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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    It's Always Fair Weather (1955) [ReUp]

    Posted By: Someonelse
    It's Always Fair Weather (1955) [ReUp]

    It's Always Fair Weather (1955)
    DVD9 | VIDEO_TS | NTSC 16:9 | Cover | 01:43:57 | 6,35 Gb
    Audio: English AC3 5.1 @ 448 Kbps | Subs: English, French, Spanish
    Genre: Comedy, Drama, Musical

    Directors: Stanley Donen, Gene Kelly
    Stars: Gene Kelly, Dan Dailey, Cyd Charisse

    Ted, Doug, and Angie are three ex-G.I.s who vow to meet again at a New York bar on October 11, 1955. They all show up on the appointed day, but quickly find that their friendship isn't what it used to be. However, a program coordinator wants to bring the three men together again on a live TV show. Circumstances are further complicated by a group of gangsters who are after Ted.


    A lighter approach to the difficulties of readjusting to normal life after war, It's Always Fair Weather (1955) is that rarest of creatures: a cynical musical.

    It's Always Fair Weather (1955) [ReUp]

    Stanley Donen's third pairing (along with Singin' in the Rain, 1952, and On the Town, 1949) with co-director Gene Kelly and the writing team of Betty Comden and Adolph Green, It's Always Fair Weather follows three soldiers as they are released from their wartime service at a former favorite neighborhood pub. The bosom buddies make a vow to return in 10 years to that same pub, to renew their undying friendship. Clever use of montage and split screen techniques follows the men on their individual courses as the years tick by. Ted Riley (Gene Kelly), a sharp-as-a-tack big-talker moves into the lowlife world of gamblers and bookies as a promoter of second-rate fighters. Doug Hallerton (Dan Dailey), a talented artist, has traded in his dreams to rise in the soulless corporate world of advertising. And aspiring chef Angie Valentine (Michael Kidd) starts up his own Schenectady hamburger joint, absurdly called The Cordon Bleu.

    It's Always Fair Weather (1955) [ReUp]

    But the real meat of the film follows the misadventures of the trio after their 10-year reunion and their mutual disappointment at how far each has strayed from their dreams and youthful integrity. Though they take an almost immediate dislike to each other at their reunion, the three reluctantly agree to have lunch at an uncomfortably swanky New York restaurant where they are observed by one of Doug's advertising colleagues, Jackie (Cyd Charisse). Sensing a marketable story, Jackie decides to feature the "happily" reunited chums on the saccharine TV show Midnight with Madeline (a parody of fifties "reality" programs like This Is Your Life) hosted by phony, effusive glamour-puss Madeline (Dolores Gray). As Jackie attempts to keep the three alienated friends around for that night's performance (and begins to fall in love with Ted), the film veers into an arch comedy about the constructed sentimentality and crass manipulations of television and the advertising business.

    It's Always Fair Weather (1955) [ReUp]

    Like other films of the fifties, anxious to distinguish themselves from the new entertainment form stealing all the movie industry's profits, Donen's film used a CinemaScope format to satirize the TV invasion. Donen proved to be a deft manipulator of the rectangular CinemaScope frame, breaking up space in innovative ways. On several occasions in the film, as in the hilarious "I Shouldn't Have Come" musical number set to "The Blue Danube" waltz, Donen splits the screen into a triptych, to show the different perspectives of the three leads lamenting their misguided luncheon reunion. And in a climactic fight at the Midnight with Madeline TV studio, where some of Ted's outraged mobster rivals come after the promoter, Donen shows the brawl through the windows of the control booth and the multiple perspectives of the television monitors.

    It's Always Fair Weather (1955) [ReUp]

    It's Always Fair Weather melds elements of homefront disillusion found in films like The Man in the Gray Flannel Suit (1956) with the widescreen media-satire of Will Success Spoil Rock Hunter? (1957). In fact Weather began as an effort to capitalize upon the success of On the Town, starring Kelly, Frank Sinatra and Jules Munshin, by picking up where that film left off, and following the lives of the sailors after they've settled back into the homefront. But after unsuccessful attempts to reunite that original cast, It's Always Fair Weather was reconceived as the tale of Army buddies coming to terms with how much their lives and personalities had, unhappily, changed since their youth.

    It's Always Fair Weather (1955) [ReUp]

    Alongside its more somber and satirical elements, It's Always Fair Weather features ahost of memorable musical numbers, including Kelly, Dailey and Kidd hoofing with garbage can lids on one foot; Kelly gliding over the city streets on roller skates in a love-drunk stupor; Dolores Gray decimating a male chorus line via trap doors and exploding stage props; and Charisse in a sexy dance ("Baby, You Knock Me Out") with Ted's fisticuffs brethren at Stillman's Gym.

    It's Always Fair Weather (1955) [ReUp]

    Though it was critically admired - placed on the New York Times' yearly top ten list (above Oklahoma!, 1955) and called "a winning show" by Times critic Bosley Crowther - the film never really took off with audiences, who were perhaps under-wowed by the film's blend of cynicism and dance numbers and its far less opulent production values. The film was riding the tail end of the musical wave, and MGM executive Dore Schary's imposition of budgetary restraints on the faltering musical genre showed in the film's final look.

    It's Always Fair Weather (1955) [ReUp]

    But It's Always Fair Weather's clever spoof of television and the advertising business, ebullient musical numbers, melancholy observations about the transistory nature of friendships and some fiendishly clever performances, notably Dolores Gray's, make the film a continual favorite with contemporary audiences.
    It's Always Fair Weather (1955) [ReUp]

    Special Features:
    - It's Always Fair Weather: Going Out on a High Note (16:19)
    - MGM Parade: Excerpt from episode 1 with Cyd Charisse (04:33) and Excerpt from episode 2 with Gene Kelly (04:55)
    - Deputy Droopy cartoon(06:32)
    - Good Will To Man cartoon (08:28)
    - Outtakes (13:14)
    - Theatrical trailer (03:16)

    All Credits goes to Original uploader.

    No More Mirrors, Please.



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