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    Diana Boyle - Bach: Works for Keyboard (2019)

    Posted By: v3122
    Diana Boyle - Bach: Works for Keyboard (2019)

    Diana Boyle - Bach: Works for Keyboard (2019)
    DSD64 2.0 | 1-bit/2.8224 MHz | Time: 01:23:54 | ~ 3.41 GB
    or 24-bit/192 kHz | Flac(Tracks) | ~ 1.09 Gb
    Classical | Label: Divine Art | Official Digital Download

    ~ Recorded at Potton Hall, Suffolk, 20th-27th June 2018 ~

    If you have an aversion to Bach on a modern piano, you should hit the Back button now; these releases aren’t for you. I have paired them because of the proximity of their release dates, and the presence of BWV 831 on each allows a direct comparison of styles. Very different they are too, as a check on the timings for the Overture will suggest.
    Diana Boyle is obviously a respected performer; otherwise, she wouldn’t have maintained a recording presence over two decades. However, I found her performance to be very hard going, and certainly very slow going. All tempos seem to be slow or slower. Yes, I am fully aware that JSB left no tempo markings for these works, meaning that performers have almost infinite scope for interpretation, but surely that doesn’t mean that all are equally successful. Almost all the movements in the Overture and Suite are dances but I can’t imagine anyone dancing to her leaden tempos. Every phrase is dragged out, separated by awkward silences that eliminate any dance rhythm. By way of illustration, for the opening section of the opening Ouverture of BWV 831, Boyle takes 5:52 to get to the following fugue; compare this with Mortensen’s 2:05 and Hewitt’s 2:46. Yes, timings aren’t always definitive, but they are here. When the fugue begins, Hewitt and Mortensen accelerate delightfully, Boyle continues to plod, crawl even.
    John France has reviewed this Boyle release, and enjoyed it, while mentioning the slowness and worrying that the “dance elements of these works may get lost in a soft-focus haze”. Indeed! In the reviews of the two earlier releases, which I hadn’t read before requesting this or indeed before listening to it, the adjectives “unlikely”, “eccentric” (in both) and “theatrical” were used. Clearly Ms Boyle’s approach to Bach has remained consistent over the years, and I can respect that. I see that she has recorded the Goldbergs, my Desert Island music; there is scant chance that I will try her version.
    Production values for each release are as one would hope. While I have seen a number of single CDs with durations of over 85 minutes, Divine Art opted for two discs. I think a more sensible approach would have been to omit one of the Sinfonias (perhaps make it available as a download), or ask Ms Boyle to record all of them, thus using the space better.
    Mortensen’s Bach may not challenge the best, but it is a thoroughly listenable recital. Boyle’s, on the other hand, is for her fans; anyone coming to her for the first time needs to listen extensively to samples first.

    by David Barker
    Diana Boyle - Bach: Works for Keyboard (2019):

    Tracklist:

    Overture in the French Style, BWV 831
    01 - I. Overture (14:23)
    02 - II. Courante (1:49)
    03 - III. Gavotte I (1:48)
    04 - IV. Gavotte II (1:40)
    05 - V. Da capo to Gavotte I (1:11)
    06 - VI. Passepied I (1:21)
    07 - VII. Passepied II (1:35)
    08 - VIII. Da capo to Passepied I (1:17)
    09 - IX. Sarabande (4:11)
    10 - X. Bourrée I (1:36)
    11 - XI. Bourrée II (1:08)
    12 - XII. Gigue (2:25)
    13 - XIII. Echo (2:29)

    French Suite No. 1 in D Minor, BWV 812
    14 - I. Allemande (2:30)
    15 - II. Courante (2:14)
    16 - III. Sarabande (6:28)
    17 - IV. Menuet I (1:53)
    18 - V. Menuet II (1:32)
    19 - VI. Da capo to Menuet I (1:05)
    20 - VII. Gigue (3:14)

    15 Sinfonias (Excerpts)
    21 - No. 5 in E-Flat Major, BWV 791 (4:01)
    22 - No. 11 in G Minor, BWV 797 (3:04)
    23 - No. 4 in D Minor, BWV 790 (2:22)
    24 - No. 13 in A Minor, BWV 799 (1:55)
    25 - No. 8 in F Major, BWV 794 (1:54)
    26 - No. 7 in E Minor, BWV 793 (3:36)
    27 - No. 6 in E Major, BWV 792 (2:30)
    28 - No. 12 in A Major, BWV 798 (2:14)
    29 - No. 9 in F Minor, BWV 795 (6:28)

    Diana Boyle - Piano: Grotrian-Steinweg

    Record Label: Divine Art
    Catalogue No. DDA25190
    Release Date: June 21, 2019
    Recorded at Potton Hall, Suffolk, 20th-27th June 2018
    Original Recording Format: PCM

    foobar2000 1.4.6 / Dynamic Range Meter 1.1.1
    log date: 2022-01-05 17:52:12

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Diana Boyle / Bach: Works for Keyboard
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -5.06 dB -23.96 dB 14:23 01-Overture in the French Style, BWV 831: I. Overture
    DR12 -6.26 dB -24.05 dB 1:49 02-Overture in the French Style, BWV 831: II. Courante
    DR13 -9.25 dB -25.63 dB 1:48 03-Overture in the French Style, BWV 831: III. Gavotte I
    DR12 -10.32 dB -25.55 dB 1:40 04-Overture in the French Style, BWV 831: IV. Gavotte II
    DR13 -9.71 dB -26.15 dB 1:11 05-Overture in the French Style, BWV 831: V. Da capo to Gavotte I
    DR13 -10.50 dB -26.01 dB 1:21 06-Overture in the French Style, BWV 831: VI. Passepied I
    DR14 -7.23 dB -25.25 dB 1:35 07-Overture in the French Style, BWV 831: VII. Passepied II
    DR12 -11.88 dB -26.47 dB 1:17 08-Overture in the French Style, BWV 831: VIII. Da capo to Passepied I
    DR14 -11.49 dB -26.88 dB 4:11 09-Overture in the French Style, BWV 831: IX. Sarabande
    DR13 -10.49 dB -25.31 dB 1:36 10-Overture in the French Style, BWV 831: X. Bourrée I
    DR12 -10.12 dB -24.94 dB 1:08 11-Overture in the French Style, BWV 831: XI. Bourrée II
    DR14 -7.74 dB -25.47 dB 2:25 12-Overture in the French Style, BWV 831: XII. Gigue
    DR16 -4.53 dB -23.58 dB 2:29 13-Overture in the French Style, BWV 831: XIII. Echo
    DR13 -10.67 dB -25.95 dB 2:30 14-French Suite No. 1 in D Minor, BWV 812: I. Allemande
    DR14 -5.40 dB -23.02 dB 2:14 15-French Suite No. 1 in D Minor, BWV 812: II. Courante
    DR15 -9.70 dB -27.21 dB 6:28 16-French Suite No. 1 in D Minor, BWV 812: III. Sarabande
    DR13 -11.30 dB -26.11 dB 1:53 17-French Suite No. 1 in D Minor, BWV 812: IV. Menuet I
    DR13 -9.45 dB -24.75 dB 1:32 18-French Suite No. 1 in D Minor, BWV 812: V. Menuet II
    DR13 -11.53 dB -26.38 dB 1:05 19-French Suite No. 1 in D Minor, BWV 812: VI. Da capo to Menuet I
    DR14 -4.88 dB -23.14 dB 3:14 20-French Suite No. 1 in D Minor, BWV 812: VII. Gigue
    DR14 -10.30 dB -27.05 dB 4:01 21-15 Sinfonias (Excerpts): No. 5 in E-Flat Major, BWV 791
    DR15 -6.68 dB -26.39 dB 3:04 22-15 Sinfonias (Excerpts): No. 11 in G Minor, BWV 797
    DR14 -9.58 dB -25.92 dB 2:22 23-15 Sinfonias (Excerpts): No. 4 in D Minor, BWV 790
    DR14 -6.34 dB -25.02 dB 1:55 24-15 Sinfonias (Excerpts): No. 13 in A Minor, BWV 799
    DR14 -6.44 dB -23.77 dB 1:54 25-15 Sinfonias (Excerpts): No. 8 in F Major, BWV 794
    DR14 -10.21 dB -26.45 dB 3:36 26-15 Sinfonias (Excerpts): No. 7 in E Minor, BWV 793
    DR13 -10.67 dB -25.95 dB 2:30 27-15 Sinfonias (Excerpts) No. 6 in E Major, BWV 792
    DR14 -5.40 dB -23.02 dB 2:14 28-15 Sinfonias (Excerpts) No. 12 in A Major, BWV 798
    DR15 -9.70 dB -27.21 dB 6:28 29-15 Sinfonias (Excerpts) No. 9 in F Minor, BWV 795
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 29
    Official DR value: DR14

    Samplerate: 2822400 Hz / PCM Samplerate: 352800 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 5645 kbps
    Codec: DSD64

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