King Crimson - In The Court Of The Crimson King (1969) Original US Pressing - LP/FLAC In 24bit/96kHz
King Crimson - In The Court Of The Crimson King (An Observation By King Crimson)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At Longwear Plating
Label: Atlantic/SD 8245 | Released: 1969 | Genre: Progressive-Rock
A1 21st Century Schizoid Man Including Mirrors
A2 I Talk To The Wind
A3 Epitaph Including March For No Reason And Tomorrow And Tomorrow
-
B1 Moonchild Including The Dream And The Illusion
B2 The Court Of The Crimson King Including The Return Of The Fire Witch And The Dance Of The Puppets
Pressed By – Specialty Records Corporation
Recorded At – Wessex Sound Studios
Mastered At – Atlantic Studios
Mastered At – Longwear Plating
Credits
Bass, Lead Vocals – Greg Lake
Cover – Barry Godber
Drums, Percussion – Michael Giles
Engineer – Robin Thompson
Engineer [Assistant] – Tony Page
Guitar – Robert Fripp
Keyboards, Mellotron, Woodwind, Vibraphone, Reeds – Ian McDonald
Lyrics By, Other [Illumination] – Peter Sinfield
Other [Equipment] – Vick And Dik
Producer – King Crimson
Vocals – Ian McDonald, Michael Giles
Notes
Original pressing with 1841 Broadway address on each label.
Textured gatefold sleeve.
Barcode and Other Identifiers
Matrix / Runout (Side One Label): ST-A-691699 SP
Matrix / Runout (Side One Runout): STA.691699-C D LW AT SRC W
Matrix / Runout (Side Two Label): ST-A-691700 SP
Matrix / Runout (Side Two Runout): STA.691700-C D SRC LW AT W
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At Longwear Plating
Label: Atlantic/SD 8245 | Released: 1969 | Genre: Progressive-Rock
A1 21st Century Schizoid Man Including Mirrors
A2 I Talk To The Wind
A3 Epitaph Including March For No Reason And Tomorrow And Tomorrow
-
B1 Moonchild Including The Dream And The Illusion
B2 The Court Of The Crimson King Including The Return Of The Fire Witch And The Dance Of The Puppets
Pressed By – Specialty Records Corporation
Recorded At – Wessex Sound Studios
Mastered At – Atlantic Studios
Mastered At – Longwear Plating
Credits
Bass, Lead Vocals – Greg Lake
Cover – Barry Godber
Drums, Percussion – Michael Giles
Engineer – Robin Thompson
Engineer [Assistant] – Tony Page
Guitar – Robert Fripp
Keyboards, Mellotron, Woodwind, Vibraphone, Reeds – Ian McDonald
Lyrics By, Other [Illumination] – Peter Sinfield
Other [Equipment] – Vick And Dik
Producer – King Crimson
Vocals – Ian McDonald, Michael Giles
Notes
Original pressing with 1841 Broadway address on each label.
Textured gatefold sleeve.
Barcode and Other Identifiers
Matrix / Runout (Side One Label): ST-A-691699 SP
Matrix / Runout (Side One Runout): STA.691699-C D LW AT SRC W
Matrix / Runout (Side Two Label): ST-A-691700 SP
Matrix / Runout (Side Two Runout): STA.691700-C D SRC LW AT W
King Crimson - In The Court Of The Crimson King (1969) Original US Pressing - LP/FLAC In 24bit/96kHz
King Crimson - In The Court Of The Crimson King (1969) Original US Pressing - LP/FLAC In 24bit/96kHz
King Crimson - In The Court Of The Crimson King (1969) Original US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2018
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: EX-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Almost unarguably the first, most quintessential prog-rock album ever, Court virtually came out of nowhere, and almost single-handedly defined "prog-rock" at its infancy. Taking "metal" and "experimental" to their extremes, and making use of some of the first truly textured "atmospheres" (fuzz paranoia in Schizoid Man, dreamy surreality in Wind, etc.), Fripp & Co. put prog-rock on the map with this flawless, in-your-face album. In addition to introducing us to Fripp's schizo-paranoid madness, you can hear how much Bruford learned from Michael Giles. Court belongs to a small pantheon of albums that includes Sgt. Pepper, Dark Side, The Lamb, The Wall and maybe half a dozen other absolutely must-have albums.
Review by maani, progarchives.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip
Silent spaces haven't been deleted in this rip
Vinyl / CUE/ FLAC/ High Definition Cover: