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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Barre Phillips - Music By... (1981/2018) [Official Digital Download 24/96]

    Posted By: SERTiL
    Barre Phillips - Music By... (1981/2018) [Official Digital Download 24/96]

    Barre Phillips - Music By… (1981/2018)
    FLAC (tracks) 24-bit/96 kHz | Time - 41:16 minutes | 879 MB
    Studio Master, Official Digital Download | Artwork: Front Cover

    Long before Twitter was a microblogging phenomenon, it was the name of the first cut on this out-of-print gem from Barre Phillips. Thankfully, there is nothing micro about it. Driven by train-like syncopation from drums and bass clarinet, this attention-grabbing burst of virtuosity introduces us to the bubbling acrobatics of daughter Claudia Phillips, a vocalist whose career as chanteuse found a niche in France in the 80s. Her sometimes-manic instincts are swept down the stream of Aina Kemanis, the voice of Journal Violone II. Together they form a magic triangle with John Surman’s own sinewy lines. With such exuberance and glottal depth as Claudia displays here, one can hardly keep one’s ears focused on anything but her brilliance. Her siren-like spindles prove to be a guiding force in the more freely improvised “Angleswaite” and, with Kemanis, trace fluid arcs in “Elvid Kursong” and drop like spores in “Pirthrite.” The latter is a bizarrely martial excursion that is at once march and requiem, made all the more so through the liquid alto of Herve Bourde. These facets contract into a single plane in “Longview.” Here, Claudia comes to life in a bubbling stutter, soon overtaken by Bourde’s tenor, left of center. “Entai” and “Double Treble” sound like an ice-skating bass and clarinet struggling for balance over a warping record, compressing the album into more rudimentary ciphers.

    This is yet another fascinating cell in the stained glass window that is Barre Phillips, capturing both the thrill and pain of modernism and those quiet moments, few and far between, where the soul kisses the brow of alienation. The content is brought to fervent life by an impassioned participation that frolics at the intersection of speech and song. As a longtime fan of the Cocteau Twins and Elizabeth Fraser’s voice that drives it, I have sometimes wondered what she might have sounded like had she made an ECM album. With Music By… we begin to approach one possible answer.

    Tracklist:
    1. Twitter 06:22
    2. Angleswaite 08:51
    3. Pirthrite 05:31
    4. Longview 07:37
    5. Entai 03:03
    6. Double Treble 03:05
    7. Elvid Kursong 06:47

    Personnel:
    Barre Phillips, bass
    Hervé Bourde, alto saxophone, tenor saxophone, flute
    John Surman, soprano saxophone, baritone saxophone, bass clarinet
    Pierre Favre, drums, percussion
    Aina Kemanis, vocals
    Claudia Phillips, vocals

    Recorded May 1980 at Tonstudio Bauer, Ludwigsburg, Germany
    Engineered by Martin Wieland
    Produced by Manfred Eicher

    Digitally remastered

    foobar2000 1.3.7 / Dynamic Range Meter 1.1.1
    log date: 2018-08-31 12:35:32

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Barre Phillips / Music By…
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -2.31 dB -17.36 dB 6:23 01-Twitter
    DR11 -1.21 dB -16.58 dB 8:52 02-Angleswaite
    DR11 -2.08 dB -17.36 dB 5:32 03-Pirthrite
    DR11 -2.07 dB -15.96 dB 7:38 04-Longview
    DR12 -3.61 dB -21.23 dB 3:03 05-Entai
    DR12 -4.38 dB -21.30 dB 3:05 06-Double Treble
    DR11 -1.23 dB -15.21 dB 6:47 07-Elvid Kursong
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 7
    Official DR value: DR11

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 3098 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer.