Lumière and Company (1995)
Lumière and Company (1995)
VHSRip | AVI | 576 x 432 | XviD @ 975 Kbps | French MPEG Audio @ 128 Kbps | 88 min | 702 Mb
Srt: English, Spanish, Italian, Portugues
Genre: Documentary
VHSRip | AVI | 576 x 432 | XviD @ 975 Kbps | French MPEG Audio @ 128 Kbps | 88 min | 702 Mb
Srt: English, Spanish, Italian, Portugues
Genre: Documentary
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.
General
Complete name : C:\Users\lenovo\Downloads\Lumière et compagnie [AA.VV. - 1995]\Lumière et compagnie [AA.VV. - 1995].avi
Format : AVI
Format/Info : Audio Video Interleave
File size : 702 MiB
Duration : 1h 28mn
Overall bit rate : 1 113 Kbps
Writing application : VirtualDubMod 1.5.10.2 (build 2542/release)
Writing library : VirtualDubMod build 2542/release
Video
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Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1h 28mn
Bit rate : 975 Kbps
Width : 576 pixels
Height : 432 pixels
Display aspect ratio : 4:3
Frame rate : 23.976 (23976/1000) fps
Color space : YUV
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Bit depth : 8 bits
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Stream size : 615 MiB (88%)
Writing library : XviD 1.2.1 (UTC 2008-12-04)
Audio
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Codec ID/Hint : MP3
Duration : 1h 28mn
Bit rate mode : Constant
Bit rate : 128 Kbps
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Sampling rate : 48.0 KHz
Compression mode : Lossy
Stream size : 80.7 MiB (12%)
Alignment : Aligned on interleaves
Interleave, duration : 42 ms (1.00 video frame)
Interleave, preload duration : 504 ms
Writing library : LAME3.98r
Encoding settings : -m j -V 4 -q 2 -lowpass 17 -b 128
Complete name : C:\Users\lenovo\Downloads\Lumière et compagnie [AA.VV. - 1995]\Lumière et compagnie [AA.VV. - 1995].avi
Format : AVI
Format/Info : Audio Video Interleave
File size : 702 MiB
Duration : 1h 28mn
Overall bit rate : 1 113 Kbps
Writing application : VirtualDubMod 1.5.10.2 (build 2542/release)
Writing library : VirtualDubMod build 2542/release
Video
ID : 0
Format : MPEG-4 Visual
Format profile : Simple@L3
Format settings, BVOP : No
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1h 28mn
Bit rate : 975 Kbps
Width : 576 pixels
Height : 432 pixels
Display aspect ratio : 4:3
Frame rate : 23.976 (23976/1000) fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.163
Stream size : 615 MiB (88%)
Writing library : XviD 1.2.1 (UTC 2008-12-04)
Audio
ID : 1
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 3
Mode : Joint stereo
Mode extension : MS Stereo
Codec ID : 55
Codec ID/Hint : MP3
Duration : 1h 28mn
Bit rate mode : Constant
Bit rate : 128 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Compression mode : Lossy
Stream size : 80.7 MiB (12%)
Alignment : Aligned on interleaves
Interleave, duration : 42 ms (1.00 video frame)
Interleave, preload duration : 504 ms
Writing library : LAME3.98r
Encoding settings : -m j -V 4 -q 2 -lowpass 17 -b 128
Lumière and Company (1995)
This film was made to celebrate one-hundred years of the first camera used by the Lumiere Brothers. Forty directors from around the world were asked to make a short film with the original camera. The rules being it lasts no longer than fifty-two seconds, only three takes allowed, and no synchronous sound. The directors are predominately French, with a few notable exceptions like David Lynch, Peter Greenaway and John Boorman. Lynch's segment is far and away the most creative and satisfactory effort. Most of the others are mainly static and ordinary. But it's a fascinating documentary with insights and comments from the all the directors, and worth seeing for Lynch's film alone. That was the prime reason I watched it
Lumière and Company (1995)
The film would be inherently fascinating even if it were no good, but there's actually a lot here of genuine interest. The repeated questions about why the directors make cinema and whether it's "mortal" receive predictably lame responses, but the glimpses of them at work, punctuated with their 50 second films, is mesmerizing. Many of them turn the project into a commentary on cinema in some form - Boorman films Neil Jordan at work, with the actors looking quizzically into the camera (a common device here, also used by Angelopoulos and Costa-Gavras); Lelouch has a sort of reverse version of the Vertigo kiss, designed with great panache. in which a historic parade of cameras observes the spiraling lovers; some, like Rivette, just take varied people and let them play (he's very engaging, seen protesting that the film is too short). Lynch's segment is magnificently skillful and striking, with a potted narrative of police, a 50's style family, and a bunch of space aliens holding a captive woman - it's almost as effective as the whole of Lost Highway and utterly distinctive. In all, it's a tumbling parade of cinematic images that evokes love, passion and breadth, whether the directors take a playful approach (a majority) or aim for greater seriousness (as in Handke's filming of a potted TV news bulletin).
Lumière and Company (1995)
…dedicated to FNB47