PBS - American Cinema (1995)
DVDrip | 704x544 | AVI/XviD @ 2029 Kbps | 10x55mn | Audio: English AC3 224 kbps, 2 channels | Subs: None | 10x897 MB
Genre: Documentary
DVDrip | 704x544 | AVI/XviD @ 2029 Kbps | 10x55mn | Audio: English AC3 224 kbps, 2 channels | Subs: None | 10x897 MB
Genre: Documentary
The history of Hollywood and filmmaking comes alive in this spectacular nine hour celebration of movie magic. It's a mesmerizing, epic analysis that combines rare archival film, key scenes from immortal movies, interviews with leading filmmakers and commentary from noted film scholars and critics. As seen on PBS, this highly acclaimed series is the definitive chronicle of the American cinema, from its beginning to today. Includes interviews with Robert Altman, Clint Eastwood, Harrison Ford, Spike Lee, George Lucas, Sidney Lumet, Julia Roberts, Martin Scorsese, Gene Siskel, Steven Spielberg, Oliver Stone, Quentin Tarantino, and many more.
Part 1: The Hollywood Style
This program introduces the broad themes and stylistic conventions of classical Hollywood film, a combination of strong protagonists and story structure, with powerful emotional and technical effects.
NARRATOR: Joe Morton
Part 2: The Star
Early on, Hollywood saw that recognizable talent could minimize the financial risks of film production. In this program, Joan Crawford and Julia Roberts provide case studies of the cultural phenomenon of stardom.
NARRATOR: Kathleen Turner
Part 3: Romantic Comedy
From Frank Capra’s It Happened One Night to such contemporary works as Pretty Woman, romantic comedies often mask keen social and psychological observations with breezy dialogue and ridiculous slapstick. This program explores the surface humor of such films, as well as their roots in questions of gender and sexuality.
NARRATOR: Kathy Selverstone
Part 4: Film Noir
This program examines the genre of film noir—its roots in German Expressionism; its links to the Cold War, from nuclear threats to blacklisting; and the use of special lighting and camera angles to emphasize themes of corruption and urban decay.
NARRATOR: Richard Widmark
Part 5: The Western
This program traces the history, aesthetic evolution, and sociological importance of one of American film’s most popular genres, from John Ford’s Stagecoach through the work of Arthur Penn, Sam Peckinpah, and Clint Eastwood.
NARRATOR: Eli Wallach
Part 6: The Combat Film
This program describes the evolution of the World War II combat film (including those produced under directives from the federal government); the rise of the Vietnam film; the influence off actual newsreel documentaries on a fiction film genre; and the ways in which the combat film has filled social and political needs.
NARRATOR: Matthew Modine
Part 7: The Studio System
Using Paramount Pictures as a case study, this program probes the economics of mainstream filmmaking and surveys Hollywood’s past era of movie moguls and contract players and directors.
NARRATOR: Peter Coyote
Part 8: Film in the Television Age
This program explores the relationship between film and television, from the studios’ initial fear of television and the rise of the Hollywood spectacle film to today’s more integrated entertainment industry.
NARRATOR: Cliff Robertson
Part 9: The Film School Generation
In the 1960s and 1970s, a group of young mavericks—Francis Ford Coppola, Martin Scorsese, Steven Spielberg, and others—tried to revolutionize the way American films were made and appreciated. This program explores the financial and cultural forces that made their success possible; the influence of classical Hollywood genres and new technology on their work; and their continuing evolution as idiosyncratic filmmakers with commercial clout.
NARRATOR: Mark Heenahan
Part 10: The Edge of Hollywood
Contemporary American independent cinema provides a forum for dissenting, unconventional filmmakers, many of whom are from minority communities. This program looks at the work of Spike Lee, Joel and Ethan Coen, Jim Jarmusch, Quentin Tarrantino, and others and how limited budgets can often encourage innovation and experimentation.
NARRATOR: Frances McDormand
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ID : 0
Format : MPEG-4 Visual
Format profile : Advanced Simple@L5
Format settings, BVOP : 1
Format settings, QPel : Yes
Format settings, GMC : No warppoints
Format settings, Matrix : Custom
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 55mn 22s
Bit rate : 2 029 Kbps
Width : 704 pixels
Height : 544 pixels
Display aspect ratio : 1.294
Frame rate : 29.970 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.177
Stream size : 803 MiB (90%)
Writing library : XviD 1.2.1 (UTC 2008-12-04)
Audio
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Mode extension : CM (complete main)
Format settings, Endianness : Big
Codec ID : 2000
Duration : 55mn 22s
Source duration : 55mn 22s
Bit rate mode : Constant
Bit rate : 224 Kbps
Channel(s) : 1 channel
Channel positions : Front: C
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 88.7 MiB (10%)
Alignment : Aligned on interleaves
Interleave, duration : 33 ms (1.00 video frame)