Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling: Original Motion Picture Soundtrack (1980) 2CD Deluxe Edition 2007

Posted By: Efgrapha

Rick Wilkins, Ken Wannberg, Howard Blake - The Changeling (1980)
Original Motion Picture Soundtrack, 2CDs Deluxe Limited Edition 2007

EAC | FLAC (Image) + cue.+log ~ 422 Mb | Mp3, CBR320 kbps ~ 191 Mb | Scans ~ 31 Mb
Soundtrack, Score, Modern Classical | Label: Percepto | # PERCEPTO-006XE | 01:23:50

Reissued by popular demand, Percepto Records proudly presents the deluxe upgraded edition of The Changeling, the chilling horror masterpiece from 1980 starring George C. Scott as a tormented widower who encounters the vengeful spirit of a murdered boy after he moves into a secluded Gothic mansion following the death of his wife and daughter.

This special reissue showcases the haunting efforts of the film’s three notable composers — Rick Wilkins, Ken Wannberg and Howard Blake, who teamed up to deliver one of the genre’s most elegant and effective scores.

Newly remastered by James Nelson at Digital Outland, this enhanced release contains every note of music recorded for the film now spread over two CD’s, with the complete score presented in show order on Disc One, plus a diverse series of alternate takes, unused tracks and source cues on Disc Two.

As an added bonus, the newly redesigned 24-page booklet features a candid look at the film’s colorful production history by noted film journalist and screenwriter James Cole, including lively reminisces from director Peter Medak, plus the original music notes by historian Randall Larson. The booklet also contains more never-before-published photos and a spectacular gallery of movie poster art from the film’s many theatrical releases around the globe.

With this deluxe reissue, The Changeling officially takes its place as the soundtrack that refuses to die. Unlike numerous horror scores from the same era, this revered classic has grown in popularity over the years, discovered by new generations while continuing to be revered by those who tapped into its capacity to incite goosebumps more than 25 years ago.

The history behind the original score composed for The Changeling may be one of the most interesting and complex stories to be found in the history of film music. Without divulging the convoluted story behind the creation of this score, which is well covered in the liner notes by Randall Larson, I will just say that it is possible for a film score to be penned by several composers, and yet keep a cohesive flow, and stand alone as a singular work.

Peter Medak's film has been a long favorite of horror fans, and it is a treat to evaluate the score as a separate entity after almost twenty years. The film is a study in subtlety, evoking chills through suggestion, rather than extreme visuals. Also contributing to the scares are strong performances by George C. Scott, his wife at the time Trish Van Devere, some wonderful claustrophobic cinematography by John Coquillon, and a memorable haunted house designed by Reuben Freed. It is difficult, even after reading Larson's notes, to tell exactly who contributed which cues specifically, yet it seems as if much of the score does fall to Ken Wannberg. The opening titles offer a sad and eerie theme with hesitant piano tones, backed by strings and harp. Much of the score relies on these two pieces of the orchestra, although later material will feature processed chorus, percussion, horns, giving the score a more diabolical edge. Even the requisite pastoral scene "Country Ride" is chilling, using piano arpeggios against a solo cello. The score closes with a grand string elegy, worthy of, and very slightly reminiscent of John Williams (Ken Wannberg is Williams' longtime music editor), finishing out the score in operatic fashion. It is important to note how much this film relies on music, both in its storyline, and the fact there are numerous scenes that rely solely on music and sound effects for the desired result.

In keeping with other scores of the ghostly genre, The Changeling has strong and memorable themes, notably a music box theme composed by Howard Blake, heard alternately on celesta and in a full bodied-romantic piano rendition. Currently, the music box theme has become something of a cliché in horror films, yet at the time of this score this was not so. The music box also figures into the plot as a prop, and since the film's main protagonist is a child, the theme does comment perfectly on the film, and is not simply dropped in to add a scary element. The score is constantly in a state of unease, and there are no full-blown symphonic love themes to be heard. Even the action cues heard late in the album are consistently grounded with rumbling strings creating suspense. Other effects the composers incorporate to create chills are a processed choral sound, and a wind machine which never fails to evoke goose bumps. The album closes with four bonus cues, the best of these being a full orchestral arrangement of the music box theme, something that is not heard in the film at all. The film version of the end title opens with the music box theme, before returning to more the more tragic theme. The alternate, while lovely on this album, would have been completely at odds with the end of the film, sounding too playful.

Highly recommended, and while the album may be a little long, this is one score worth preserving. The sound is quite good for a score that is beginning to age, with no inherent flaws, and only a small amount of hiss. The National Philharmonic plays up to their usual high standards, giving the string section a nice showcase, while leaving the brass (save for horns) at home. As previously mentioned, the liner notes are terrific, and include behind the scenes stills from the film, as well as a complimentary note from Alejandro Amenabar, director of The Others and a big fan of this film. The only complaint would be that I wish there was more information on exactly who composed which cues, and the history of the four bonus cues that close the album. This 1,000 copy limited edition will surely be hard to come by in the future.

Review by Soundtrack.Net Staff



~ Film at IMDB
~ Film at Wiki

Tracklist:

CD1 (01:05:43):

01. Main Titles (2:33)
02. Arrival At The House (1:49)
03. Piano Source #1 (1:10)
04. Piano Source #2 (0:12)
05. First Chill (1:33)
06. The Door Opens (0:20)
07. Music Box Theme For Piano (2:07)
08. Country Ride (1:06)
09. Bathtub Reflections (3:05)
10. Finding The Secret Door (3:34)
11. Up Into The Attic (2:48)
12. Music Box Theme (1:47)
13. The Wheelchair (0:25)
14. Microfilm / Cemetary (1:29)
15. Ball Over The Bridge / It's Back! (3:17)
16. Seance / Talk To Us! (7:15)
17. Murder Flashback (3:40)
18. Wheelchair / Carmichael Tower (1:00)
19. Carmichael Reflects (0:33)
20. House On The Lake (1:55)
21. Breaking Into The House (0:54)
22. Face On The Bedroom Floor (2:01)
23. The Chain Appears (3:48)
24. All The Doors Shut (1:12)
25. Mirror, Mirror (1:13)
26. Russell Goes To See Carmichael (2:01)
27. The Attic Calls Clair (3:54)
28. Finale / Resolution (5:55)
29. Music Box / End Credits (3:09)


CD2 (00:18:07)

01. The Seance (Alternate) (7:11)
02. Carmichael's Demise (Unused) (3:46)
03. Alternate End Title (2:33)
04. Unknown Cue (1:50)
05. Unused String Quartet #1 (0:47)
06. Unused String Quartet #2 (1:16)
07. Solo Celeste (0:45)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. October 2013, 13:33

Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 1)

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Null samples used in CRC calculations : Yes
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Used output format : Internal WAV Routines
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Copy OK

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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-07-29 22:21:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 1)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.83 dB -16.08 dB 2:33 01-Main Titles
DR11 -2.21 dB -16.41 dB 1:49 02-Arrival At The House
DR12 -6.33 dB -22.58 dB 1:10 03-Piano Source #1
DR12 -1.52 dB -18.39 dB 0:12 04-Piano Source #2
DR11 -0.96 dB -16.60 dB 1:33 05-First Chill
DR9 -9.30 dB -27.28 dB 0:20 06-The Door Opens
DR12 -2.72 dB -18.87 dB 2:07 07-Music Box Theme For Piano
DR9 -1.08 dB -14.13 dB 1:06 08-Country Ride
DR13 -0.51 dB -17.90 dB 3:05 09-Bathtub Reflections
DR11 -1.18 dB -16.23 dB 3:34 10-Finding The Secret Door
DR14 -1.24 dB -20.64 dB 2:48 11-Up Into The Attic
DR12 -3.03 dB -20.16 dB 1:47 12-Music Box Theme
DR13 -2.16 dB -24.78 dB 0:25 13-The Wheelchair
DR10 -3.37 dB -17.73 dB 1:29 14-Microfilm / Cemetary
DR10 -0.06 dB -15.70 dB 3:17 15-Ball Over The Bridge / It's Back!
DR11 -0.30 dB -17.19 dB 7:15 16-Seance / Talk To Us!
DR11 -0.89 dB -17.11 dB 3:40 17-Murder Flashback
DR10 -0.05 dB -17.47 dB 1:00 18-Wheelchair / Carmichael Tower
DR9 -7.33 dB -22.70 dB 0:33 19-Carmichael Reflects
DR12 -1.78 dB -20.47 dB 1:55 20-House On The Lake
DR10 -2.43 dB -18.77 dB 0:54 21-Breaking Into The House
DR11 -0.81 dB -16.94 dB 2:01 22-Face On The Bedroom Floor
DR11 -0.51 dB -16.74 dB 3:48 23-The Chain Appears
DR11 -0.47 dB -16.00 dB 1:12 24-All The Doors Shut
DR9 -0.22 dB -14.03 dB 1:13 25-Mirror, Mirror
DR15 -0.83 dB -22.34 dB 2:01 26-Russell Goes To See Carmichael
DR9 -0.10 dB -13.84 dB 3:54 27-The Attic Calls Clair
DR8 -0.10 dB -11.27 dB 5:55 28-Finale / Resolution
DR10 -1.38 dB -14.88 dB 3:09 29-Music Box / End Credits
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 29
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 705 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 13. October 2013, 13:50

Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 2)

Used drive : TSSTcorpCDDVDW SH-S202H Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:11.37 | 0 | 32361
2 | 7:11.37 | 3:45.56 | 32362 | 49292
3 | 10:57.18 | 2:33.07 | 49293 | 60774
4 | 13:30.25 | 1:49.39 | 60775 | 68988
5 | 15:19.64 | 0:46.53 | 68989 | 72491
6 | 16:06.42 | 1:15.71 | 72492 | 78187
7 | 17:22.38 | 0:44.38 | 78188 | 81525


Range status and errors

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Filename D:\Rick Wilkins, Kenneth Wannberg & Howard Blake - The Changeling\Rick Wilkins, Kenneth Wannberg & Howard Blake - The Changeling (Disc 2).wav

Peak level 96.9 %
Extraction speed 2.4 X
Range quality 100.0 %
Test CRC D52697F6
Copy CRC D52697F6
Copy OK

No errors occurred


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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 59944621C4197F58C54B8EA45F76D7DD5006BA95A8D9A2F220D90AFA3280D447 ====

[CUETools log; Date: 29.07.2018 22:16:30; Version: 2.1.4]
[CTDB TOCID: wCSHy1Z5gvinROXpGbZqgEK20Ow-] found.
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
[AccurateRip ID: 0006c4e9-00252835-57043f07] found.
Track [ CRC | V2 ] Status
01 [3eed71b3|6ad31bfb] (0+0/8) No match
02 [59de2353|dd3307b8] (0+0/8) No match
03 [73ecebbc|7e522747] (0+0/8) No match
04 [6c86f632|a5ba9d94] (0+0/8) No match
05 [f8e39c37|d3835e01] (0+0/8) No match
06 [2dd258f7|d9289e8d] (0+0/8) No match
07 [292c1446|2be4ae27] (0+0/8) No match
Offsetted by 36:
01 [d63f49a7] (4/8) Accurately ripped
02 [86c8e6cb] (4/8) Accurately ripped
03 [ea02ac04] (4/8) Accurately ripped
04 [2dabad32] (4/8) Accurately ripped
05 [889e1f1b] (4/8) Accurately ripped
06 [13f4f7ab] (4/8) Accurately ripped
07 [4b415283] (4/8) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 96,9 [D52697F6] [341F3CAD] CRC32
01 88,3 [A624DABF] [4869A815]
02 96,9 [1C51C3D5] [8C9AAF5E]
03 92,6 [54EEDB9F] [48C8A410]
04 96,8 [6C0E99E0] [7B0B5235]
05 53,3 [209745F7] [755EB8FE]
06 64,2 [310C5BC0] [9619CC99]
07 30,1 [9CB67D04] [DDCC55E2]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-07-29 22:21:29

––––––––––––––––––––––––––––––––––––––––
Analyzed: Rick Wilkins, Kenneth Wannberg & Howard Blake / The Changeling (Disc 2)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.07 dB -16.49 dB 7:11 01-The Seance (Alternate)
DR11 -0.27 dB -15.36 dB 3:46 02-Carmichael's Demise (Unused)
DR10 -0.67 dB -14.50 dB 2:33 03-Alternate End Title
DR11 -0.28 dB -15.46 dB 1:50 04-Unknown Cue
DR12 -5.45 dB -22.70 dB 0:47 05-Unused String Quartet #1
DR14 -3.85 dB -21.86 dB 1:16 06-Unused String Quartet #2
DR11 -10.42 dB -24.20 dB 0:45 07-Solo Celeste
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 705 kbps
Codec: FLAC
================================================================================



All thanks to original uploader - Composer's fan

More Movies & Soundtracks in Efgrapha Blog

Film at AvaxHome: The Changeling (1980) DVD9