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    Donnie Darko (2001)

    Posted By: Someonelse
    Date: 20 Apr 2011 11:01:05
    Donnie Darko (2001)

    Donnie Darko (2001, Director's Cut)
    1080p BluRay Rip | English | MKV | 1920 x 816 | x264 @ 6486 Kbps | DTS 5.1 @ 1,5 Mbps | 02:13:49 | 8,38 Gb
    Genre: Mystery, Sci-Fi, Drama | 11 wins & 10 nominations | USA

    Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie's room, making him think there might be something to Frank's prophesies after all.

    The rest of Donnie's world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie's quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director's cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly's first cut of the film.

    IMDB 8.2/10 (234,051 votes) Top 250 #139

    One of the eeriest and most ambitious American independent films of the early 2000s, Richard Kelly's debut feature is an eclectic amalgam of science fiction, horror story, '80s nostalgia-fest, and teen movie. A child of the '80s, Kelly wears his formative influences on his sleeve: the movie invokes Steven Spielberg and Robert Zemeckis among others, and the soundtrack boasts Echo & the Bunnymen, Joy Division, and Tears for Fears. Unlike films that have trafficked in '80s nostalgia, Kelly's portrait is admirably restrained, mining the period for specific political and personal connotations (as opposed to cheap laughs and pandering irony). Despite being a period piece, the movie succeeds in conveying a sense of imminent doom. Anchored by Jake Gyllenhaal's nuanced performance as the eponymous hero and Steven Poster's tenebrous lighting, the movie is genuinely unsettling. Its denouement, set on a portentous Halloween night, evokes an unraveling world of lost kids and absent parents – perhaps the closest thing to a definitive statement the movie makes about growing up during the Reagan years. With its intimations of apocalypse and visions of planes falling from the sky, the movie inadvertently gained added resonance in the wake of the terrorist attacks on the U.S. An unabashed popcorn movie at heart, Donnie Darko gets terrific mileage from Kelly's imaginative scenario and evocative direction. For all its splashy special effects and inspired casting, it's the movie's ominous and ultimately elegiac tone that stays with you.
    Elbert Ventura, Rovi
    Donnie Darko (2001)

    Donnie Darko (2001)

    Donnie Darko is a type of movie that provides any viewer a type of material that promotes hard thinking and even harder re-thinking. After the film ends, it's almost impossible to keep yourself from thinking of all the possible way to interpret such a film. It's not quite surreal or full of quirky nonsense, it's more like a set of events, which seem to make sense on one level, no sense on another level, and finally perfect sense on another level. The movie acts as an illusion to what's really going on, its almost pleasantly distracting.

    Our main character, Donnie Darko, is a boy suffering from sleep walking, and now what appears to be delusions. He manages to avoid a certain death with the aid of a man in a bunny suit. This twisted bunny also informs Donnie that the world will come to an end within the month. This sparked curiosity and dread in Donnie, who also has every other aspect of a teenager's life to worry about. The film proceeds with the feel of a teen flick, the style of a horror, and a plot suited for a fantasy.

    The end of the movie is the part which will make you want to watch it again. You'll think you've discovered what's really going on after the first time, prove yourself wrong on the second time, and will sit and watch every possible detail the third time. Richard Kelly has created an instant cult classic, and perhaps something more than that. Extremely well written with believable characters speaking believable dialogue.

    I'll be the first to admit, this film is not for everyone. People will either love it, or despise it with all their heart. I thoroughly enjoyed this film and would recommend it to anyone who has a taste for dark humor and a desire to put the pieces of the puzzle together over and over, long after the film has ended. 10/10
    IMDB Reviewer
    Donnie Darko (2001)

    Donnie Darko (2001)

    "Pay close attention," warns the Web site for "Donnie Darko: The Director's Cut," because "You could miss something." Damn, I missed it. I'm no closer to being able to explain the film's events than I was after seeing the 2001 version, which was about 20 minutes shorter. The difference is, that doesn't bother me so much. The movie remains impenetrable to logical analysis, but now I ask myself: What logical analysis would explain the presence of 6-foot-tall rabbit with what looks like the head of a science-fiction insect?

    The director's cut adds footage that enriches and extends the material but doesn't alter its tone. It adds footnotes that count down to a deadline, but without explaining the nature of the deadline or the usefulness of the countdown (I think it comes from an omniscient narrator who, despite his omniscience, sure does keep a lot to himself). What we have, in both versions, is a film of paradox that seems to involve either time travel or parallel universes. Having seen in "The Butterfly Effect" (2004) how a film might try to explain literally the effects of temporal travel, I am more content to accept this version of the Darko backward and abysm of time.
    Excerpt from Roger Ebert at the Chicago Sun-Times
    Donnie Darko (2001)

    Donnie Darko (2001)

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