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    Blind Faith - Blind Faith (1969) US Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Blind Faith - Blind Faith (1969) US Pressing - LP/FLAC In 24bit/96kHz

    Blind Faith - Blind Faith
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
    Label: RSO/825 094-1 | Released: 1969 | This Issue: 1986 | Genre: Classic-Rock

    A1 Had To Cry Today
    A2 Can't Find My Way Home
    A3 Well All Right
    A4 Presence Of The Lord
    -
    B1 Sea Of Joy
    B2 Do What You Like


    Artwork [Spaceship Built By] – Mick Milligan
    Design [Cover], Photography By – Bob Seideman*
    Executive-Producer [By Arrangement With] – Chris Blackwell, Robert Stigwood
    Producer – Jimmy Miller
    Notes
    Stevie Winwood & Rick Grech appear through the courtesy of Island Records Ltd.
    Notes
    Originally released in 1969.
    Barcode and Other Identifiers
    Barcode: 0 422-825094-1 3


    Blind Faith - Blind Faith (1969) US Pressing - LP/FLAC In 24bit/96kHz

    Blind Faith - Blind Faith (1969) US Pressing - LP/FLAC In 24bit/96kHz

    Blind Faith - Blind Faith (1969) US Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2015
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Marantz 6170
    Cartridge: SHURE M97xE With JICO SAS Stylus (New!)
    Amplifier: Sansui 9090DB
    ADC: E-MU 0404
    DeClick with iZotope RX3 & ClickRepair: Only Manual (Click per click)
    Vinyl Condition: NM-
    This LP: From my personal collection.
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    An experiment, I posted the MOV edition, now I post this reissue of 1986 to end with the original UK edition.
    My idea is to compare these pressings with the same gear and determine the differences in sound (if any).
    This is the famous reissue with barcode of 1986, with a slightly heavier sound. Guitar and percussion sounds really good.
    Fran Solo, MMXV

    Blind Faith's first and last album, more than 30 years old and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs, despite the crash-and-burn history of the band itself, which scarcely lasted six months. As much a follow-up to Traffic's self-titled second album as it is to Cream's final output, it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band. Not all of it works – between the virtuoso electric blues of "Had to Cry Today," the acoustic-textured "Can't Find My Way Home," the soaring "Presence of the Lord" (Eric Clapton's one contribution here as a songwriter, and the first great song he ever authored) and "Sea of Joy," the band doesn't do much with the Buddy Holly song "Well All Right"; and Ginger Baker's "Do What You Like" was a little weak to take up 15 minutes of space on an LP that might have been better used for a shorter drum solo and more songs. Unfortunately, the group was never that together as a band and evidently had just the 42 minutes of new music here ready to tour behind.
    allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip.

    Vinyl / CUE/ FLAC/ High Definition Cover: