Peter Neumann, Collegium Cartusianum, Kölner Kammerchor - George Frideric Handel: Theodora (2000)
EAC | FLAC | Image (Cue & Log) ~ 675 Mb | Total time: 63:35+51:40+40:51 | Scans included
Classical | Label: MDG | # 332 1019-2 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 675 Mb | Total time: 63:35+51:40+40:51 | Scans included
Classical | Label: MDG | # 332 1019-2 | Recorded: 2000
Written in the summer of 1749, Theodora was premiered in London at Covent Garden Theatre on 16 March 1750. This work, which Handel considered his finest oratorio, was a failure at first - Handel said bitterly that the hall was so empty that "there was room enough to dance there." Part of this failure could be explained by the earthquake that hit London in February of the same year and caused the upper classes to flee the city, but another possibility is that the subject matter of the oratorio - the rebellion of a woman against the power of the state - was a bit ahead of its time.
Theodora was the only oratorio that Handel specifically scored for a castrato - the role of Didymus. In this recording, this part is sung by Syste Buwalda, who is not in his best form. (This singer has performed in many Bach cantatas recorded by Jan Pieter Leusink, and is more often than not out of form.) He seems to be rehearsing rather than truly singing. Theodora contains a great many choral movements, more than many of Handel’s other oratorios. As in all of Peter Neumann’s recordings of Handel’s works, the choir is excellent; neither too heavy nor too distant, and with excellently clear articulation. This is, in part, due to the usual high recording quality of these works, but also due to the simply excellent choir.
Tenor Knut Schoch is excellent in the role of Septimus, and his performance of the long aria Descend, kind Pity, heavenly Guest, is very good. Singing in a very laid-back style, he fits this music ideally. Mezzo soprano Helena Rasker is magnificent. Her beautiful voice flows with the music, and she injects a great deal of feeling into her singing. One of her best performances is the slow aria As with rosy steps the Morn in Act I. A bit less vibrato would be perfect, but she is indeed a fine singer. Soprano Johanette Zomer, singing the role of Theodora, has another fine voice, and, like most of the soloists in this work, stands out in one of Handel’s signature slow, flowing arias. In this case, it is With Darkness, deep as is my woe in Act II. Zomer’s voice is liquid and pure, and her dynamics with the gentle accompaniment are magnificent. This aria is part of a six-part section of this work, which includes two recitatives and arias, and two brief sinfonias (the only instrumental sections other than the three-movement overture). These six sections appear at approximately the centre of the work, and constitute a beautiful miniature act, full of tension and drama, with Theodora in the spotlight.
This is a truly satisfying recording, allying some excellent soloists with the fine orchestra and choir with which listeners are familiar from Peter Neumann’s other recordings. This oratorio contains some of Handel’s finest music, and this is one of its best recordings.–Kirk McElhearn
Performer:
Theodora - Johanette Zomer
Irene - Helena Rasker
Didymus - Sytse Buwalda
Septimus - Knut Schooch
Valens - Tom Sol
Messenger - Marco Schweizer
Kölner Kammerchor
Collegium Cartusianum
Conductor - Peter Neumann
Track List:
CD1:
01. Act I. Overtura: [Adagio] – Allegro
02. Trio. Largetto piano
03. Courante
04. Recitative: Tis Dioclesian's natal Day (Valens)
05. Air: Go, my faithful Soldier, go (Valens)
06. Chorus of Heathens: And draw a Blessing down
07. Recitative: Vouchsafe, dread Sir, a gracious Ear (Didymus, Valens)
08. Air: Racks, Gibbets, Sword, and Fire (Valens)
09. Chorus of Heathens: For ever thus stands fix'd the Doom
10. Recitative: Most cruel Edict! (Didymus)
11. Air: The raptur'd Soul defies the Sword (Didymus)
12. Recitative: I know thy Virtues (Septimius)
13. Air: Descend, kind Pity, heavenly Guest (Septimius)
14. Recitative: Tho' hard, my Friends, (Theodora)
15. Air: Fond, flatt'ring World; adieu! (Theodora)
16. Recitative: O bright Example of all Goodness! (Irene)
17. Air: Bane of Virtue, Nurse of Passions (Irene)
18. Chorus of Christians: Come, mighty Father, [come,] mighty Lord
19. Recitative: Fly, fly, my Brethren (Messenger, Irene)
20. Air: As with rosy steps the Morn (Irene)
21. Chorus of Christians: All Pow'r in Heaven above
22. Recitative: Mistaken wretches! (Septimius, Theodora)
23. Air: Angels, ever bright and fair (Theodora)
24. Recitative: Unhappy, happy Crew! (Didymus, Irene)
25. Air: Kind Heav'n, ih Virtue be thy Care (Didymus)
26. Recitative: O Love: how great thy Pow'r! (Irene)
27. Chorus of Christians: Go, gen'rous, pious Youth
CD2:
01. Act II. Recitative: Ye Men of Antioch, with solemn Pomp (Valens)
02. Chorus of Heathens: Queen of Summer, Queen of Love
03. Air: Wide spread his Name (Valens)
04. Recitative: Return, Septimius (Valens)
05. Chorus of Heathens: Venus laughing from the skies
06. Sinfonia
07. Recitative: O Thou bright Sun! (Theodora)
08. Air: With Darkness, deep as is my woe (Theodora)
09. Sinfonia
10. Recitative: But why art Thou disquieted (Theodora)
11. Air: Oh! That I on wings could rise (Theodora)
12. Recitative: Long have I known thy friendly social Soul (Didymus, Septimius)
13. Air: Tho’ the Honours (Septimius)
14. Recitative: O save her then (Didymus, Septimius)
15. Air: Deeds of Kindness to display (Didymus)
16. Recitative: The Clouds begin to veil the Hemisphere (Irene)
17. Air: Defend her, Heav’n (Irene)
18. Recitative: Or lull’d with Grief (Didymus)
19. Air: Sweet Rose, and Lilly, flow’ry Form (Didymus)
20. Recitative: O save me, Heav’n (Theodora, Didymus)
21. Air: The Pilgrim’s Home, the Sick Man’s Health (Theodora, Didymus)
22. Recitative: Forbid it, Heav’n (Theodora, Didymus)
23. Duet: To Thee, Thou glorious Son of Worth (Theodora, Didymus)
24. Recitative: Tis night, but Night’s sweet Blessing (Irene)
25. Chorus of Christians: He saw the lovely Youth
CD3:
01. Act III. Air: Lord, to Thee each Night and Day (Irene)
02. Recitative: But see! The good, the Virtuous Didymus! (Irene, Theodora)
03. Air: When sunk in Anguish and Despair (Theodora)
04. Chorus of Christians, Theodora: Blest be the Hand, and blest the Pow’r
05. Recitative: Undaunted in the Court stands Didymus (Messenger, Irene, Theodora)
06. Duet: Whither, Princess, do you fly (Irene, Theodora)
07. Recitative: She's gone, disdaining Liberty and Life (Irene)
08. Air: New scenes of Joy come crowding on (Irene)
09. Recitative: Is it a Christian Virtue then (Valens, Didymus, Theodora, Septimius)
10. Air: From Virtue springs each gen'rous deed (Septimius)
11. Air: Cease, ye Slaves, your fruitless Pray'r (Valens)
12. Recitative: Tis kind, my Friends (Didymus, Theodora)
13. Chorus of Heathens: How strange their Ends
14. Recitative: On me your Frown, your utmost Rage exert (Didymus, Theodora, Valens)
15. Air: Ye Ministers of Justice (Valens)
16. Recitative: And must such beauty suffer? (Didymus, Theodora, Septimius)
17. Air: Streams of Pleaseure ever flowing (Didymus)
18. Duet: Thither let our Hearts aspire (Theodora, Didymus)
19. Recitative: E'er This, their Doom is past (Irene)
20. Chorus: O Love Divine, Thou Source of Fame
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 6. August 2022, 17:09
Peter Neumann, Collegium Cartusianum, Kölner Kammerchor / Handel - Theodora CD1
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Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 6. August 2022, 18:38
Peter Neumann, Collegium Cartusianum, Kölner Kammerchor / Handel - Theodora CD2
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 6. August 2022, 19:28
Peter Neumann, Collegium Cartusianum, Kölner Kammerchor / Handel - Theodora CD3
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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Range status and errors
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Filename D:\ArlegZ\Handel - Theodora - Peter Neumann CD3.wav
Peak level 74.8 %
Extraction speed 1.7 X
Range quality 100.0 %
Test CRC 74A3C9CD
Copy CRC 74A3C9CD
Copy OK
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Submit result: GHWlS1m2G_iOUTcfQlvsnTqv_GM- has been confirmed
Track | CTDB Status
1 | (12/12) Accurately ripped
2 | (12/12) Accurately ripped
3 | (12/12) Accurately ripped
4 | (12/12) Accurately ripped
5 | (12/12) Accurately ripped
6 | (12/12) Accurately ripped
7 | (12/12) Accurately ripped
8 | (12/12) Accurately ripped
9 | (12/12) Accurately ripped
10 | (12/12) Accurately ripped
11 | (12/12) Accurately ripped
12 | (12/12) Accurately ripped
13 | (12/12) Accurately ripped
14 | (12/12) Accurately ripped
15 | (12/12) Accurately ripped
16 | (12/12) Accurately ripped
17 | (12/12) Accurately ripped
18 | (12/12) Accurately ripped
19 | (12/12) Accurately ripped
20 | (12/12) Accurately ripped
==== Log checksum 15D3018FA3A0001A01E660F8CA887AE5E8CD55FAACE16989ABE76DB45A11A464 ====