As an improviser of unsurpassed lyricism and technique Fred Hersch is at his most intimate and revealing in a solo setting. With 'Solo', the pianist kicks off a creatively fecund yearlong celebration of his 60th birthday with a definitive statement of his solo artistry. In many ways, 'Solo' distills the essence of Hersch's pianistic expression. Recorded in a jewel-like Catskills church at the 2014 Windham Chamber Music Festival, the set evolves with a compelling internal emotional logic all its own, flowing through Hersch's familiar solo touchstones (Jobim, Ellingtonia, Monk, originals) that turn into vessels for his supremely graceful invention. His 10th solo recording, 'Solo' joins an illustrious collection of albums that started with his riveting 1994 addition to Concord Jazz's Live at Maybeck series.

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Ry Cooder's exceptional Paradise and Lunch takes a popular precept – music as the common denominator across all languages and styles – to extremes few artists have envisioned let alone fulfilled. Considered by many diehards to be the California native's finest hour, the 1974 set unfurls with rarified levels of joyousness, ingenuity, and sophistication. A prime contender for any Desert Island list and an album that repeatedly restores your faith in the inimitable effects experienced upon listening to special performances, Paradise and Lunch is an eternal "musicians' musician" record – an adventurous, ambitious, soulful leap down roads well-traveled and paths less known. Such eclecticism, virtuosity, and ebullience resonate with unmatched verve on our hybrid SACD. Mastered from the original master tapes and strictly limited to 2000 numbered copies, this audiophile reissue boasts dead-quiet surfaces, superb transient response, front-to-back soundstaging, and an organic immediacy that heightens the enjoyment, character, and craft of the arrangements.

"Songways" is the highly anticipated follow-up to the trio’s acclaimed 2011 release. Esteemed Italian pianist Stefano Battaglia and his renowned trio presents a new selection of chants, hymns and dances, all written by Battaglia and inspired by descriptions of visionary places from art and literature – from Alfred Kubin, Jonathan Swift or Charles Fourier to Italo Calvino. This instant classic finds a new balance between archaic modal pre-tonal chants and dances, pure tonal songs and hymns and abstract textures.

Alexej Gorlatch was born in 1988 in Kiev and has been living in Germany since 1991. He began his piano studies at the age of seven with Eduard-Georg Georgiew in Passau, before becoming a junior student of Martin Hughes at the Berlin University of Arts at the age of twelve, continuing his music studies two years later with Karl-Heinz Kämmerling at the University of Music and Drama Hanover and subsequently with Bernd Goetzke. On this recording Alexej Gorlatch plays Stravinsky with the Radio Symphony Orchestra Berlin and Alondra de la Parra.

Pianist Tigran Hamasyan’s Luys I Luso ("Light from the Light") is an extraordinary exploration of Armenian sacred music, hymns and sharakans (Armenia’s liturgical songs) as well as chants, all arranged for voices and piano. This music of the 5th to 19th centuries is given new and dramatic expression through Hamasyan’s improvisational imagination and committed performances from Armenia’s leading choir, the Yerevan State Chamber Choir. Hamasayan has long been deeply interested in Armenian sacred music, increasingly drawn to its “incredibly beautiful melodies".

The title track is one of the most recorded jazz songs in history and Billie Holiday's interpretation on this 1957 release is arguably considered one of the best, if not the definitive version. Producer Norman Granz brings out the best of her voice on this album from late in her career, accompanied by a superb band that includes Ben Webster on tenor sax.

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Le Strabilianti imprese di Fantomius: L'Asso di picche Episodio 1 di 2.