Incredible super deluxe packaging comes with a gatefold media carrier that contains a 180 gram single-LP pressing on blue vinyl, two discs complete with previously unreleased tracks along with a bonus DVD (NTSC/Region 0). Also included is a 60-page 12x12 book, memorabilia envelope, and large fold out poster.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined. Fernando Rey, Stéphane Audran, Delphine Seyrig, and Jean-Pierre Cassel head the extraordinary cast of this 1972 Oscar winner for Best Foreign Film. Criterion is proud to present The Discreet Charm of the Bourgeoisie in an exclusive double-disc special edition.

Luis Buñuel’s final film explodes with eroticism, bringing full circle the director’s lifelong preoccupation with the darker side of desire. Buñuel regular Fernando Rey plays Mathieu, an urbane widower, tortured by his lust for the elusive Conchita. With subversive flare, Buñuel uses two different actresses in the lead—Carole Bouquet, a sophisticated French beauty, and Angela Molina, a Spanish coquette. Drawn from Pierre Louÿs’s 1898 novel, La Femme et le Pantin, That Obscure Object of Desire is a dizzying game of sexual politics punctuated by a terror that harkens back to Buñuel’s brilliant surrealistic beginnings.

The first of what Luis Buñuel later proclaimed a trilogy (along with The Discreet Charm of the Bourgeoisie and The Phantom of Liberty) about “the search for truth,” The Milky Way (La voie lactee) daringly deconstructs contemporary and traditional views on Catholicism with ribald, rambunctious surreality. Two French beggars, present-day pilgrims en route to Spain’s holy city of Santiago de Compostela, serve as Buñuel’s narrators for an anticlerical history of heresy, told with absurdity and filled with images that rank among Buñuel’s most memorable (stigmatic children, crucified nuns) and hilarious (Jesus considering a good shave). A diabolically entertaining look at the mysteries of fanaticism, The Milky Way remains a hotly debated work from cinema’s greatest skeptic.

Banned in Spain and denounced by the Vatican, Luis Buñuel’s irreverent vision of life as a beggar’s banquet is regarded by many as his masterpiece. In it, novice nun Viridiana does her utmost to maintain her Catholic principles, but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism. Winner of the Palme d’or at the 1961 Cannes Film Festival, Viridiana is as audacious today as ever.

Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her daughter, Sarah (Kristen Stewart),play a deadly game of cat-and-mouse with three intruders–Burnham (Forest Whitaker), Raoul (Dwight Yoakam) and Junior (Jared Leto) – during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB is Stanley Kubrick's Cold War masterpiece. Based on the novel RED ALERT by Peter George, the film is set at the height of the tensions between Russia and the United States, when all it would take to destroy the world was one push of a button. And General Jack D. Ripper (Sterling Hayden) is just the man to do it. Convinced that the Russians have infiltrated America's "vital essence," the crazed Ripper gives the go code to the 843rd bomb wing to attack Russia, setting in motion a series of darkly hilarious vignettes involving gung-ho soldiers, wacky generals, spying Russians, drunken premiers, battles with soda machines, fights in the War Room, and the Russians' top-secret Doomsday Machine. Shot in black and white, the film has three main centers of action: one of the B-52 bombers, on which a group of loyal men know they are about to start World War III; Burpelson Air Force Base, where Group Captain Lionel Mandrake (Peter Sellers) is trying to convince everyone that Ripper has gone mad and the bombing must be stopped; and the War Room, where President Merkin Muffley (Sellers again) is trying to make peace with the Russians. The finale featuring Sellers as Dr. Strangelove is a comic gem. Hayden, George C. Scott, Slim Pickens, Keenan Wynn, and Sellers (in three roles) are especially terrific in what may be the funniest, most poignant black comedy ever made, a vicious satire on the farcical aspects of the military and the cold war.