Buffalo Springfield - Last Time Around (1968) US Monarch Pressing - LP/FLAC In 24bit/96kHz
Buffalo Springfield - Last Time Around
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: ATCO Records /SD 33-256 | Released: 1968 | This Issue: 1969 | Genre: Country-Rock
Side A
On The Way Home 2:25
It's So Hard To Wait 2:03
Pretty Girl Why 2:24
Four Days Gone 2:53
Carefree Country Day 2:35
Special Care 3:30
Side B
The Hour Of Not Quite Rain 3:45
Questions 2:52
I Am A Child 2:15
Merry-Go-Round 2:02
Uno Mundo 2:00
Kind Woman 4:10
Companies, etc.
Pressed By – Monarch Record Mfg. Co.
Credits
Engineer – Adrian Barber, Jim Messina, Phil Iehle
Lead Vocals – Jimmy* (tracks: A5, B6), Neil* (tracks: A1, B3), Richie* (tracks: A1 to A3, A5, B1, B4, B6), Steve* (tracks: A1, A3 to A6, B2, B4, B5)
Producer – Jim Messina
Written-By – Jim Messina (tracks: A5), Micki Callen (tracks: B1), Neil Young (tracks: A1, A2, B3), Richie Furay (tracks: A2, B1, B4, B6), Stephen Stills (tracks: A3, A4, A6, B2, B5)
Notes
1970s repress with yellow labels.
Comes in Unipak gatefold sleeve.
"MO" in label matrix denotes a Monarch pressing.
Barcode and Other Identifiers
Matrix / Runout (Side A Label): ST-C-681299-MO
Matrix / Runout (Side B Label): ST-C-681300-MO
Matrix / Runout (Side A, variants 1, 2): ST-C-681299-BB D-2 (MR in a circle) LW AT Δ12022
Matrix / Runout (Side B, variant 1): ST-C-681300-BB (MR in a circle) LW AT Δ12022-X ① D-1
Matrix / Runout (Side B, variant 2): ST-C-681300-BB (MR in a circle) LW AT Δ12022-X ② D-1
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: ATCO Records /SD 33-256 | Released: 1968 | This Issue: 1969 | Genre: Country-Rock
Side A
On The Way Home 2:25
It's So Hard To Wait 2:03
Pretty Girl Why 2:24
Four Days Gone 2:53
Carefree Country Day 2:35
Special Care 3:30
Side B
The Hour Of Not Quite Rain 3:45
Questions 2:52
I Am A Child 2:15
Merry-Go-Round 2:02
Uno Mundo 2:00
Kind Woman 4:10
Companies, etc.
Pressed By – Monarch Record Mfg. Co.
Credits
Engineer – Adrian Barber, Jim Messina, Phil Iehle
Lead Vocals – Jimmy* (tracks: A5, B6), Neil* (tracks: A1, B3), Richie* (tracks: A1 to A3, A5, B1, B4, B6), Steve* (tracks: A1, A3 to A6, B2, B4, B5)
Producer – Jim Messina
Written-By – Jim Messina (tracks: A5), Micki Callen (tracks: B1), Neil Young (tracks: A1, A2, B3), Richie Furay (tracks: A2, B1, B4, B6), Stephen Stills (tracks: A3, A4, A6, B2, B5)
Notes
1970s repress with yellow labels.
Comes in Unipak gatefold sleeve.
"MO" in label matrix denotes a Monarch pressing.
Barcode and Other Identifiers
Matrix / Runout (Side A Label): ST-C-681299-MO
Matrix / Runout (Side B Label): ST-C-681300-MO
Matrix / Runout (Side A, variants 1, 2): ST-C-681299-BB D-2 (MR in a circle) LW AT Δ12022
Matrix / Runout (Side B, variant 1): ST-C-681300-BB (MR in a circle) LW AT Δ12022-X ① D-1
Matrix / Runout (Side B, variant 2): ST-C-681300-BB (MR in a circle) LW AT Δ12022-X ② D-1
Buffalo Springfield - Last Time Around (1968) US Monarch Pressing - LP/FLAC In 24bit/96kHz
Buffalo Springfield - Last Time Around (1968) US Monarch Pressing - LP/FLAC In 24bit/96kHz
Buffalo Springfield - Last Time Around (1968) US Monarch Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2013
This LP: EX+ / From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
The internal dissension that was already eating away at Buffalo Springfield's dynamic on their second album came home to roost on their third and final effort, Last Time Around. This was in some sense a Buffalo Springfield album in name but not in spirit, as the songwriters sometimes did not even play on cuts written by other members of the band. Neil Young's relatively slight contribution was a particularly tough blow. He wrote only two of the songs (though he did help Richie Furay write "It's So Hard to Wait"), both of which were outstanding: the plaintive "I Am a Child" and the bittersweet "On the Way Home" (sung by Furay, not Young, on the record). The rest of the ride was bumpier: Stephen Stills' material in particular was not as strong as it had been on the first two LPs, though the lovely Latin-flavored "Pretty Girl Why," with its gorgeous guitar work, is one of the group's best songs. Furay was developing into a quality songwriter with the orchestrated "The Hour of Not Quite Rain" and his best Springfield contribution, the beautiful ballad "Kind Woman," which became one of the first country-rock standards. But it was a case of not enough, too late, not only for Furay, but for the group as a whole.allmusic.com
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Silent spaces haven't been deleted in this rip
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