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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Elia Suleiman-Chronicle of a Disappearance (1996)

    Posted By: FNB47
    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)
    730.9 MB | 1:24:29 | Arabic/Hebrew with Eng. s/t | XviD, 1020 Kb/s | 608x352

    "With a strong sense of irony and a deadpan visual style" (Janet Maslin, The New York Times), Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate. KINO

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Defined by writer/producer/director Elia Suleiman (Divine Intervention) as a "search for what it means to be Palestinian," this "beautiful and understated" film is "a triumph of succinct images and adroit structure" (Kevin Thomas, The Los Angeles Times). Split in two parts, "Nazareth Personal Diary" and "Jerusalem Political Diary," Chronicle features outstanding performances by a cast of non-professional actors and combines a sarcastic sense of humor with moments of silent contemplation; it speaks of the absurdity and complexity of a people without a land. KINO

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)

    But if the project of a Palestinian state remains stalled by a series of historical and political complications, Palestinian cinema has been, conversely, celebrated for several major contributions to world cinema. And while Chronicle of a Disappearance was shot in various locations across the Middle-East, it succeeds in evoking several fundamental issues concerning the post-1948 Palestinian struggle for a recognizable national identity. KINO

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)

    Elia Suleiman-Chronicle of a Disappearance (1996)