Psychedelic Archaeology is a series developed to unearth psychedelic audio gems from the 60's that have never been reissued since their original release. This series is a group effort specifically designed for distribution to U-SPACES members through trade. Since this is a relatively low budget affair, a master CD is burned from cassette copies of the songs. The sound quality is amazingly good however, (with a little EQ magic) but the vinyl snaps, pops and crackles are still audible. The master CD's are distributed to a few people who volunteer to be branches, and in turn distribute the CD's to even more people… all through trade. Initially, each CD will have a distribution of approximately 50-75.

Peter, Paul And Mary continue their folk music magic for children. The album was recorded before a live audience of children and their families and feature the trio's renowned harmonies on such folk classics as "Puff the Magic Dragon," "We Shall Overcome," and "The Fox."

This is a rare album from a Rupert Holmes project before he went solo. (His best known song is Escape (The Pina Colada Song)). Jennifer Tomkins spent 3 months on the Billboard Hot 100 singles chart during the first part of 1970. It actually entered the charts the middle of December, 1969. The song reached #36 on the charts and the B side was "All Night Long". Both of those songs were co-written by Rupert. Thank You Girl also touched the bottom of the Billboard Hot 100. The Street People were a studio group and this is their only album.

The husband-and-wife duo of Delaney & Bonnie Bramlett created some of the most distinctive and unique music of the early '70s, but their alchemical sound – equal parts blue-eyed soul, blues, country, and gospel – was often marginalized by the attention instead paid to the contributions of their famous "friends," including rock icons like Eric Clapton, Duane Allman and George Harrison.

It's hard to call Joe South a neglected artist, since so many of his songs have become pop standards, often through covers by other artists. "Hush" was Deep Purple's breakthrough, "Down in the Boondocks" was Billy Joe Royal's big hit, Lynn Anderson is forever identified with "Rose Garden," the Tams had a hit with "Untie Me," and Elvis Presley turned "Walk a Mile in My Shoes" into a signature anthem late in his career. Plus, South himself had big hits with "Don't It Make You Want to Go Home?" and "Games People Play," the latter of which won two Grammy Awards.

The second (1969's Games People Play) and fourth (1971's Joe South) albums by Joe South were combined onto one CD on this 2006 reissue, which added three non-LP bonus tracks. To some degree, Games People Play was a rushed album, issued to capitalize on the unexpected hit single title track (which had first been issued as an LP-only cut on South's previous long-player, Introspect). Three songs that had appeared on Introspect ("Games People Play," "Birds of a Feather," and "These Are Not My People") were placed on Games People Play as well, and some of the other songs (like "Untie Me" and "Concrete Jungle") had been recorded by other artists as early as 1962.

Singer/songwriter Joe South (born Joe Souter) began his career as a country musician, performing on an Atlanta radio station and joining Pete Drake's band in 1957. The following year, he recorded a novelty single, "The Purple People Eater Meets the Witch Doctor," and became a session musician in Nashville and at Muscle Shoals. South appeared on records by Marty Robbins, Eddy Arnold, Aretha Franklin, Wilson Pickett, Bob Dylan (Blonde on Blonde), and Simon & Garfunkel ("The Sounds of Silence"). During the '60s, South began working on his songwriting, crafting hits for Deep Purple ("Hush") and several for Billy Joe Royal, including "Down in the Boondocks." South began recording his own material in 1968, scoring a hit with the Grammy-winning "Games People Play" (Song of the Year) the following year. While South produced hits like "Don't It Make You Want to Go Home" and "Walk a Mile in My Shoes," Lynn Anderson had a smash country and pop hit in 1971 with South's "(I Never Promised You a) Rose Garden."