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    3. Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Posted By: Rare-1
    Date: 29 Sep 2014 18:05:18
    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]
    BDRip | MKV | 986 x 720 | AVC @ 9165 Kbps | 97 min | 6.46 Gb
    Audio: French Flac 2.0 @ 350 Kbps | Subs: English, French, (embedded in MKV)
    Genre: Comedy | Italy | France

    At Altra Motors, Mr. Hulot designs an ingenious camper car with lots of clever features. A lorry hauls the prototype to an important auto show in Amsterdam, with Mr. Hulot alongside in his car and a spoiled, trendy PR exec, the young Maria, in her sports car packed with designer clothes and her fluffy dog. The lorry has every imaginable problem, delaying its arrival. A flat tire, no gas, an accident, a run-in with police, a stop at a garage, and numerous traffic jams showcase vignettes of people and their cars. Through interactions with these down-to-earth folks, Maria gradually loses her imperious conceit, becoming much more relaxed and fetching.

    IMDB 7.3/10 from 3031 users

    Director: Jacques Tati
    Writer: Jacques Tati (original scenario), Jacques Lagrange (artistic collaboration), Bert Haanstra (participation)
    Actors: Jacques Tati, Marcel Fraval, Honoré Bostel, François Maisongrosse
    Rated: G
    Runtime: 97 min

    Tati's final theatrical film, which is often considered his greatest failure, is in actuality nearly as good as his masterpieces. In this film, Tati stars for the fourth and final time as M. Hulot. This time he has a job as an automobile designer, and it is his job to get his company's new Camping Car to Amsterdam for a big auto show. Accompanying him is a driver, François, and a public relations worker, Maria (played marvelously by Maria Kimberly, who reminds us of the great lead actress roles played by Nathalie Pascaud and Barbara Denneck in M. Hulot's Holiday and Playtime respectively). Maria drives around in a little yellow convertible with her little fur-ball
    dog
    . Its fast and maneuverable. It can go pretty much anywhere it wants. Unfortunately, François and M. Hulot are driving a large truck. They often get into trouble when they're trying to follow Maria's car. Every problem that can happen does. Many observations are made about how people act when they're in their cars on the highway (it's a non-stop traffic jam from Paris to Amsterdam). The jokes in Traffic are always hilarious. The first fifteen or twenty minutes are somewhat dry of them, which is mainly why I don't rank this one up there with M. Hulot's Holiday, Mon Oncle, and Playtime (it's about even with Jour de fête). But when it gets going, it never stops. And it's beautiful, too, just as all of his other films. The final sequence is sublime, and the final shot will stay with me forever.
    IMDB Reviewer


    Everyone is incapable of dealing with the modern world, but Mr. Hulot is even worse off than the rest of us. He's handicapped by his good intentions. Every move he makes involves him more deeply in a bizarre misadventure that started off as a simple favor to someone.

    For example. He's trying to wake up the garage mechanic's wife, and he inadvertently pulls the ivy from the side of their house. So he climbs up the ivy in an attempt to pull it back in place, and how is he to know that his ankle will get caught, the ivy will slip, and he will find himself hanging upside down from the side of a house in the middle of the night - and with the coins and keys falling from his pockets and interrupting a seduction? He is, of course, too tactful to call out for help.

    The lesson, I guess, is that if you want to survive the era of modern technology, it's no more Mr. Nice Guy. Mr. Hulot (who appeared memorably in "Mr. Hulot's Holiday" and in the 1959 Oscar-winner "My Uncle") refuses to take such a pessimistic view, however, in the brilliant new comedy by Jacques Tati, "Traffic." It wouldn't be in character. Hulot, played by Tati, looks much the same as always. He has the wrinkled tan raincoat, the battered hat, the yellow socks peeping out from under his too-short pants. This time he is the director of design for a Paris auto company, and he has designed the world's most unlikely camping vehicle for them. There is a shaver in the steering wheel, the grill can be used (but of course!) for grilling steaks, and the entire vehicle stretches out for the night.

    The challenge is to transport this vehicle to the international auto show in Amsterdam. Tati's company launches a motorcade from Paris. It's led by the firm's public relations girl in her yellow sports car. The company manager drives a station wagon filled with props to suggest a forest: False birch trees, tape-recorded bird songs, that sort of thing. Mr. Hulot follows in the van with the camper inside.

    Tati's endless invention creates a series of incidents along the road. The incidents are so involved they're almost impossible to describe, but Hulot copes with them with good nature and never loses his philosophical equilibrium. Tati is actually a silent comedian; his films are made with an amusing mixture of languages, but no one says anything very important and he doesn't use subtitles because then we might read them and miss a sight gag.

    It's his sense of sight - his ability to see how ridiculous people and things really look, when you view them sanely that's at the heart of his humor. His portraits of other drivers, for example, tell us without explanation that car owners come to resemble their cars (just as pet owners come to resemble their pets). Even windshield wipers have a way of moving in time to the personalities of the people inside.

    That is the way it should be. It is also nice, by the way, that the windshield wipers are being used. Because that means it is raining, and Mr. Hulot at last gets to use his umbrella. You see? There is a purpose for everything, even rain.
    Rober Ebert's Review


    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]

    Trafic (1971) [The Criterion Collection #439]


    Trafic (1971) [The Criterion Collection #439]


    More Screenshots:

    Trafic (1971) [The Criterion Collection #439]



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