Marlow, Choir Of Trinity College - Philips: Cantiones Sacrae 1612 (2010)

Posted By: peotuvave

Marlow, Choir Of Trinity College - Philips: Cantiones Sacrae 1612 (2010)
EAC Rip | Flac (Tracks + cue + log) | 301 MB | MP3 320Kbps CBR | 188 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 0770

Peter Philips was, after William Byrd, the most published English composer of the Elizabethan-Jacobean Age. He was also, in his day, the best-known English composer on the European mainland but his absence from his homeland after the age of about twenty-one means that he remains relatively neglected at home. Born in 1560 or 1561, he trained as a choirboy at St Paul’s Cathedral in London and may have studied keyboard playing with Byrd. In 1582 he fled England to avoid persecution as a Roman Catholic, making his way to Rome. In 1585 he joined the entourage of another Roman Catholic refugee, Sir Thomas Paget, travelling with him through Northern Europe for the next five years, eventually settling in Antwerp in 1591. In 1593 he was accused of plotting against Elizabeth I and arrested, but was eventually exonerated. He joined the court chapel of Archduke Albert, Viceroy of The Netherlands, as organist in 1597 and remained there until his death in 1628.

The three years spent in Rome were crucial for the formation of Philips’s musical style. The early 1580s were years of rapid development in that city’s music, particularly in writing for multiple choirs. Philips wrote some double-choir music and the antiphonal principle underlies much of the music on this recording, even if written for a single choir of five voices: two sopranos, alto, tenor and bass – a texture that gives an overall brightness, often heightened by close spacing between the two sopranos.

Richard Marlow conducts the mixed Choir of Trinity College, Cambridge. About a previous release International Record Review wrote: ‘This is a triumph for Marlow and his Trinity college choir, for Chandos, and above all, for Mendelssohn’s reputation as an inventive and deeply rewarding composer of sacred choral pieces.’

Composer: Peter Philips
Conductor: Richard Marlow
Orchestra/Ensemble: Cambridge Trinity College Choir

Reviews: How many choral enthusiasts are really familiar with the works of 16th/17th century English composer Peter Philips? If his compositions do appear on recordings, they usually are sparsely represented on compilations with other composers—there’s one notable recording devoted to his work, from the Winchester Cathedral Choir (Hyperion); but for that release, and until this excellent offering from the Choir of Trinity College, Cambridge—a choir that under Richard Marlow’s direction consistently resides among the world’s premier choral ensembles—we haven’t had an opportunity to indulge fully enough in this very worthy composer’s contributions to Elizabethan musical culture. Clearly, without including Philips’ supremely crafted motets, we can’t completely understand or appreciate the musical world dominated in most summaries of the era by Byrd and Palestrina, and Marlow’s sublime renderings of Philips’ 1612 Cantiones sacrae must take their place among choral music lovers’ favored anthems of the period. The Trinity College Choir is a joy to hear—this is one of the most refined, disciplined, well-rehearsed, and most inherently musical choirs you’ll ever hear, presenting a consistently gorgeous sound supported by a very skilled recording team. Don’t miss this.

Tracklisting:

Cantiones Sacrae 1612, Volume I: No. 1. In Festo Nativitatis Domini. O beatum et sacrosanctum diem
Cantiones Sacrae 1612, Volume I: No. 4. In Festo SS. Innocentium. Cantabant Sancti
Cantiones Sacrae 1612, Volume I: No. 5. In Festo S. Thomæ Martyris. Gaudeamus omnes
Cantiones Sacrae 1612, Volume I: No. 6. In Festo Circumcisionis Domini. O nomen Jesu
Cantiones Sacrae 1612, Volume I: No. 7. In Festo Circumcisionis Domini. Modo veniet Dominator
Cantiones Sacrae 1612, Volume I: No. 9. In Festo Conversionis S. Pauli. Tu es vas electionis
Cantiones Sacrae 1612, Volume I: No. 11. In Festo Purificationis B. Mariæ. Hodie beata Virgo Maria
Cantiones Sacrae 1612, Volume I: No. 16. In Festo Resurrectionis Domini. Christus resurgens
Cantiones Sacrae 1612, Volume I: No. 17. In Festo Resurrectionis Domini. Surgens Jesus
Cantiones Sacrae 1612, Volume I: No. 18. In Festo SS. Philippi et Jacobi. Gentes Philippus ducit
Cantiones Sacrae 1612, Volume I: No. 20. In Festo Ascensionis Domini. Ascendit Deus
Cantiones Sacrae 1612, Volume I: No. 24. In Festo Corporis Christi. Ave verum Corpus
Cantiones Sacrae 1612, Volume I: No. 28. In Festo Joannis Baptistæ. Gabriel Angelus
Cantiones Sacrae 1612, Volume I: No. 32. In Festo S. Annæ. Ave gratia plena
Cantiones Sacrae 1612, Volume I: No. 33. In Festo S. Petri ad Vincula. Surge Petre
Cantiones Sacrae 1612, Volume II: No. 38. In Festo Nativitatis B. Mariæ. Cam jucunditate
Cantiones Sacrae 1612, Volume II: No. 39. In Festo S. Michælis. Factum est silentium
Cantiones Sacrae 1612, Volume II: No. 41. In Festo Omnium Sanctorum. Sancti mei
Cantiones Sacrae 1612, Volume II: No. 42. In Festo S. Martini. O beatum Martinum
Cantiones Sacrae 1612, Volume II: No. 44. In Festo S. Cæciliæ. Cantantibus organis
Cantiones Sacrae 1612, Volume II: No. 48. [Commune Apostolorum] Tempore Paschali. Tristitia vestra
Cantiones Sacrae 1612, Volume II: No. 50. In Natalis plurimorum Martyrum. Gaudent in cælis
Cantiones Sacrae 1612, Volume II: No. 56. Antiphona B. Mariæ. Ave Regina cælorum
Cantiones Sacrae 1612, Volume II: No. 58. Antiphona B. Mariæ [Prima Pars]. Salve, Regina
Cantiones Sacrae 1612, Volume II: No. 68. [Ad Placitum]. Ne reminiscaris, Domine

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 11. April 2014, 0:19

The Choir of Trinity College, Marlow / Cantiones Sacrae 1612

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Track 1

Filename C:\UPPINGS\01 - O beatum et sacrosanctum Diem (Volume I, No. 1).wav

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