Julian Bream - Music Of Spain / Lute, Vol. 1
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1200mb
Label: RCA Red Seal/ARLI 3435 | Released: 1979 | Genre: Renaissance
Side 1
Luis Milán: From "El Maestro"
1. Pavana I 1:45
2. Pavana V 1:28
3. Pavana VI 2:17
4. Fantasia XXII 2:45
5. Fantasia VIII 3:13
6. Fantasia IX 2:13
7. Tento I 7:37
8. Pavana IV 1:50
9. Fantasia XVI 3:17
Side 2
Luys De Narváez: From "Los Libros Del Delphín Seys De Música"
10. Book I: Fantasia V 2:20
11. Book II: Fantasia V 1:14
12. Book III: La canción del Emperador 3:27
13. Book II: Fantasia VI 1:06
14. Book V: Arde coraçón arde 1:21
15. Book V: Ya se asiente el Rey Ramiro 2:03
16. Book IV: O Gloriosa Domina (Seys Diferencias) 7:28
17. Book VI: Conde claros 2:38
18. Book VI: Guárdame las vacas 2:49
19. Book VI: Tres diferencias por otra parte 2:31
20. Book VI: Baxa de contrapunto 1:25
Julian Bream: Renaissance Lute
Notes
Made from masters of RCA records
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1200mb
Label: RCA Red Seal/ARLI 3435 | Released: 1979 | Genre: Renaissance
Side 1
Luis Milán: From "El Maestro"
1. Pavana I 1:45
2. Pavana V 1:28
3. Pavana VI 2:17
4. Fantasia XXII 2:45
5. Fantasia VIII 3:13
6. Fantasia IX 2:13
7. Tento I 7:37
8. Pavana IV 1:50
9. Fantasia XVI 3:17
Side 2
Luys De Narváez: From "Los Libros Del Delphín Seys De Música"
10. Book I: Fantasia V 2:20
11. Book II: Fantasia V 1:14
12. Book III: La canción del Emperador 3:27
13. Book II: Fantasia VI 1:06
14. Book V: Arde coraçón arde 1:21
15. Book V: Ya se asiente el Rey Ramiro 2:03
16. Book IV: O Gloriosa Domina (Seys Diferencias) 7:28
17. Book VI: Conde claros 2:38
18. Book VI: Guárdame las vacas 2:49
19. Book VI: Tres diferencias por otra parte 2:31
20. Book VI: Baxa de contrapunto 1:25
Julian Bream: Renaissance Lute
Notes
Made from masters of RCA records
This Rip: 2014
This LP: EX++/From my personal collection
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Julian Bream was born in London and brought up in a musical environment. His father played jazz guitar and the young Bream was impressed by hearing the playing of Django Reinhardt.
Bream began his lifelong association with the guitar by strumming along on a small gut-string Spanish guitar at a very young age to dance music on the radio. The president of the Philharmonic Society of Guitars, Dr Boris Perott, gave Bream lessons, while Bream's father became the society librarian, giving Bream access to a large collection of rare music.
On his 11th birthday, Bream was given a guitar by his father. He became something of a child prodigy, at 12 winning a junior exhibition award for his piano playing, enabling him to study piano and cello at the Royal College of Music. He made his debut guitar recital at Cheltenham in 1947, aged 13.
In the years after national service, Bream pursued a busy career playing around the world, including annual tours in the U.S. and Europe for several years. He played part of a recital at the Wigmore Hall on the lute in 1952 and since has done much to bring music written for the instrument to light.
1960 saw the formation of the Julian Bream Consort, a period-instrument ensemble with Bream as lutenist. The consort led a great revival of interest in the music of the Elizabethan era.wikipedia.org
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