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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Daniel Raiskin, Staatsorchester Rheinische Philharmonie - Mahler: Symphony No. 3 (2015) [Official Digital Download]

    Posted By: SERTiL
    Daniel Raiskin, Staatsorchester Rheinische Philharmonie - Mahler: Symphony No. 3 (2015) [Official Digital Download]

    Daniel Raiskin, Staatsorchester Rheinische Philharmonie - Mahler: Symphony No. 3 (2015)
    FLAC (tracks) 24-bit/48 kHz | Time - 101:21 minutes | 952 MB
    Studio Master, Official Digital Download | Artwork: Front Cover

    The composer who dared such open rivalry with God himself was also a brilliant conductor. “Architecture is music in space, as it were a frozen music”, Schelling once wrote, and Mahler applied this in his conducting style: music is architecture transposed into the dimension of time – moving, flowing architecture. Instead of merely tracing the outlines of fellow-artists’ musical blueprints with a schoolboyish hand, Mahler built forms based on the drawings of great musical architects. To Mahler, the actual process of constructing a musical form – its deployment along the axis of time – was infinitely more important than the ultimate goal, a perfectly formed crystal.

    Therein lies Mahler’s most important contribution to the aesthetics and practice of conducting. He was the first to comprehend Wagner’s aversion to “crystalline form”. Instead, as a composer and as a conductor, he consistently applied the concept of form as process. Whenever he conducted his own symphonies, Mahler enjoyed the advantage of combining two roles into one: he acted as a musical architect and, at the same time, as a master builder who could immediately bring his construction project into fruition in the concert hall. Every bit as significant, however, were the decisive consequences Mahler drew from Wagner’s pronouncements on the future of the symphony and of instrumental music in general.

    Tracklist:

    Gustav Mahler (1860-1911)

    01. Symphony No. 3 in D Minor, Part I: I. Kräftig. Entschieden
    02. Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto. Sehr mässig
    03. Symphony No. 3 in D Minor, Part II: III. Comodo. Scherzando. Ohne Hast
    04. Symphony No. 3 in D Minor, Part II: IV. Sehr langsam. Misterioso
    05. Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck
    06. Symphony No. 3 in D Minor, Part II: VI. Langsam. Ruhevoll. Empfunden

    Personnel:
    Ewa Marcinec (contralto)
    Boys of the Mainzer Domchors
    Ladies of the Domkantorei Mainz
    Staatsorchester Rheinische Philharmonie
    Daniel Raiskin (conductor)

    foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
    log date: 2018-04-29 14:55:36

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Daniel Raiskin, Staatsorchester Rheinische Philharmonie, Ewa Marciniec, Boys of the Mainzer Domchor, Ladies of the Domkantorei Mainz, Peter Moenkediek, Philharmonisches Staatsorchester Mainz / Mahler: Symphony No. 3
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -1.00 dB -19.32 dB 34:59 01-Symphony No. 3 in D Minor, Part I: I. Kräftig. Entschieden
    DR17 -5.44 dB -29.14 dB 9:49 01-Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto. Sehr mässig
    DR17 -1.00 dB -24.48 dB 17:27 02-Symphony No. 3 in D Minor, Part II: III. Comodo. Scherzando. Ohne Hast
    DR13 -11.01 dB -30.29 dB 9:27 03-Symphony No. 3 in D Minor, Part II: IV. Sehr langsam. Misterioso
    DR13 -3.54 dB -22.67 dB 4:16 04-Symphony No. 3 in D Minor, Part II: V. Lustig im Tempo und keck im Ausdruck
    DR12 -1.00 dB -19.22 dB 25:25 05-Symphony No. 3 in D Minor, Part II: VI. Langsam. Ruhevoll. Empfunden
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 6
    Official DR value: DR14

    Samplerate: 48000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 1342 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer.