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    B'Rock Orchestra, René Jacobs - Handel: Orlando (2014) [Official Digital Download 24/96]

    Posted By: SERTiL
    B'Rock Orchestra, René Jacobs - Handel: Orlando (2014) [Official Digital Download 24/96]

    B'Rock Orchestra, René Jacobs - Handel: Orlando (2014)
    FLAC (tracks) 24-bit/96 kHz | Time - 159:39 minutes | 3.13 GB
    Studio Master, Official Digital Download | Artwork: Digital Booklet

    Making his Archiv opera debut, celebrated Handelian and Grammy award winner René Jacobs, the most exciting opera conductor of the day (Münchner Merkur), leads his dynamic, exquisitely honed B Rock Baroque Orchestra Ghent and an outstanding cast in one of the composer s most spectacular and ravishingly beautiful creations recorded at Concertgebouw Brugge in summer 2013.

    In a recording career spanning four decades, Jacobs has surveyed a phenomenal amount of repertoire, operatic and instrumental: from Monteverdi to Mozart, from Bach to Pergolesi, with Händel, Gluck, Telemann and many more in-between, every new recording being hailed as an event by the press.

    Following game-changing recordings of Handel s Giulio Cesare (1991), Rinaldo (2003) and Agrippina (2011), celebrated early and baroque music elder statesman René Jacobs makes an eagerly expected return to Handel on disc.

    The title role, written for the legendary castrato Senesino, is sung by its finest modern exponent, Bejun Mehta, one of the most commanding, exhilarating countertenors of the modern era (New York Times).

    This is a major new release under the Archiv imprint. Featuring a world-class cast of singers headed by countertenor Bejun Mehta, it ties in with a major revival of the critically acclaimed 2012 stage production by Pierre Audi in Amsterdam and a European concert tour in June. The opera is new to DG s catalogue and is the first studio recording of a complete opera for the label since 2011.

    the most exciting opera conductor of the day –Münchner Merkur

    The success that Jacobs has achieved could never have happened without the sheer vitality of his music making. –The New York Times

    One thing is for sure: whether you like Baroque opera or not, you will never be bored by an opera conducted by René Jacobs. By shaking up convention with his subtle readings, sometimes even rewriting the composer s score, the Belgian conductor is the one of those rare few who always find an elegant way to bring the repetitive mannerisms of the Baroque to life. –Bachtrack.com



    Tracklist:

    George Frideric Handel (1685-1759)

    1. Ouverture
    2. 1. Acc. Gieroglifici eterni
    3. 2. Cavatina Stimulato della gloria
    4. Rec. Purgalo ormai / 3. Sinfonia / Rec. Mira
    5. 4. Aria Lascia Amor
    6. 5. Acc. Imagini funeste / 6. Aria Non fu gia
    7. 7. Acc. Quanto diletto / Rec. Io non so" / 8. Acc e Rec. Itene pur
    8. 9. Aria Ho un certo rossore
    9. Rec. M'hai vinto al fin / 10. Duettino Ritornava al suo bel viso / Rec. Spera, mio ben
    10. 11. Aria Chi possessore / Rec. Ecco Dorinda
    11. 12. Aria Se'l cor mai ti dira
    12. Rec. Povera me! / 13. Aria O care parolette / Rec. Noti a me sono
    13. Rec. Noti a me sono
    14. 14. Aria Se fedel vuoi
    15. Rec. T'ubbidiro / 15. Aria Fammi combattere
    16. Rec. Angelica, deh ! lascia…
    17. 16. Terzetto Consolati, o bella
    18. 17. Cavatina Quando spieghi / Rec. Perche, gentil Dorinda
    19. 18. Aria Se mi rivolgo al prato
    20. Rec. E questa la mercede / 19. Aria Cielo! se tu il consenti
    21. Rec. A qual rischio vi espone / 20. Aria Tra caligini profonde
    22. Rec. Da queste amiche piante / 21. Aria Verdi allori
    23. Rec. Dopo tanti perigli / 22. Aria Non potra dirmi ingrato / Rec. Dove guidate
    24. 23. Aria Verdi piante
    25. Rec. Ah! perfida / 24. Acc. Ah! stigie larve
    26. 25. Sinfonia / Rec. Di Dorinda alle mura
    27. 26. Aria Vorrei poterti amar
    28. Rec. Piu obbligata gli sono / 27. Aria e Rec. Unisca amor in noi
    29. 28. Gia lo stringo
    30. Rec. Di Dorinda all'albergo / 29. Aria cosi giusta e questa speme
    31. Rec. S'e corrisposto un core / 30. Aria Amor e qual vento
    32. Rec. Impari ogn'un da Orlando / 32. Aria Sorge infausta une procella
    33. Rec. Dorinda, e perche piangi?
    34. 33. Duetto Finche predi ancora il sangue / Rec. Vieni! Vanne precipitando / 34. Acc.Gia per la man d'Orlando
    35. 35. Arioso Gia l'ebbro mio ciglio
    36. Rec. Ecco il tempo prefisso / 36. Acc. Tu, che dal gran Tonante / 37. Sinfonia / Rec. Ah! che fate, Signor?
    37. Rec. Dormo ancora, o son desso? / 38. Duettino Per far, mia diletta / Rec. Che vedo, oh Dei!
    38. 39. Acc. Vinse incanti / 40. Coro Tronfa oggi'l mio cor

    Personnel:
    Bejun Mehta (Orlando)
    Sophie Karthäuser (Angelica)
    Kristina Hammarström (Medoro)
    Sunhae Im (Dorinda)
    Konstantin Wolff (Zoroastro)

    B'Rock Orchestra
    René Jacobs (conductor)

    foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
    log date: 2018-02-12 15:42:58

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: B’Rock Baroque Orchestra/Sunhae Im/Konstantin Wolff/Bejun Mehta/Sophie Karthäuser/Kristina Hammarström/Tobias Lehmann/Martin Sauer / Handel: Orlando (1-2)
    B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (3)
    Bejun Mehta/B’Rock Baroque Orchestra/Konstantin Wolff/Tobias Lehmann/Martin Sauer / Handel: Orlando (4)
    Bejun Mehta/B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (5-10)
    Konstantin Wolff/B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (11-13)
    Kristina Hammarström/B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (14-15)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Bejun Mehta/Kristina Hammarström/Tobias Lehmann/Martin Sauer / Handel: Orlando (16)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Bejun Mehta/Tobias Lehmann/Martin Sauer / Handel: Orlando (17-18)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Konstantin Wolff/Bejun Mehta/Tobias Lehmann/Martin Sauer / Handel: Orlando (19)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Konstantin Wolff/Kristina Hammarström/Tobias Lehmann/Martin Sauer / Handel: Orlando (20)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Kristina Hammarström/Sunhae Im/Tobias Lehmann/Martin Sauer / Handel: Orlando (21-22)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Kristina Hammarström/Tobias Lehmann/Martin Sauer / Handel: Orlando (23-25)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Sunhae Im/Tobias Lehmann/Martin Sauer / Handel: Orlando (26)
    Sophie Karthäuser/B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (27-28)
    Sunhae Im/B’Rock Baroque Orchestra/Bejun Mehta/Sophie Karthäuser/Tobias Lehmann/Martin Sauer / Handel: Orlando (29)
    Sunhae Im/B’Rock Baroque Orchestra/Bejun Mehta/Tobias Lehmann/Martin Sauer / Handel: Orlando (30-32)
    Sunhae Im/B’Rock Baroque Orchestra/Konstantin Wolff/Tobias Lehmann/Martin Sauer / Handel: Orlando (33-34)
    Sunhae Im/B’Rock Baroque Orchestra/Kristina Hammarström/Tobias Lehmann/Martin Sauer / Handel: Orlando (35)
    Sunhae Im/B’Rock Baroque Orchestra/Tobias Lehmann/Martin Sauer / Handel: Orlando (36-38)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -0.12 dB -17.26 dB 3:49 37-Orlando, HWV 31: Rec. 'Dormo ancora, o son desso?' / 38. Duettino 'Per far, mia diletta' / Rec. 'Che vedo, oh Dei!'
    DR10 0.00 dB -14.10 dB 2:56 38-Orlando, HWV 31: 39. Acc. 'Vinse incanti' / 40. Coro 'Tronfa oggi'l mio cor'
    DR12 -0.22 dB -15.01 dB 4:49 01-Orlando, HWV 31: Ouverture
    DR14 0.00 dB -17.88 dB 1:46 04-Orlando, HWV 31: Rec. 'Purgalo ormai' / 3. Sinfonia / Rec. 'Mira'
    DR12 -2.95 dB -20.18 dB 1:58 03-Orlando, HWV 31: 2. Cavatina 'Stimulato della gloria'
    DR13 0.00 dB -15.68 dB 6:58 06-Orlando, HWV 31: 5. Acc. 'Imagini funeste' / 6. Aria 'Non fu già'
    DR11 0.00 dB -13.42 dB 4:02 15-Orlando, HWV 31: Rec. 'T'ubbidiro' / 15. Aria 'Fammi combattere'
    DR12 0.00 dB -14.52 dB 4:58 20-Orlando, HWV 31: Rec. 'È questa la mercede' / 19. Aria 'Cielo! se tu il consenti'
    DR12 -0.09 dB -15.45 dB 2:10 29-Orlando, HWV 31: 28. Già lo stringo'
    DR14 -3.01 dB -22.08 dB 4:23 35-Orlando, HWV 31: 35. Arioso 'Già l'ebbro mio ciglio'
    DR12 -1.95 dB -17.50 dB 2:21 02-Orlando, HWV 31: 1. Acc. 'Gieroglifici eterni'
    DR11 -0.11 dB -13.42 dB 3:54 05-Orlando, HWV 31: 4. Aria 'Lascia Amor'
    DR11 -0.01 dB -14.25 dB 5:44 32-Orlando, HWV 31: Rec. 'Impari ogn'un da Orlando' / 32. Aria 'Sorge infausta une procella'
    DR12 -0.13 dB -16.17 dB 3:42 11-Orlando, HWV 31: 12. Aria 'Se'l cor mai ti dirà'
    DR12 -0.27 dB -15.37 dB 3:06 27-Orlando, HWV 31: 26. Aria 'Vorrei poterti amar'
    DR11 -0.04 dB -15.59 dB 9:39 25-Orlando, HWV 31: Rec. 'Ah! perfida' / 24. Acc. 'Ah! stigie larve'
    DR11 0.00 dB -14.53 dB 5:38 23-Orlando, HWV 31: Rec. 'Dopo tanti perigli' / 22. Aria 'Non potrà dirmi ingrato' / Rec. 'Dove guidate'
    DR11 -0.20 dB -15.90 dB 4:42 34-Orlando, HWV 31: 33. Duetto 'Finchè predi ancora il sangue' / Rec. 'Vieni! Vanne precipitando' / 34. Acc.'Già per la man d'Orlando'
    DR15 -0.36 dB -18.73 dB 2:52 13-Orlando, HWV 31: Rec. 'Noti a me sono'
    DR13 -0.19 dB -15.04 dB 5:02 21-Orlando, HWV 31: Rec. 'A qual rischio vi espone' / 20. Aria 'Tra caligini profonde'
    DR13 -0.03 dB -17.41 dB 2:19 16-Orlando, HWV 31: Rec. 'Angelica, deh ! lascia…'
    DR12 -0.23 dB -14.91 dB 4:51 17-Orlando, HWV 31: 16. Terzetto 'Consolati, o bella'
    DR13 -0.11 dB -17.06 dB 3:04 09-Orlando, HWV 31: Rec. 'M'hai vinto al fin' / 10. Duettino 'Ritornava al suo bel viso' / Rec. 'Spera, mio ben'
    DR13 -0.24 dB -16.75 dB 4:49 10-Orlando, HWV 31: 11. Aria 'Chi possessore' / Rec. 'Ecco Dorinda'
    DR14 -0.33 dB -19.04 dB 5:50 22-Orlando, HWV 31: Rec. 'Da queste amiche piante' / 21. Aria 'Verdi allori'
    DR13 -0.13 dB -15.84 dB 5:44 30-Orlando, HWV 31: Rec. 'Di Dorinda all'albergo' / 29. Aria 'così giusta è questa speme'
    DR12 0.00 dB -15.92 dB 4:08 14-Orlando, HWV 31: 14. Aria 'Se fedel vuoi'
    DR12 -0.20 dB -16.15 dB 7:28 24-Orlando, HWV 31: 23. Aria 'Verdi piante'
    DR11 -0.22 dB -15.69 dB 1:50 33-Orlando, HWV 31: Rec. 'Dorinda, e perchè piangi?'
    DR13 -0.12 dB -17.46 dB 2:54 07-Orlando, HWV 31: 7. Acc. 'Quanto diletto' / Rec. 'Io non so' / 8. Acc e Rec. 'Itene pur'
    DR13 0.00 dB -18.46 dB 4:44 18-Orlando, HWV 31: 17. Cavatina 'Quando spieghi' / Rec. 'Perchè, gentil Dorinda'
    DR14 -0.32 dB -18.27 dB 3:55 28-Orlando, HWV 31: Rec. 'Più obbligata gli sono' / 27. Aria e Rec. 'Unisca amor in noi'
    DR13 -0.31 dB -17.18 dB 4:10 12-Orlando, HWV 31: Rec. 'Povera me!' / 13. Aria 'O care parolette' / Rec. 'Noti a me sono'
    DR13 -0.03 dB -18.52 dB 3:05 36-Orlando, HWV 31: Rec. 'Ecco il tempo prefisso' / 36. Acc. 'Tu, che dal gran Tonante' / 37. Sinfonia / Rec. 'Ah! che fate, Signor?'
    DR11 -2.04 dB -16.62 dB 2:13 26-Orlando, HWV 31: 25. Sinfonia / Rec. 'Di Dorinda alle mura'
    DR13 -0.28 dB -15.93 dB 3:10 08-Orlando, HWV 31: 9. Aria 'Ho un certo rossore'
    DR12 -0.18 dB -16.04 dB 5:44 19-Orlando, HWV 31: 18. Aria 'Se mi rivolgo al prato'
    DR11 -0.27 dB -15.24 dB 5:34 31-Orlando, HWV 31: Rec. 'S'è corrisposto un core' / 30. Aria 'Amor è qual vento'
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 38
    Official DR value: DR12

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2816 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer.