Jeonju Digital Project 2004

Jeonju Digital Project that JIFF directly produces and distributes is different from the existing filmmaking process. Although the three directors maintain the basic framework of one theme with 30 minutes format, there is no intervention to be found in this project other than the necessary coordination needed to better foster the practicalities of the production process.
As a production project that verily desires to fully bring out the individualities of the auteur in film, this project will be an example that will stand out from the standard filmmaking system that self-censors the film contents on the logics of marketing.
This year, Mr. Bong Joon-ho of Korea, Yu Lik wai of China and Ishii Sogo of Japan are preparing three very different digital films.
The approaches of the three directors are quite different but in blurring the edges between fiction and reality, they will have each shows their own world of 'realities'.



The film starts with a man named Cho Hyuk-rae who has perched dangerously on top of the Han River Bridge. It is a sad picture of a man who has been caught unwittingly on a security camera. The camera continues to reveal the downward spiral of Cho and those of us who surround him. The 'real' images shown through the camera keep on becoming more 'corrupted' as the time goes by.

The dictionary meaning of influenza in Korean is as follows: 1. Flu, bad cold. 2. (in as economic or ideological sense) Trend. In the year 2000 in Korea the economic slump continued, and it is becoming a part of our daily lives. The violence among people oppressed by the hysteria of the slump became a trend, influenza. People seem to be slowly, bit by bit, but unavoidably becoming mad. Of course everything looks normal on the surface, however. Even so the invisible virus of violence spreads slowly in our bodies. The most fearsome part is that one becomes desensitized to violence but not the violence itself. One looks at with articles about murder, group suicides and other things in the newspaper without any feelings. People are unresponsive unless the intensity of the stimulus is heightened. Such violence and brutality seems to make its place part of everyday things, and the cold, unconcerned eye of the security camera shows us just this. Perhaps people are fast becoming cold and insensitive just like a security camera. (Bong Joon-Ho)



An actress writing a script by herself has a mysterious experience like in a movie. She feels like she's lost something vital in her heart and finds herself very much distressed over the difficult process of writing a script and acting.

One night, she meets a lonely woman like her shadow on the street in central Tokyo. Then she decides to go on a trip to Southeast Asia where she wanted to go to for a long time escaping the hardships involved in making a movie. But, she wonders why this trip feels like it's something like a trip of the soul…

Right now, I'm making a film that I never made before with the smallest camera and with minimum crew. This film is one of the most personal films that I made. I often think that there is very important truth in very personal, very small things. (Ishii Sogo)



Plastic city suffers from the big chill. The extreme weather condition prohibits any human existence on the ground surface. Near the 50th Periphery, an underground hostel sleeps under this deserted landscape. KIRIN is the doorkeeper of the hostel. He is an orphan and nobody knows exactly where he is from. People named him KIRIN simply because he earns his life by collecting emptied KIRIN beer cans. This enigmatic young man lives in his own solitude until one day he meet the beautiful nomad LANLAN…

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