Crosby, Stills & Nash - Daylight Again (1982) US 1st Pressing - LP/FLAC In 24bit/96kHz
Crosby, Stills & Nash - Daylight Again
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered at Sheffield Lab Matrix by Stan Ricker
Label: Atlantic/SD 19360 | Released: 1982 | Genre: Country-Rock
A1 Turn Your Back On Love 4:47
A2 Wasted On The Way 2:51
A3 Southern Cross 4:40
A4 Into The Darkness 3:21
A5 Delta 4:12
-
B1 Since I Met You 3:10
B2 Too Much Love To Hide 3:57
B3 Song For Susan 3:07
B4 You Are Alive 3:02
B5 Might As Well Have A Good Time 4:25
Daylight Again / Find The Cost Of Freedom (2:28)
B6a Daylight Again
B6b Find The Cost Of Freedom
Manufactured By – Atlantic Recording Corporation
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright © – Crosby, Stills & Nash
Recorded At – Rudy Records
Recorded At – Sea-West Studios, Seattle
Recorded At – Devonshire Studios
Mixed At – Rudy Records
Mixed At – Devonshire Studios
Mastered At – Sheffield Lab Matrix – △1635
Pressed By – Allied Record Company
Published By – Gold Hill Music
Published By – Putzy Putzy Music
Published By – Kenwon Music
Published By – Catpatch Music, Inc.
Published By – Midships Music
Published By – Looks Like Music
Published By – Tele-comm Music
Published By – Fair Star Music
Published By – Mousetower Music
Credits
Art Direction – Jimmy Wachtel
Banjo – Stephen Stills (tracks: B6)
Bass – Bob Glaub (tracks: A2), George “Chocolate” Perry (tracks: A1, A3, A4, B1, B2, B4), Leland Sklar (tracks: A5), Timothy B. Schmidt* (tracks: B3)
Cello – Ernie Ehrhardt (tracks: B3), Ramon Martinez (tracks: B3), Roberleigh Barnhart* (tracks: B3)
Design [Logo] – Mac James
Drums – Jeff Porcaro (tracks: B1), Joe Vitale (tracks: A1, A3, A4, B2, B4), Russ Kunkel (tracks: A2, A5, B3)
Electric Piano – Michael Finnigan* (tracks: A4, B2, B4), Stephen Stills (tracks: A1, B1)
Fiddle – Wayne Goodwin (tracks: A2)
Guitar – Dean Parks (tracks: A5), Gerry Tolman (tracks: B1), Graham Nash (tracks: A1, A4), Joel Bernstein (tracks: A2, B3), Michael Stergis (tracks: A1 to A4, B1 to B4), Stephen Stills (tracks: A1 to A4, B1, B2, B4, B6)
Harmonica – Graham Nash (tracks: B4)
Keyboards – Craig Doerge (tracks: A2, A5, B3), Michael Finnigan* (tracks: A3), Stephen Stills (tracks: B1)
Mastered By – Stan Ricker
Organ – Graham Nash (tracks: A4), Jay Ferguson (tracks: B3), Michael Finnigan* (tracks: A1, B2, B5)
Percussion – Graham Nash (tracks: B2), Joe Lala (tracks: A2 to A4, B1, B2, B4), Stephen Stills (tracks: B2)
Photography By [Front Cover Assistant] – Eric Waltershied
Photography By [Front Cover] – Mark Hanauer
Photography By [Rear Cover] – Henry Diltz
Piano – Craig Doerge (tracks: B5), Graham Nash (tracks: B3), Richard T. Bear (tracks: A3)
Synthesizer – Craig Doerge (tracks: A1, A5, B3), Richard T. Bear (tracks: A3)
Vocals – Art Garfunkel (tracks: B6), Michael Stergis (tracks: A4), Michael Finnigan* (tracks: A1, A3, A4, B1, B2, B4), Timothy B. Schmidt* (tracks: A1 to A4, B3, B4)
Jay Ferguson appears courtesy of Capitol Records.
Art Garfunkel and Jeff Porcaro appear courtesy of Columbia Records.
Timothy B. Schmit appears courtesy of Asylum Records.
Notes
Insert has lyrics on it and special thanks. Record label is green and red with a white stripe.
Barcode and Other Identifiers
Label Code (Side 1): ST-A-824927-SP
Barcode (Side 2): ST-A-824928-SP
Matrix / Runout (Etched Side 1): STA-824927-G B-16772-G 0-1 SM 2 + SLM ∆1635 SR 2
Matrix / Runout (Etched Side 2): STA-824928-A 0-1 SM2-4 B-16773-A + SLM ∆1635-X SR 2
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered at Sheffield Lab Matrix by Stan Ricker
Label: Atlantic/SD 19360 | Released: 1982 | Genre: Country-Rock
A1 Turn Your Back On Love 4:47
A2 Wasted On The Way 2:51
A3 Southern Cross 4:40
A4 Into The Darkness 3:21
A5 Delta 4:12
-
B1 Since I Met You 3:10
B2 Too Much Love To Hide 3:57
B3 Song For Susan 3:07
B4 You Are Alive 3:02
B5 Might As Well Have A Good Time 4:25
Daylight Again / Find The Cost Of Freedom (2:28)
B6a Daylight Again
B6b Find The Cost Of Freedom
Manufactured By – Atlantic Recording Corporation
Phonographic Copyright (p) – Atlantic Recording Corporation
Copyright © – Crosby, Stills & Nash
Recorded At – Rudy Records
Recorded At – Sea-West Studios, Seattle
Recorded At – Devonshire Studios
Mixed At – Rudy Records
Mixed At – Devonshire Studios
Mastered At – Sheffield Lab Matrix – △1635
Pressed By – Allied Record Company
Published By – Gold Hill Music
Published By – Putzy Putzy Music
Published By – Kenwon Music
Published By – Catpatch Music, Inc.
Published By – Midships Music
Published By – Looks Like Music
Published By – Tele-comm Music
Published By – Fair Star Music
Published By – Mousetower Music
Credits
Art Direction – Jimmy Wachtel
Banjo – Stephen Stills (tracks: B6)
Bass – Bob Glaub (tracks: A2), George “Chocolate” Perry (tracks: A1, A3, A4, B1, B2, B4), Leland Sklar (tracks: A5), Timothy B. Schmidt* (tracks: B3)
Cello – Ernie Ehrhardt (tracks: B3), Ramon Martinez (tracks: B3), Roberleigh Barnhart* (tracks: B3)
Design [Logo] – Mac James
Drums – Jeff Porcaro (tracks: B1), Joe Vitale (tracks: A1, A3, A4, B2, B4), Russ Kunkel (tracks: A2, A5, B3)
Electric Piano – Michael Finnigan* (tracks: A4, B2, B4), Stephen Stills (tracks: A1, B1)
Fiddle – Wayne Goodwin (tracks: A2)
Guitar – Dean Parks (tracks: A5), Gerry Tolman (tracks: B1), Graham Nash (tracks: A1, A4), Joel Bernstein (tracks: A2, B3), Michael Stergis (tracks: A1 to A4, B1 to B4), Stephen Stills (tracks: A1 to A4, B1, B2, B4, B6)
Harmonica – Graham Nash (tracks: B4)
Keyboards – Craig Doerge (tracks: A2, A5, B3), Michael Finnigan* (tracks: A3), Stephen Stills (tracks: B1)
Mastered By – Stan Ricker
Organ – Graham Nash (tracks: A4), Jay Ferguson (tracks: B3), Michael Finnigan* (tracks: A1, B2, B5)
Percussion – Graham Nash (tracks: B2), Joe Lala (tracks: A2 to A4, B1, B2, B4), Stephen Stills (tracks: B2)
Photography By [Front Cover Assistant] – Eric Waltershied
Photography By [Front Cover] – Mark Hanauer
Photography By [Rear Cover] – Henry Diltz
Piano – Craig Doerge (tracks: B5), Graham Nash (tracks: B3), Richard T. Bear (tracks: A3)
Synthesizer – Craig Doerge (tracks: A1, A5, B3), Richard T. Bear (tracks: A3)
Vocals – Art Garfunkel (tracks: B6), Michael Stergis (tracks: A4), Michael Finnigan* (tracks: A1, A3, A4, B1, B2, B4), Timothy B. Schmidt* (tracks: A1 to A4, B3, B4)
Jay Ferguson appears courtesy of Capitol Records.
Art Garfunkel and Jeff Porcaro appear courtesy of Columbia Records.
Timothy B. Schmit appears courtesy of Asylum Records.
Notes
Insert has lyrics on it and special thanks. Record label is green and red with a white stripe.
Barcode and Other Identifiers
Label Code (Side 1): ST-A-824927-SP
Barcode (Side 2): ST-A-824928-SP
Matrix / Runout (Etched Side 1): STA-824927-G B-16772-G 0-1 SM 2 + SLM ∆1635 SR 2
Matrix / Runout (Etched Side 2): STA-824928-A 0-1 SM2-4 B-16773-A + SLM ∆1635-X SR 2
Crosby, Stills & Nash - Daylight Again (1982) US 1st Pressing - LP/FLAC In 24bit/96kHz
Crosby, Stills & Nash - Daylight Again (1982) US 1st Pressing - LP/FLAC In 24bit/96kHz
Crosby, Stills & Nash - Daylight Again (1982) US 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material. Initially, the project began as a collaborative effort between Stephen Stills (guitar/banjo/keyboards/percussion/vocals) and Graham Nash (guitar/keyboards/percussion/vocals), as David Crosby was descending into a self-induced state of perpetual drug dependency. However, Crosby was included, although arguably in name alone, and his hauntingly lyrical “Delta” stands as one of his finest contributions. Perhaps the most telling element in the trio’s state of affairs was the addition of the Eagles’ Timothy B. Schmit and CSN bandmember Mike Finnigan (keyboards/vocals) on vocals throughout. Despite that obvious setback, the other two primary namesakes supply some genuine and uniformly excellent material to the proceedings. Among the most notable are Nash’s “Wasted on the Way” — which was lyrically an ode to the status of the group’s union — and Stills’ collaboration with the Curtis Brothers on “Southern Cross.” Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-’60s CSN canon. The disc also includes a few thoroughly affective ballads such as “Song for Susan” — which Nash wrote for his spouse — and Stills’ equally emotive “You Are Alive.” By contrast, the album’s opener, “Turn Your Back on Love,” as well as “Too Much Love to Hide” and “Since I Met You” are all up-tempo, full-throttle rockers co-composed by Stills, and include some of the guitarist’s most blistering fretwork under the CSN moniker. The disc concludes with Stills’ lone solo composition on the album — a two-part track marrying the newly penned Civil War elegy to a chorus of the 1970 anthem “Find the Cost of Freedom.” Again, Crosby’s absence is noted with the incorporation of Art Garfunkel’s vocals where Crosby’s should have been. Daylight Again is by no means as insipid as their next studio effort, Live It Up (1990). In the wake of their eponymously titled debut and the CSN (1977) follow-up, there is a notable change in the direction and quality of material.Review by Lindsay Planer, allmusic.com
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