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    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Posted By: FNB47
    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)
    1471.4 MB | 1:43:22 | Japanese with Eng.+Tur. s/t | XviD, 1640 Kb/s | 720x400

    One of today's greatest filmmakers, Hou Hsiao-hsien pays homage to one of the masters, Yasujiro Ozu, commemorating the centenary of Ozu's birth. In a residential Tokyo neighborhood, Yoko, a young freelance writer defies her strongly traditional parents with news that she is pregnant and has no desire to marry the father. She calmly accepts this reality and stoically deals with the worried reactions of her family. In an effort to alleviate her loneliness, she befriends the owner of a second-hand bookstore. He falls in love with her, but keeps his feelings silent. Gradually, Yoko begins to re-evaluate everything in her life in this meditative masterpiece of young urban solitude.

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Café Lumiere is a tribute for the 100th birthday of one of Japan's most famous directors: Ozu Yasujiro. Renowned for his use of shadow and light and unmoving cameras, Ozu's films mainly concentrated on the internal struggles of families inside there traditional, often spacious, homes where not only did the hidden tensions between family members come to the surface, but also the care and affection, albeit subdued, that the family members hold for each other. In this 2003 film, Hou Hsiao-hsien attempts to capture Ozu's celluloid landscape with his own camera, (amazon.com)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    This is a very different kind of storytelling. Everything is shown, almost nothing is told. You have to be keen to pick up the clues, but the scenes are all so quiet that it's too easy to think nothing is happening. Often, even the placement of the camera is telling you something. It's a slow, gentle, slice-of-life look at one modern woman's relationships. (amazon.com)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)











    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Harold P. Manning-Métro Lumière, Hou Hsiao-hsien à la rencontre de Yasujirô Ozu (2004)
    730.3 MB | 0:59:31 | French with English s/t | XviD, 1440 Kb/s | 656x496

    French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups. (http://imdb.com/title/tt0412596/usercomments)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien - Kôhî jikô ('Café Lumière') (2003)

    Hou Hsiao-hsien