3 Silent Soviet Classics (Kino) [DVD9]

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3 Silent Soviet Classics (Kino) [DVD9]

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3 Silent Soviet Classics (Kino) [DVD9]
Films By Pudovkin & Dovzhenko
Classics | 1.33:1 | Black & White | Dolby Digital | English Intertitles
1 Full Original DVD Image (.ISO) + 600dpi Scans = >6.94GBs | 400MB RARs | NL/FSe/FSo

One of the undisputed masterpieces of the cinema, no single viewing of Earth will ever reveal all of its poetic brilliance. The third in a triptych of films by Ukrainian director Aleksandr Dovzhenko (after Zvenigora in 1927 and Arsenal in 1928), Earth is strikingly simple in plot.

On the eve of collectivization in the Ukraine, an old farmer dies peacefully in bed. His grandson Vasil has a new vision: the village council will buy a tractor to be shared among the farmers. Struggling against the superstition, rich landowners, and nature itself, Vasil is ultimately the victim of a tragic murder, but the dawn brings forth a new life and the promise of prosperity to the poor village.

The story itself is secondary to the visually stunning images that Dovzhenko creates. His love for the Ukrainian people and land intoxicates the viewer with the sensual splendors that fill the screen.

In 1927, Eisenstein and Pudovkin were both assigned to make films commemorating the 10th Anniversary of the 1917 Revolution. The results, October and The End of St. Petersburg, are two of the unforgettable masterpieces of epic filmmaking.

Pudovkin's film, the more intensely dramatic and personal of the two, opens on a farm where a peasant must stay in the field and plow as his wife dies in childbirth. Trudging to the city to seek work, he is forced into scab labor. He tragically realizes the consequences of his mistake and violently attacks his employer. After jail, he is forced to join the army. World War I, in the best depiction yet of the horrors of battle, destroys all in its path as the bourgeois speculators grow rich. But the revolution frees St. Petersburg from the brutal yoke of the rich and there is born a new hope for the future. The New York Times remarked that "one feels sometimes as though this film were a remarkable newsreel of the Russian Revolution."

A Keaton-esque comedy in which a young man's passion for the game threatens to wreck his marriage.