erik neuteboom , progarchives.com
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