Nocturnal Uproar (1979)
DVD5 | VIDEO_TS | NTSC 16:9 | 01:30:33 | 4,27 Gb
Audio: French AC3 2.0 @ 192 Kbps | Subs: English
Genre: Drama
DVD5 | VIDEO_TS | NTSC 16:9 | 01:30:33 | 4,27 Gb
Audio: French AC3 2.0 @ 192 Kbps | Subs: English
Genre: Drama
Director: Catherine Breillat
Stars: Dominique Laffin, Marie-Hélène Breillat, Bertrand Bonvoisin
Solange is a filmmaker. She is married and is a mother. She enjoys occasional sex with her husband but also feels drawn towards a bisexual actor named Jim. This doesn’t prevent her from taking other lovers – sometimes as many as two or three in one night. Solange is looking for frenzied love. Then she meets Bruno, who, like herself, is a filmmaker. Together they work out certain codes for their sexual encounters, during which they strive, endlessly, to recreate their ‘first time’ … night after night.
Breillat's second film, Nocturnal Uproar (Tapage nocturne, 1979) seriously needs to be out on DVD - it should have been released years ago. Based on her own novel, The Village Voice called it one of "her two most powerful films."
Biostars.com describes the film as, "[a] crude film, of an intense, moon-like beauty, a sexual film with a series of cutting-edge scenes on carnal relationships, a tale of love and desire in their raw state, the story of the implacable and destructive passion of a young woman, Solange, played by Dominique Laffin, to whom Catherine Breillat gave her best role ever. The film was banned to anyone under 18 and its failure in theatres distanced the filmmaker from film sets."
While Allmovies.com describes it as, "A completely routine drama involving sexual situations and rough characters, this story directed and written by Catherine Breillat looks at the liaison between Solange (Dominique Laffin) and Bruno (Bertrand Bonvoisin). Solange is the female version of a womanizing film director who is confident about her conquests and her ability to figure out men. Along comes Bruno, and Solange's faith in her knowledge of men is put to a test and found wanting. In spite of her better judgment, she is undeniably attracted to Bruno though the man is going to be trouble in a big way."
Breillat herself has said of the film, "[t]his is a film about desire and seduction. The heroine keeps going to the limits of her desires. She repeatedly seeks new experiences, because desire soon fades."
Huge Thanks to Elan
No More Mirrors, Please.
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