Collegium Musicum - Konvergencie (1971) CZ 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Collegium Musicum - Konvergencie
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 2000mb
Label: Opus/9113 0136/9113 0137 | Released: 1971 | Genre: Symphonic-Rock
A) - P. F. 1972
-
B) - Suita Po Tisíc A Jednej Noci - After Thousand And One Night Suite
-
C) - Piesne Z Kolovrátku - The Spinning-Wheel Songs
-
D) - Eufónia - Euphony
Bass Guitar, Mandolin [Bass], Vocals – Fedor Frešo
Cover – Tibor Borský
Drums – Dušan Hájek
Engineer [Sound And Cut] – Peter Hubka, Ing. Peter Janík
Guitar, Mandolin, Vocals – František Griglák
Liner Notes – Kamil Peteraj
Organ, Piano, Bells, Keyboards [Subharchord] – Marián Varga
Producer – Fedor Frešo, Marián Varga, Ing. Viliam Vaškovič
Recording Supervisor [Recording Director] – Vladimír Valovič
Vocals – Pavol Hammel
Notes
Čs hi fi klub [logo]
Voľné zpracovanie hudobných tém baletu N. A. Rimskeho-Korsakova »Šeherezáda«
Free creation of musical themes from N. A. Rimskij-Korsakov’s Ballet »Sheherezade«
[comment track B]
Recorded in Czechoslovak Broadcast Studio, Bratislava, September-October 1971.
Published in collaboration of Slovak Hi Fi Club.
Made in Czechoslovakia
Konvergencie – Convergencies [release title on center labels]
Ⓟ 1971
Processed by Gramofonové závody, n.p.
[Gatefold sleeve with 2 pages of attached insert]
Barcode and Other Identifiers
Matrix / Runout (A): OE 0232
Matrix / Runout (B): OE 0233
Matrix / Runout (C): OE 0234
Matrix / Runout (D): OE 0235
Other (Catalog# LP 1): 91 13 0136
Other (Catalog# LP 2): 91 13 0137
Rights Society: BIEM
Other (Retail price): 120
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 2000mb
Label: Opus/9113 0136/9113 0137 | Released: 1971 | Genre: Symphonic-Rock
A) - P. F. 1972
-
B) - Suita Po Tisíc A Jednej Noci - After Thousand And One Night Suite
-
C) - Piesne Z Kolovrátku - The Spinning-Wheel Songs
-
D) - Eufónia - Euphony
Bass Guitar, Mandolin [Bass], Vocals – Fedor Frešo
Cover – Tibor Borský
Drums – Dušan Hájek
Engineer [Sound And Cut] – Peter Hubka, Ing. Peter Janík
Guitar, Mandolin, Vocals – František Griglák
Liner Notes – Kamil Peteraj
Organ, Piano, Bells, Keyboards [Subharchord] – Marián Varga
Producer – Fedor Frešo, Marián Varga, Ing. Viliam Vaškovič
Recording Supervisor [Recording Director] – Vladimír Valovič
Vocals – Pavol Hammel
Notes
Čs hi fi klub [logo]
Voľné zpracovanie hudobných tém baletu N. A. Rimskeho-Korsakova »Šeherezáda«
Free creation of musical themes from N. A. Rimskij-Korsakov’s Ballet »Sheherezade«
[comment track B]
Recorded in Czechoslovak Broadcast Studio, Bratislava, September-October 1971.
Published in collaboration of Slovak Hi Fi Club.
Made in Czechoslovakia
Konvergencie – Convergencies [release title on center labels]
Ⓟ 1971
Processed by Gramofonové závody, n.p.
[Gatefold sleeve with 2 pages of attached insert]
Barcode and Other Identifiers
Matrix / Runout (A): OE 0232
Matrix / Runout (B): OE 0233
Matrix / Runout (C): OE 0234
Matrix / Runout (D): OE 0235
Other (Catalog# LP 1): 91 13 0136
Other (Catalog# LP 2): 91 13 0137
Rights Society: BIEM
Other (Retail price): 120
Collegium Musicum - Konvergencie (1971) CZ 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Collegium Musicum - Konvergencie (1971) CZ 1st Pressing - 2 LP/FLAC In 24bit/96kHz
Collegium Musicum - Konvergencie (1971) CZ 1st Pressing - 2 LP/FLAC In 24bit/96kHz
This Rip: 2014
This LP: EX++ / Another LP found for me by Sunniva, thanks so much!
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
I leave you with this gem of symphonic-rock from Eastern Europe, this group is in the same style of "The Nice" and "ELP", so, ladies and gentlemen: "Collegium Musicum" from Slovakia.Fran Solo, MMXIV
There's much of Keith Emerson in Marion Varga's playing, but this double album is more than a tribute to a way of playing the Hammond. There are arrangements of famous classical pieces (Bach, Rimsky-Korsakov and Haydn), together with a pure electronic suite. The shortest song is about 7 minutes, but all the rest is between 12 and 25 minutes in length. Never boring, anyway. There's a good variety of sub-genres, interludes, and very interesting passages. The other group members are very good musicians, too, so even if the Hammond has the "first row", all the ensemble can be apprieciated. The SLOVAKIAN (I wrote hungarian by mistake in the first version of this review, but I was llistening to After Crying actually) lyrics add a bit of exotism and are not "weird" like some English lyrics sung by Germans (I mean the Eloy, just to draw an example). As I mentioned at the beginning, there's much of Keith Emerson, but it's not so relevant as in Par Lindh may be. The composing and the arrangements are original enough to give this album a very high rating. To all the fans of Symphonic prog, not only EL&P.progarchives.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip.
Silent spaces haven't been deleted in this rip.
Vinyl / CUE/ FLAC/ High Definition Cover: