Cezanne: Three Colours (1996)

A number of artists and art historians comment on Paul Cézanne, making note that while details about his life are somewhat sketchy, we know he was a boyhood friend of writer Emile Zola, and he grew up to be a troubled loner who spent most of his career in obscurity. Cézanne was "obsessed with flesh, yet terrified of it," notes one expert in an interview, explaining the early work, examples of which are shown, which is filled with images of brutality and violence. Moving to Paris, Cézanne spent his days studying in the Louvre, found an unlikely influence in the music of Wagner, and eventually developed his distinctive style with its passionate use of color. Eventually, younger painters flocked to see him, citing the profound influence he was having on their work, but Cézanne, who felt his success and acceptance came too late, told would-be disciples he should have been born in their own time. This look at a fascinating character benefits from the inclusion of many of Cézanne's own works as well as reconstructions of scenes from the artist's life.

Paul Cézanne (19 January 1839 – 22 October 1906)
French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cézanne can be said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Cézanne "is the father of us all" cannot be easily dismissed.
Cézanne's work demonstrates a mastery of design, colour, composition and draftsmanship. His often repetitive, sensitive and exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction from observed nature. The paintings convey Cézanne's intense study of his subjects, a searching gaze and a dogged struggle to deal with the complexity of human visual perception.

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