My Tehran for Sale
2009 | Persian | DVD-Rip | AVI | 704x400 | XviD 1 200 Kbps 25.000 fps | AC-3 192 Kbps | Lenght: 01:36:00 | 971.81 mb
Genre: Drama | Studio: Vendetta Films | ASIN: B004GN8DII | Subtitles: English
2009 | Persian | DVD-Rip | AVI | 704x400 | XviD 1 200 Kbps 25.000 fps | AC-3 192 Kbps | Lenght: 01:36:00 | 971.81 mb
Genre: Drama | Studio: Vendetta Films | ASIN: B004GN8DII | Subtitles: English
Shot undercover in Iran’s teeming capital, this brave low-budget film speaks volumes about the everyday repressions faced by middle-class, literate Iranians — a focus only intensified by the recent presidential election and its continued aftermath of mass protest and state-sanctioned clampdown.
Shot mainly in Farsi with English sub-titles and with key scenes featuring lengthy examples of mimed underground theatre, Iranian poetry readings and protest songs, this film is evidently a festival ticket – bowing at Adelaide and screening at Toronto. Set for local distribution in Australia in November through Cyan, it will have a tough haul in the commercial marketplace, but as a passionate cry for international understanding and a stirring example of hit-and-run moviemaking, it can’t be overlooked.
Strikingly attractive, if unrelentingly mournful, Marzieh Vafamehr dominates the screen
Writer-director Granaz Moussavi is an established Iranian poet with several volumes of published verse. Migrating to Australia in 1997 with her family at the age of 22, she went on to graduate in filmmaking and editing. With this debut feature she returns to her native Tehran, employing former friends as lead actors and imbuing her fact-based tale with an angry personal intensity.
Strikingly attractive, if unrelentingly mournful, Marzieh Vafamehr dominates the screen as a dedicated fringe actress (also named Marzieh) who sees a rare opportunity to escape the state’s persecution of her art when she meets Saman (Chegini) at an illegal after-hours disco. He’s a tall, dark Iranian who, through his family’s emigration, now has Australian citizenship.
The disco is raided by an outraged militia: “Do you think this is Europe?” one cries, lashing out. Marzieh and Saman start a relationship, become engaged and she begins the lengthy and often corrupt process of applying for a visa to enter the Australian ‘paradise’ that Saman talks about.
Costs mount; then crushing news arrives that forces her to take ever more desperate measures. She sells all her possessions, and bids farewell to her colleagues, her coldly unforgiving family and the sprawling, unlovely city that she knows she will sorely miss.
Keeping a low profile during the six-week location shoot was an absolute requirement: director Moussavi and her female cinematographer (Bonnie Elliott) wore headscarves and whole body coverings in the 40+ heat. The authentic handheld digital footage was spirited out of the country on hard discs to be edited in Adelaide with some skill by Bryan Mason. He fractures the narrative, forcing the audience to reconstruct the original sequence of events.
Although there is perhaps too much here of Marzieh gloomily pounding the streets of inner Tehran, there’s also a magical sequence high on a hill overlooking the vast city where she sits with her worried friend Sadaf (Mehrabi) and delivers some heartfelt wails into the gathering dusk.
While My Tehran For Sale takes a welcome focus away from poor, working-class Iranians, there’s a serious-minded preciousness about Marieh’s middle-class arty endeavours that can be hard-going, particularly the Marcel Marceau mimes and the intensely serious poetry readings. And the film’s concluding song, though powerfully delivered, keeps repeating the deadly phrase that is the song’s title: “Neo-Kantian ideology”.
Review
Shot undercover in Iran's teeming capital, this brave low-budget film speaks volumes about the everyday repressions faced by middle-class, literate Iranians – a focus only intensified by the recent presidential election and its continued aftermath of mass protest and state-sanctioned clampdown… As a passionate cry for international understanding and a stirring example of hit-and-run moviemaking, it can't be overlooked. –Screen Daily
Review
Filmed on the sly in the streets of Iran, My Tehran for Sale gives an unauthorized peek at the oppressive Muslim state's underground scene and the muted rebellion of its youth. As such, it scores points for freshness and innovation. –Hollywood Reporter
General
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Complete name : D:\My Documents\Загрузки\My_Tehran_For_Sale.avi
Format : AVI
Format/Info : Audio Video Interleave
File size : 972 MiB
Duration : 1h 36mn
Overall bit rate : 1 403 Kbps
Video
ID : 0
Format : MPEG-4 Visual
Format profile : Simple@L3
Format settings, BVOP : No
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1h 36mn
Bit rate : 1 200 Kbps
Width : 704 pixels
Height : 400 pixels
Display aspect ratio : 16:9
Frame rate : 25.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.170
Stream size : 831 MiB (86%)
Writing library : XviD 1.1.2 (UTC 2006-11-01)
Audio
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Channel positions : Front: L R
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 133 MiB (14%)
Alignment : Aligned on interleaves
Interleave, duration : 32 ms (0.80 video frame)