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    The Machinist (2004)

    Posted By: Someonelse
    The Machinist (2004)

    The Machinist (2004)
    BluRay Full 1:1 | M2TS | 16:9 (1920 x 1080) | AVC @ 33761 Kbps | 01:41:55 | 41.44 GB
    Dolby TrueHD 5.1 @ 2159 kbps / DD 5.1 @ 640 Kbps / DD 2.0 @ 224 Kbps
    Languages: English, French, Spanish | Subtitles: English, Portuguese, French, Spanish
    Genre: Drama, Mystery, Thriller | 7 wins & 8 nominations | Spain

    Trevor Reznik is a lathe-operator who suffers from insomnia and hasn't slept in a year. Slowly, he begins to doubt his sanity as increasingly bizarre things start happening at work and at home. Haunted by a deformed co-worker who no one seems to think exists, and an ongoing stream of indecipherable Post-It notes he keeps finding on his fridge, he attempts to investigate what appears to be a mysterious plot against him and, in the process, embroils two women in his madness.

    IMDB 7.8/10 (74,889 votes)

    All screenshots are enlargable.

    There are many good things about The Machinist that are well deserving of praise. The very atmospheric nature of the film is supported very strongly by excellent performances all around. Christian Bale takes things to the extreme in his embodiment of his character. It is hard to take seeing him in his near-starvation body mass, which elevates the tension of this piece even further. The storyline leaves a little to be desired. While it creates its mood excellently, it does tend to plod along a little too much.

    The Machinist (2004)

    One thing that does stand out is how reminiscent of Alfred Hitchcock this film plays. Almost everything about the film screams Hitchcock, from the editing of certain scenes (the driving sequences are very much in the style of Psycho) to the Bernard Herrmann-esquire score (lots of bass clarinet), the lack of fully-exploring/revealing some of the creepier points of the film (what is dripping from the fridge?), and the washed out, grainy photography. If you want to see what a film would look like if Hitchcock were alive to film it today, this is the closest thing you could probably come across. And if that was part of Brad Anderson's intention in directing this, I have to commend him on the execution because it is uncanny.

    Overall, I would recommend this film, but not to casual movie-goers. This is very much a movie-phile experience for those who appreciate character development and cinematography as much as plot points and a storyline that can be defined and followed from one action to the next. In that way it is closer to films like Magnolia or the Others, where the apex is the characters. If you are looking for a typical popcorn Hollywood thriller, this is not what you are looking for.
    IMDB Reviewer
    The Machinist (2004)

    Hoo boy, yeah, this is a good movie! (And I'm not doling out one single plot point, so if you're a spoiler-monkey, you might just want to skip out right now.) By now you've doubtlessly heard the stories about how leading man Christian Bale lost more than 60 pounds to play the role of zombie-like humanoid Trevor Reznik, and Bale's work here is absolutely one for the record books, but there's so much more to The Machinist than one skinny guy delivering a stunning performance.

    If the main course of The Machinist is Bale's performance, make sure you save some room for Scott Kosar's brain-crackling screenplay and Brad Anderson's canny and confident directorial touches. Side dishes include a phenomenal performance from the always-awesome Jennifer Jason Leigh, a decent dose of Michael Ironside – doing some of his best work in a decade – and a wonderfully Herrmann-esque* score by Roque Banos.

    (* to those readers who might be under the age of 15: "Herrmann-esque" means it sounds like a great old Hitchcock / film-noir thriller.)

    I first saw The Machinist at the 2004 Sundance Film Festival, was promptly blown effortlessly away by the thing, and left the fest with really high hopes that the movie could find an "arthouse audience" of some sort – but unfortunately the flick barely grossed one million bucks in North America. So now's your chance to get in on the ground floor (OK, the second floor) of what I consider to be a Cult Classic waiting to happen. The Machinist is smart and slick and greasy and grungy. It's dark and ugly one minute, and bizarrely humorous the next. And while you may see some of the twists and turns coming, they're constructed in such a satisfying way that you won't really mind.

    Between the supremely entertaining Session 9 and now The Machinist, I hereby consider myself a big fat fanboy of writer/director Brad Anderson, and I can't wait to see what the guy cooks up next. (Word is that his "next" is a remake of Romero's The Crazies … which is just fine by me!)
    Scott Weinberg, www.joblo.com
    The Machinist (2004)

    I had waited a long time to see "The Machinist," I remember talking with a friend about the trailer over a year before the DVD was eventually released. After the DVD release, I finally got to view the film, but the first time I watched it I was very tired and nodded off in and out as the film progressed. This was not because of boredom but rather my own fatigue getting the better of me. Watching a film a about a character who can't sleep while nodding in and out of sleep is a rather bizarre experience I wouldn't recommend it, it messes with your head. The second time I viewed the film I was much more conscious and was pulled into the film for the full 101 minute ride. And now I was happy to revisit the film on HD with this Blu-ray release from Paramount.

    "The Machinist" is not a new concept, the marketing guru's behind the film's release have compared it to "Fight Club" (1999) or "Memento" (2000) although it certainly has elements from both of those films it's a unique little character study of the effects of insomnia have on the human condition, body and mind. Amazingly actor Christian Bale lost 63 pounds to play the frail insomniac Trevor Reznik. A feat that was dangerously life threatening, only allowing himself a can of tuna and an apple a day Bale transformed himself into the tortured character as written by Scott Kosar.

    Trevor Reznik is "The Machinist" a man who hasn't slept in over a year, whose insomnia has left him a broken frail human being. The effects of which have started to infiltrate his mind, he begins to see things that aren't there, people that don't exist but only in his mind. One day at the machine shop where he works a terrible accident leaves one employee without a hand, Trevor is to blame. His guilt and paranoia gets the better of him when he suddenly discovers cryptic notes left in his apartment. Unsure if someone is out for revenge or his mind playing tricks Reznik desperately tries to save his sanity while uncovering the truth behind a past that haunts him, that's linked to his condition.

    The Machinist (2004)

    "The Machinist" feels like a modern day Alfred Hitchcock film, director Brad Anderson calls it a tragic physiological drama with influences from Hitchcock and Polanski. "The Machinist" is a disturbing character study of a man confronted by his own guilty conscious, and the rediscovery of his dirty secret that has lost itself in his mind as a result of his guilt ladened insomnia. Bale's performance is haunting and disturbing, he's truly become the character inside and out torturing himself in order to achieve the mindset of Trevor. He's able to evoke shock, sympathy and real concern from the viewer that engages you in the film's narrative. Equally interesting are the supporting players that include Michael Ironside as his co-worker Miller who loses his hand in the accident and Jennifer Jason Leigh as Stevie a local prostitute (Surprise, surprise has this woman been type-cast or what, it seems like every movie that has Leigh in it she plays a whore/slut type character) Trevor frequents. Leigh's character is in many ways Trevor's anchor in reality, the relationship is interestingly complex yet, Stevie appears to be the only person that can look past Trevor's horrid condition. Aided by their onscreen chemistry, the scenes with these characters are among the most interesting voyeuristically to watch.

    Performance-wise this film is superb, story-wise it's a little thin. "The Machinist" feels like a short film padded out to feature length with a twist at the end that can be seen coming miles away. Although director Anderson states in his commentary that the film doesn't rely on the twist so much but the path that leads Trevor to it, there are moments in this film that are often weird and leave you feeling somewhat like Trevor at times and that are all part of this sick journey. Anderson made the right decision in giving the film a muted, drab tone. The best way to describe is that the film looks like how Trevor must feel, Anderson and cinematographer Xavi Giménez captured the film's feel perfectly.

    The Machinist (2004)

    "The Machinist" isn't for everyone, it's often slow, frustrating and leaves you feeling tired. If you enjoy a good psychological mind fuck then give this film a shot, as it's got some great performances and the photography is worth the price of admission. If you're looking for something happy, then move along this one's not for you.
    Noor Razzak, dvdcompare.net
    The Machinist (2004)


    DISC INFO:

    Disc Title: The Machinist 2004 Blu-ray 1080p AVC TrueHD 5.1
    Disc Size: 43,172,559,259 bytes
    Protection: AACS
    BD-Java: Yes
    BDInfo: 0.5.6

    PLAYLIST REPORT:

    Name: 00005.MPLS
    Length: 1:41:55 (h:m:s)
    Size: 31,742,693,376 bytes
    Total Bitrate: 41.52 Mbps

    VIDEO:

    Codec Bitrate Description
    ––- –––- –––––-
    MPEG-4 AVC Video 33761 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1

    AUDIO:

    Codec Language Bitrate Description
    ––- –––– –––- –––––-
    Dolby TrueHD Audio English 2159 kbps 5.1 / 48 kHz / 2159 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps / DN -4dB)
    Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
    Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
    Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / DN -4dB / Dolby Surround

    SUBTITLES:

    Codec Language Bitrate Description
    ––- –––– –––- –––––-
    Presentation Graphics English 20.694 kbps
    Presentation Graphics English 23.121 kbps
    Presentation Graphics French 20.116 kbps
    Presentation Graphics French 0.180 kbps
    Presentation Graphics Portuguese 20.815 kbps
    Presentation Graphics Spanish 19.863 kbps
    Presentation Graphics Spanish 0.038 kbps

    FILES:

    Name Time In Length Size Total Bitrate
    –– –––- ––– –– ––––––-
    00004.M2TS 0:00:00.000 1:41:55.901 31,742,693,376 41,522

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