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David Crosby/Graham Nash - Wind On The Water (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
David Crosby/Graham Nash - Wind On The Water (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz

David Crosby/Graham Nash - Wind On The Water
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: ABC Records/ABCD-902 | Released: 1975 | Genre: Country-Rock

A1 Carry Me
A2 Mama Lion
A3 Bittersweet
A4 Take The Money And Run
A5 Naked In The Rain
A6 Love Work Out
-
B1 Low Down Payment
B2 Cowboy Of Dreams
B3 Homeward Through The Haze
B4 Fieldworker
B5 To The Last Whale…
a) Critical Mass
b) Wind On The Water


Phonographic Copyright (p) – ABC Records, Inc.
Copyright © – ABC Records, Inc.
Recorded At – Ruby Records, San Francisco
Recorded At – Sound Labs, Hollywood
Recorded At – The Village Recorder
Credits
Acoustic Guitar – James Taylor (2) (tracks: A1, B5b), Joel Bernstein (tracks: A2, A5)
Arranged By, Conductor – Jimmie Haskell*
Art Direction, Design – Gary Burden
Bass – Leland Sklar (tracks: A3, B1, B3, B5b), Tim Drummond (tracks: A2, A6, B2, B4)
Drums – Russ Kunkel (tracks: A1, A4, A6 to B3), Russell Kunkel* (tracks: A2, A5, B5b)
Electric Guitar – Danny Kootch* (tracks: A2 to A4, A6 to B1, B3), David Crosby (tracks: A1, A2, A6, B1, B3, B4), Graham Nash (tracks: A2, B1, B2)
Electric Piano – Craig Doerge (tracks: A3, A5, B1, B3, B5b)
Engineer – Don Gooch, Stephen Barncard
Engineer [Assistant] – Stan Johnston*
Fiddle – David Lindley (tracks: A4, B2)
Leader [Orchestra] – Sid Sharp*
Photography By [Back Cover] – Bob Hammer*
Photography By [Front Cover And Inside Sleeve] – Joel Bernstein
Piano – Craig Doerge (tracks: A1, A2, B1 to B2), Graham Nash (tracks: A6, B4, B5b)
Slide Guitar – David Lindley (tracks: A2, A4 to B1, B4)
Vocals, Producer – David Crosby, Graham Nash
Notes
Recorded at - Ruby Records, San Francisco, Sound Labs and Village Recorder, Los Angeles.

℗ © 1975, ABC Records, Inc.
Barcode and Other Identifiers
Matrix / Runout (Side A): ABCD-902-A
Matrix / Runout (Side B): ABCD-902-B


David Crosby/Graham Nash - Wind On The Water (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz

David Crosby/Graham Nash - Wind On The Water (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz

David Crosby/Graham Nash - Wind On The Water (1975) US 1st Pressing - LP/FLAC In 24bit/96kHz



This Rip: 2015
This LP: From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus (New!)
Amplifier: Sansui 9090DB
ADC: E-MU 0404
DeClick with iZotope RX3 & ClickRepair: Only Manual (Click per click)
Vinyl Condition: EX+
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

As two of the most distinctive artists from the '60s and '70s given their work in CSNY, Crosby & Nash also did great work as a duo act. Wind on the Water was released in 1975 after the previous year's CSNY reunion tour and the dissolution of their contract at Atlantic. In many respects, this alliance made perfect sense. When it was just the two of them, they were often more likable. Crosby wasn't as much of a blowhard and Nash became more pragmatic. Wind on the Water's virtues are apparent with the first song, the warm and pensive single "Carry Me." "Homeward Through the Haze," "Low Down Payment," and "Naked in the Rain" are gems that all but sum up their complicated harmonic and melodic style. Besides Crosby & Nash being on their game, the studio players here are impeccable. Lovers of '70s pop/rock will love to hear players like Danny Kortchmar and David Lindley effortlessly doing their identifiable riffs. James Taylor, Carole King, and Jackson Browne also showed up for these sessions, but do not intrude or overshadow Crosby & Nash. Without a doubt, despite the strong production, the stars of the show here are Crosby & Nash. The album concludes with "To the Last Whale…: Critical Mass/Wind on the Water." The song is not only a testament to the album's skill at making the complex seem effortless, but it also gets its point across without being mushy. Wind on the Water has an instant classic, lived-in sound and is a definite must-have.
Review by Jason Elias, allmusic.com
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