Dorothea Röschmann - Portraits (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 66:24 minutes | 0.99 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
FLAC (tracks) 24-bit/96 kHz | Time - 66:24 minutes | 0.99 GB
Studio Master, Official Digital Download | Artwork: Digital booklet
Dorothea Röschmann releases her new recital album including well known songs by Schubert, Schumann, Strauss and Wolf. She is accompanied by Malcolm Martineau who is recognized as one of the leading accompanists of his generation.
'The idea for this program of female portraits took seed a long time ago, when I was studying in London with the wonderful teacher, Vera Rozsa. I used to make frequent pilgrimages to the extraordinary National Portrait Gallery where one is surrounded by the most imposing portraits of British personalities and royalty, such as the Tudors and Queen Elizabeth I, as well as countless figures from British history – poets, physicians and so on - all concentrated and condensed within the confines of the building.
A portrait represents a very intense encounter with a person and you believe you know them better after having studied the picture for some time. It can only give you a glimpse of the personality, but also creates an impression of how the person wanted to be portrayed. In songs, a portrait is the musical interpretation of a fictionalized person from literature (Gretchen, Mignon), or real life (Mary Stuart), but the process of character portrayal and trying to get deeper and deeper through different layers, has to happen musically. As a portrait, it can only attempt to portray a snapshot of all the emotions of the character but the longer you live with a song, the more you find in it, as in all music.
This fascination with character interpretation in song and in opera, led to my desire to put together a programme with portraits that reflect the finely shaded nuances of the figures presented here. In the same way, female characters such as Mignon and Gretchen, created by Goethe, and Mary, Queen of Scots, have stimulated the imagination of poets, composers and artists alike. We have included songs by Richard Strauss as every one of them can be regarded as a miniature mood portrait.
The original Schubert setting of ‘Gretchens Bitte’ is only a fragment of Goethe’s poem so we have chosen Benjamin Britten’s ‘complete’ version as it gives a more comprehensive characterization of Gretchen.' Dorothea Röschmann.
“this recital…represents the finest singing I have encountered from her…Röschmann's slightly mottled soprano may not have an ideally wide coloristic range, but it's remarkable how much variety of tone and timbre she brings to this programme. These are considered interpretations, living out of the spirit of the texts and the music with outstanding insight and precision.” (BBC Music Magazine)
“Her soprano has taken on a darker sound of late…Röschmann is highly skilled in Lieder and her partnership with Malcolm Martineau has delivered a recital that gets beneath the music's skin.” {Gramophone Magazine)
TRACKLIST
Franz Schubert (1797–1828)
1 Heiß mich nicht reden, D. 877/2 03:54
2 So lasst mich scheinen, D. 877/3 03:13
3 Nur wer die Sehnsucht kennt, D. 877/4 03:00
4 Kennst du das Land, D. 321 04:37
5 Der König in Thule, D. 367 03:22
6 Gretchen am Spinnrade, D. 118 03:47
7 Gretchens Bitte, D. 564 06:35
Robert Schumann (1810–1856)
8 Abschied von Frankreich 01:40
9 Nach der Geburt ihres Sohnes 01:24
10 An die Königin Elisabeth 01:55
11 Abschied von der Welt 02:47
12 Gebet 01:45
Richard Strauss (1864–1949)
13 Die Nacht, Op. 10, No. 3 02:49
14 Morgen, Op. 27, No. 4 03:47
15 Schlechtes Wetter, Op. 69, No. 5 02:20
16 Befreit, Op. 39, No. 4 04:55
Hugo Wolf (1860–1903)
17 Mignon I - Heiß mich nicht reden 03:06
18 Mignon II - Nur wer die Sehnsucht kennt 01:56
19 Mignon III - So lasst mich scheinen 03:08
20 Kennst du das Land? 06:29
PERSONNEL
Dorothea Röschmann, soprano
Malcolm Martineau, piano
foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
log date: 2017-09-06 12:30:14
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dorothea Röschmann / Portraits
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.30 dB -24.17 dB 3:54 01-Heiß mich nicht reden, D. 877/2
DR12 -4.94 dB -24.06 dB 3:14 02-So lasst mich scheinen, D. 877/3
DR13 -5.56 dB -25.67 dB 3:00 03-Nur wer die Sehnsucht kennt, D. 877/4
DR13 -4.51 dB -24.54 dB 4:38 04-Kennst du das Land, D. 321
DR11 -5.17 dB -22.25 dB 3:22 05-Der König in Thule, D. 367
DR13 -1.27 dB -20.42 dB 3:47 06-Gretchen am Spinnrade, D. 118
DR14 -2.66 dB -23.88 dB 6:34 07-Gretchens Bitte, D. 564
DR12 -8.59 dB -27.92 dB 1:41 08-Gedichte der Königin Maria Stuart, Op. 135: Abschied von Frankreich
DR11 -16.01 dB -33.48 dB 1:25 09-Gedichte der Königin Maria Stuart, Op. 135: Nach der Geburt ihres Sohnes
DR13 -5.24 dB -27.13 dB 1:55 10-Gedichte der Königin Maria Stuart, Op. 135: An die Königin Elisabeth
DR14 -6.08 dB -28.22 dB 2:47 11-Gedichte der Königin Maria Stuart, Op. 135: Abschied von der Welt
DR15 -6.58 dB -27.14 dB 1:45 12-Gedichte der Königin Maria Stuart, Op. 135: Gebet
DR13 -4.90 dB -26.07 dB 2:49 13-Die Nacht, Op. 10, No. 3
DR15 -7.09 dB -28.59 dB 3:47 14-Morgen, Op. 27, No. 4
DR14 -3.47 dB -23.33 dB 2:21 15-Schlechtes Wetter, Op. 69, No. 5
DR13 -0.30 dB -21.58 dB 4:55 16-Befreit, Op. 39, No. 4
DR13 -4.21 dB -24.96 dB 3:06 17-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon I-Heiß mich nicht reden
DR12 -1.35 dB -25.39 dB 1:56 18-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon II-Nur wer die Sehnsucht kennt
DR15 -3.23 dB -25.14 dB 3:08 19-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon III-So lasst mich scheinen
DR15 -1.35 dB -23.17 dB 6:29 20-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Kennst du das Land?
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2094 kbps
Codec: FLAC
================================================================================
log date: 2017-09-06 12:30:14
––––––––––––––––––––––––––––––––––––––––
Analyzed: Dorothea Röschmann / Portraits
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.30 dB -24.17 dB 3:54 01-Heiß mich nicht reden, D. 877/2
DR12 -4.94 dB -24.06 dB 3:14 02-So lasst mich scheinen, D. 877/3
DR13 -5.56 dB -25.67 dB 3:00 03-Nur wer die Sehnsucht kennt, D. 877/4
DR13 -4.51 dB -24.54 dB 4:38 04-Kennst du das Land, D. 321
DR11 -5.17 dB -22.25 dB 3:22 05-Der König in Thule, D. 367
DR13 -1.27 dB -20.42 dB 3:47 06-Gretchen am Spinnrade, D. 118
DR14 -2.66 dB -23.88 dB 6:34 07-Gretchens Bitte, D. 564
DR12 -8.59 dB -27.92 dB 1:41 08-Gedichte der Königin Maria Stuart, Op. 135: Abschied von Frankreich
DR11 -16.01 dB -33.48 dB 1:25 09-Gedichte der Königin Maria Stuart, Op. 135: Nach der Geburt ihres Sohnes
DR13 -5.24 dB -27.13 dB 1:55 10-Gedichte der Königin Maria Stuart, Op. 135: An die Königin Elisabeth
DR14 -6.08 dB -28.22 dB 2:47 11-Gedichte der Königin Maria Stuart, Op. 135: Abschied von der Welt
DR15 -6.58 dB -27.14 dB 1:45 12-Gedichte der Königin Maria Stuart, Op. 135: Gebet
DR13 -4.90 dB -26.07 dB 2:49 13-Die Nacht, Op. 10, No. 3
DR15 -7.09 dB -28.59 dB 3:47 14-Morgen, Op. 27, No. 4
DR14 -3.47 dB -23.33 dB 2:21 15-Schlechtes Wetter, Op. 69, No. 5
DR13 -0.30 dB -21.58 dB 4:55 16-Befreit, Op. 39, No. 4
DR13 -4.21 dB -24.96 dB 3:06 17-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon I-Heiß mich nicht reden
DR12 -1.35 dB -25.39 dB 1:56 18-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon II-Nur wer die Sehnsucht kennt
DR15 -3.23 dB -25.14 dB 3:08 19-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Mignon III-So lasst mich scheinen
DR15 -1.35 dB -23.17 dB 6:29 20-Gesänge aus Wilhelm Meisters Lehrjahre, Op. 62, D. 877: Kennst du das Land?
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 20
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2094 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.