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    The Dregs - Unsung Heroes (1981) Original US Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    The Dregs - Unsung Heroes (1981) Original US Pressing - LP/FLAC In 24bit/96kHz

    The Dregs - Unsung Heroes
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Mastered At Sterling Sound By George Marino
    Label: Arista/AL 9548 | Released: 1981 | Genre: Progressive-Fusion


    A1 Cruise Control
    A2 Divided We Stand
    A3 I'll Just Pick
    A4 Day 444
    -
    B1 Rock & Roll Park
    B2 Attila The Hun
    B3 Kat Food
    B4 Go For Baroque


    Manufactured By – Arista Records, Inc.
    Mixed At – Axis Sound Studio
    Recorded At – Axis Sound Studio
    Mastered At – Sterling Sound
    Credits
    Acoustic Guitar [Guitars], Electric Guitar [Guitars], Producer, Written-By – Steve Morse
    Bass [Fretted And Fretless] – Andy West
    Design – James Flournoy Holmes, Wonder Graphics
    Drums, Percussion – Rod Morgenstein
    Engineer – George Pappas
    Mastered By – George Marino
    Photography By – Elizabeth Turk
    Piano [Acoustic], Electric Piano, Organ, Synthesizer, Clavinet, Saxophone – T. Lavitz
    Violin [Acoustic And Electric 5 String Violin] – Allen Sloan
    Notes
    Recorded and mixed at Axis Sound Studio, Atlanta, Ga. Dec 8, 1980-Feb 10, 1981

    (P) & (C) 1981 Arista Records, Inc., 6 West 57th Street, New York, N.Y. 10019
    Printed in the U.S.A.
    Barcode 0 7822-19548-1 5

    incl. printed inner sleeve
    Barcode and Other Identifiers
    Barcode: 0 7822-19548-1
    Matrix / Runout (A Side Etched): AL-9548-SA-CS1
    Matrix / Runout (B Side Etched): AL-9548-SB-CS1
    Matrix / Runout (A Side Stamped): STERLING
    Matrix / Runout (B Side Stamped): STERLING
    Matrix / Runout (A Side Center Label): AL 9548 SA
    Matrix / Runout (B Side Center Label): AL 9548 SB


    The Dregs - Unsung Heroes (1981) Original US Pressing - LP/FLAC In 24bit/96kHz

    The Dregs - Unsung Heroes (1981) Original US Pressing - LP/FLAC In 24bit/96kHz

    The Dregs - Unsung Heroes (1981) Original US Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2016
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX4: Only Manual (Click per click)
    Vinyl Condition: EX+
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    In the early '80s the blight of commercialitis had severely degraded the quality of progressive music being created. There are still many gems from that era. Unsung Heroes isn't necessarily one of them yet a fine, and imperfect album all the same. The Dregs dropped the "Dixie" from their name in an attempt to reach a broader audience. I wonder how many of you out there haven't checked this band out because of the "Dixie"? This was the first of two albums in that direction and under "The Dregs" band name, which was what we all around here referred to them as anyway. It unfortunately didn't work as well as they'd hoped and after the second album as "The Dregs", everyone moved on to other projects. (The original violinist Alan Sloane moved on after Unsung Heroes. )
    Cruise Control kicks off the album and is probably the worst piece on the album, not to say it's actually a bad piece of music, it's just that the live versions are far superior. And as the song was mostly a vehicle for improvisation, it was just sad to see it reduced to this way too short piece for the sake of trying to get some airplay. Fer shame, fer shame. The older version on the album Freefall beats this version but also pales in comparison to any live version I've experienced.

    Divided We Stand sees them back in finer form. This is what the Dregs were all about. It's just progressive fusion, jazzy/rocky/a little bluegrassy/complexy, well, you'll just have to hear it to appreciate it (dancing about architecture and what not.).

    I'll Just Pick has even a stronger bluegrass flavor to it. Trust me, this is bluegrass even a die hard prog zombie pod person could like. I know, I was one when I went nutzo for the Dregs.

    Day 444 is a nice slow long piece dedicated to the release of the American embassy hostages from Iran. Post Rock fans should really dig this.

    Rock and Roll Park another attempt at an instrumental AOR friendly hit. But dang it, just way too progressive to be successful. We're talking 1981 here. Ok maybe it was just the title trying to sound AOR friendly rather than the music.

    Attila the Hun is hard to really classify. High energy prog? Speed prog? Complexo prog? A fun little musical ride, for sure, Mr. Morse can really play rings around every guitarist out there, seriously.

    Kat Food not to be confused as a cover for Crimson's Cat Food, this one's actually a much better song. A little funky/bluesy, I suppose. Killer complex musicianship again.

    In Go for Baroque, the Dregs really did go for an excellent piece in the classical style, really not anything like the classical style pieces they did in the past, it could just about get a classical snob to appreciate prog.

    Had to get the CD as a Japanese import. (I'm greatful for all the great import prog available only from Japan!) Really glad to have it back in my collection available to play after a hiatus due to the whole LP Cassette CD transitioning thing.
    Review by Slartibartfast, progarchives.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip.

    Vinyl / CUE/ FLAC/ High Definition Cover: