Alan Parsons - Sound Check 2: Audio Test & Demonstration CD (1996)
EAC Rip | FLAC (Img) + Cue + Log ~ 320 Mb | Covers Included | RAR 5% Recovery
Audio Test And Demonstration CD | Sound Check Productions
EAC Rip | FLAC (Img) + Cue + Log ~ 320 Mb | Covers Included | RAR 5% Recovery
Audio Test And Demonstration CD | Sound Check Productions
Sound Check 2 is the definitive audio test disc. Created in association with renowned record producer, engineer and musician Alan Parsons, it is available as a single CD or in a double CD case with built-in microphone and sound level meter, calibrated from -15dB to +12dB.When used in conjunction with its third octave tracks, SOUND CHECK 2 forms an instant system response analyser. It contains 99 tracks of practical material compiled as a result of careful research and investigation into the needs of studio engineers, audio technicians, serious audiophiles, record producers and musicians.The disc has been designed not only toтhelp assess the technical performance of a wide range of sound recording and reproduction equipment, but also to offer the very best available musical, vocal and effects sources for experimentation and demonstration.
The levels indicated on Sound Check 2 refer to 0dB FS (Full Scale), the theoretical maximum level obtainable on digital recordings.Analogue equipment can be calibrated to read 0VU at the sine wave reference tone on this disc which is recorded at –14dB FS.Digital meters should indicate this level.There are no rigid standards regarding digital/analogue operating levels, however you can easily choose a higher or lower operating level. For example, if analogue VU meters are lined up to +2VU, then 0VU will represent –16dB FS.
By selecting individual tracks on your CD player while the disc is running, the announcements preceding test signals can be eliminated. This is especially useful for extended play of one track, when used in conjunction with the Store and Repeat or Continuous Play functions found on most CD players.
Sound Check - интернациональный стандарт для звукорежиссеров, музыкантов и продюссеров. Sound Cheсk 2 содержит специальные дорожки для аудио теста и дополнен уникальными оперными вокальными и музыкальными темами – всего 99 треков. Диск включает в себя: тестовые сигналы для проверки фазы и измерения амплитудно-частотной характеристики, вокал (произнесение слов, тенор, сопрано и рок), инструментальную музыку, звуковые эффекты, специальные эффекты. Sound Check CD разработан звукорежиссером и инженером Аланом Парсонсом и записан на студии ABBEY ROAD. Диск содержит все из стандартных дорожек для исследования и инсталляции, а так же для демонстрации качества продаваемой продукции.
Track List:
Pink Noise 1/3 Octave Spectrum Analysis
01. 1 kHz ref. Ton.
02. 20 Hz
03. 25 Hz
04. 31.5 Hz
05. 40 Hz
06. 50 Hz
07. 63 Hz
08. 80 Hz
09. 100 Hz
10. 125 Hz
11. 160 Hz
12. 200 Hz
13. 250 Hz
14. 315 Hz
15. 400 Hz
16. 500 Hz
17. 630 Hz
18. 800 Hz
19. 1 kHz
20. 1.25 kHz
21. 1.6 kHz
22. 2 kHz
23. 2.5 kHz
24. 3.15 kHz
25. 4 kHz
26. 5k Hz
27. 6.3 kHz
28. 8 kHz
29. 10 kHz
30. 12.5 kHz
31. 16 kHz
32. 20 kHz
Pink Noise Test Tones
These tones are intended for equipment alignment and are especially designed for active speaker set-up. Track 33 is a 1kHz reference tone lasting 30 seconds. Monitoring equipment should be set to a useful working volume and measuring equipment set to read 0dB. All other tones in this section are at the reference level. Phase checks are on index 2, where appropriate, in 5 second bursts.
33. 1 kHz sine wave ref. – 14 db FS.
34. Pink noise L.
35. Pink noise R.
36. Pink noise L+R & phase check
37. Bass 0-220 Hz & phase check
38. Low mid 200 Hz – 1 kHz & phase check
39. High mid 1 kHz - … & phase check
40. HF 7 kHz - … & phase check
Sweep Tones
These are intended for sweep response measurements and are especially useful for checking system resonances. Track 41 is the reference warble that lasts 20 seconds. The sweeps are in one octave sections down from 1kHz, and in one octave sections up from 1kHz – for easier frequency identification.
41. 1 kHz ref. Warble for sweeps
42. 1 kHz – 500 Hz, 500 Hz – 250 Hz, 250 Hz – 125 Hz, 125 Hz – 20 Hz
43. 1 kHz – 4 kHz, 4 kHz – 8 kHz, 8 kHz – 20 kHz
44. 20 Hz – 20 kHz
Sine & Square Waves Spot Frequencies
This section is for recording and reproduction equipment line-up, analysis and fault finding. The square wave spot frequencies are also useful for bandwidth assessment and loudspeaker phase and time alignment.Track 45 is the reference tone, lasting 20 seconds. All other tones in this section last 10 seconds. All sine waves are at a reference level, -14dB FS. The square waves are at –20dB FS.
45. 1 kHz ref. – 14 db FS.
46. 60 Hz
47. 100 Hz
48. 250 Hz
49. 500 Hz
50. 1 kHz
51. 2 kHz
52. 3 kHz
53. 5 kHz
54. 10 kHz
55. 12 kHz
56. 15 kHz
57. 1 kHz square wave @-20 db
58. 5 kHz square wave @-20 db
Vocal
While the sound complexity of music is widely recognized, the human voice is equally difficult to reproduce and a voice recording that one is familiar with is a useful reference source. Before Sound Check came along, a good, unprocessed voice recording was very difficult to obtain, especially under test conditions. These 4 tracks provide that reference source and start with Alan Parson’s spoken voice. The rarely available, dry, uncompressed voice of Luciano Pavarotti recorded live, and Soprano Catherine Bott in a natural acoustic, together with the dynamic voice of rock singer Steve Overland, complete this section of valuable reference recordings.
59. Spoken word
60. Tenor opera
61. Soprano opera
62. Male Rock Vocal
Instrumental
This section contains closely miked instrumental recordings without electronic processing such as limiting or compression. They contain subtle transients which define true fidelity and which are often lost in the reverberation and processing of commercial records. These tracks are therefore invaluable for assessing the transient response and fidelity of audio equipment and for experimentation with effects units. These are original studio master recordings and in some cases instrument overspill may be heard.
63. Piano
64. Acoustic steel strung guitar finger style
65. Acoustic steel strung guitar strummed
66. Nylon strung Spanish guitar
67. Electric guitar – clean
68. Electric guitar – distorted
69. Bass guitar
70. Flute
71. Saxophone
72. Bongos
73. Tambourine
74. Kick drum
75. Snare drum
76. Cymbals & hi-hat
77. Toms
78. Whole drum kit
79. Violins
80. Cellos and violas
81. Woodwind ensemble
Music Tracks
Extracts from studio master recordings, specially selected to asses the various qualities of loudspeakers and sound equipment.‘Limelight’for example, has a very even frequency and dynamic balance throughout the audio spectrum and therefore is an ideal reference for overall sound quality. By contrast, Luv 4 Luv contains extremely high bass and sub sonic energy and is an ideal test for low frequency loudspeakers and their power amplifiers.
82. The Race by Yello
83. Limelight by The Alan Parsons Project
84. Luv 4 Luv by Robin S.
85. Seasons of our Lives by Graham Wilde and Mitch Dalton
86. Bach’s Toccata and Fugue in D minor
87. Rigaletto transcription by Listz: Jean Yves Thibaudet, piano
88. Rite Of Spring by Igor Stravinsky: Deutsches Simphonie Orchester conducted by Vladimir Ashkenazy
Sound Effects
These sound effects provide extreme tests of dynamic and frequency range. The steam trains, the sub machine gun and the Chieftain tank are historical analogue recordings which have been digitally re-mastered.
89. Sub. machine gun
90. Chieftain tank: firing
91. Thunderstorm
92. Steam trains
93. F-16 and Tornado jets
Utility Tracks
A series of useful tools – a left/right channel indent; invaluable for multiple unit hook-ups, digital black for noise assessment, a tuning reference and timecode in all three standard formats for checking timecode-based equipment and striping code onto tapes.
94. Left/Right channel ident
95. Digital Black
96. A-440 tuning reference
97. EBU 25 frame Timecode 09:59:45 to 10:05:00
98. L channel SMPTE non drop frame timecode 09:59:45 to 10:05:00. R channel SMPTE non drop frame timecode 09:59:45 to 10:05:00.
99. 1kHz sine wave at 0dB FS.(Duration 20 secs.)
Warning – This track is at the theoretical maximum recording level, 0dB FS. 99.1kHz sine wave at 0dB FS (Duration 20 secs.)
THIS IS A VERY LOUD TONE - USE WITH CAUTION.
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 11. августа 2010, 8:00
Pro / Alan Parsons - Sound Check 2 Audio Test and Demonstration CD 2003
Дисковод: TOSHIBA ODD-DVD SD-R5272 Adapter: 3 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 98
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:20.19 | 0 | 1518
2 | 0:20.19 | 0:14.05 | 1519 | 2573
3 | 0:34.24 | 0:13.53 | 2574 | 3601
4 | 0:48.02 | 0:14.32 | 3602 | 4683
5 | 1:02.34 | 0:14.46 | 4684 | 5779
6 | 1:17.05 | 0:14.58 | 5780 | 6887
7 | 1:31.63 | 0:14.57 | 6888 | 7994
8 | 1:46.45 | 0:14.52 | 7995 | 9096
9 | 2:01.22 | 0:14.54 | 9097 | 10200
10 | 2:16.01 | 0:15.03 | 10201 | 11328
11 | 2:31.04 | 0:14.68 | 11329 | 12446
12 | 2:45.72 | 0:14.63 | 12447 | 13559
13 | 3:00.60 | 0:14.16 | 13560 | 14625
14 | 3:15.01 | 0:14.15 | 14626 | 15690
15 | 3:29.16 | 0:13.66 | 15691 | 16731
16 | 3:43.07 | 0:13.62 | 16732 | 17768
17 | 3:56.69 | 0:14.13 | 17769 | 18831
18 | 4:11.07 | 0:14.19 | 18832 | 19900
19 | 4:25.26 | 0:14.15 | 19901 | 20965
20 | 4:39.41 | 0:14.61 | 20966 | 22076
21 | 4:54.27 | 0:14.46 | 22077 | 23172
22 | 5:08.73 | 0:14.22 | 23173 | 24244
23 | 5:23.20 | 0:14.09 | 24245 | 25303
24 | 5:37.29 | 0:14.13 | 25304 | 26366
25 | 5:51.42 | 0:13.23 | 26367 | 27364
26 | 6:04.65 | 0:13.59 | 27365 | 28398
27 | 6:18.49 | 0:14.14 | 28399 | 29462
28 | 6:32.63 | 0:13.17 | 29463 | 30454
29 | 6:46.05 | 0:13.14 | 30455 | 31443
30 | 6:59.19 | 0:13.64 | 31444 | 32482
31 | 7:13.08 | 0:13.33 | 32483 | 33490
32 | 7:26.41 | 0:13.60 | 33491 | 34525
33 | 7:40.26 | 0:35.43 | 34526 | 37193
34 | 8:15.69 | 0:26.46 | 37194 | 39189
35 | 8:42.40 | 0:23.59 | 39190 | 40973
36 | 9:06.24 | 0:45.51 | 40974 | 44399
37 | 9:52.00 | 0:44.16 | 44400 | 47715
38 | 10:36.16 | 0:44.48 | 47716 | 51063
39 | 11:20.64 | 0:43.69 | 51064 | 54357
40 | 12:04.58 | 0:43.51 | 54358 | 57633
41 | 12:48.34 | 0:24.65 | 57634 | 59498
42 | 13:13.24 | 0:42.09 | 59499 | 62657
43 | 13:55.33 | 0:41.39 | 62658 | 65771
44 | 14:36.72 | 0:35.65 | 65772 | 68461
45 | 15:12.62 | 0:25.31 | 68462 | 70367
46 | 15:38.18 | 0:13.43 | 70368 | 71385
47 | 15:51.61 | 0:13.44 | 71386 | 72404
48 | 16:05.30 | 0:14.05 | 72405 | 73459
49 | 16:19.35 | 0:13.45 | 73460 | 74479
50 | 16:33.05 | 0:13.22 | 74480 | 75476
51 | 16:46.27 | 0:13.24 | 75477 | 76475
52 | 16:59.51 | 0:13.34 | 76476 | 77484
53 | 17:13.10 | 0:13.22 | 77485 | 78481
54 | 17:26.32 | 0:13.23 | 78482 | 79479
55 | 17:39.55 | 0:13.29 | 79480 | 80483
56 | 17:53.09 | 0:13.49 | 80484 | 81507
57 | 18:06.58 | 0:14.09 | 81508 | 82566
58 | 18:20.67 | 0:15.68 | 82567 | 83759
59 | 18:36.60 | 0:57.47 | 83760 | 88081
60 | 19:34.32 | 0:55.62 | 88082 | 92268
61 | 20:30.19 | 0:56.31 | 92269 | 96499
62 | 21:26.50 | 1:14.36 | 96500 | 102085
63 | 22:41.11 | 1:07.39 | 102086 | 107149
64 | 23:48.50 | 0:35.72 | 107150 | 109846
65 | 24:24.47 | 0:40.02 | 109847 | 112848
66 | 25:04.49 | 1:38.28 | 112849 | 120226
67 | 26:43.02 | 1:25.48 | 120227 | 126649
68 | 28:08.50 | 1:19.57 | 126650 | 132631
69 | 29:28.32 | 1:13.66 | 132632 | 138172
70 | 30:42.23 | 1:06.62 | 138173 | 143184
71 | 31:49.10 | 1:08.00 | 143185 | 148284
72 | 32:57.10 | 0:42.32 | 148285 | 151466
73 | 33:39.42 | 0:46.00 | 151467 | 154916
74 | 34:25.42 | 0:18.47 | 154917 | 156313
75 | 34:44.14 | 0:19.60 | 156314 | 157798
76 | 35:03.74 | 1:01.20 | 157799 | 162393
77 | 36:05.19 | 0:45.14 | 162394 | 165782
78 | 36:50.33 | 1:41.46 | 165783 | 173403
79 | 38:32.04 | 1:24.04 | 173404 | 179707
80 | 39:56.08 | 1:32.67 | 179708 | 186674
81 | 41:29.00 | 1:00.63 | 186675 | 191237
82 | 42:29.63 | 1:36.38 | 191238 | 198475
83 | 44:06.26 | 2:03.12 | 198476 | 207712
84 | 46:09.38 | 1:03.12 | 207713 | 212449
85 | 47:12.50 | 1:49.73 | 212450 | 220697
86 | 49:02.48 | 2:38.70 | 220698 | 232617
87 | 51:41.43 | 1:42.08 | 232618 | 240275
88 | 53:23.51 | 1:07.56 | 240276 | 245356
89 | 54:31.32 | 0:34.55 | 245357 | 247961
90 | 55:06.12 | 0:54.21 | 247962 | 252032
91 | 56:00.33 | 0:26.28 | 252033 | 254010
92 | 56:26.61 | 2:50.13 | 254011 | 266773
93 | 59:16.74 | 1:03.49 | 266774 | 271547
94 | 60:20.48 | 0:28.24 | 271548 | 273671
95 | 60:48.72 | 0:32.32 | 273672 | 276103
96 | 61:21.29 | 0:20.54 | 276104 | 277657
97 | 61:42.08 | 5:20.68 | 277658 | 301725
98 | 67:03.01 | 5:19.66 | 301726 | 325716
99 | 72:22.67 | 0:33.37 | 325717 | 328228
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла G:\Rips\Pro - Alan Parsons - Sound Check 2 Audio Test and Demonstration CD 2003.wav
Пиковый уровень 99.2 %
Качество диапазона 100.0 %
CRC теста 8CC9DCE2
CRC копии 8CC9DCE2
Копирование… OK
Ошибок не произошло
Конец отчёта
Отчёт EAC об извлечении, выполненном 11. августа 2010, 8:00
Pro / Alan Parsons - Sound Check 2 Audio Test and Demonstration CD 2003
Дисковод: TOSHIBA ODD-DVD SD-R5272 Adapter: 3 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 98
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:20.19 | 0 | 1518
2 | 0:20.19 | 0:14.05 | 1519 | 2573
3 | 0:34.24 | 0:13.53 | 2574 | 3601
4 | 0:48.02 | 0:14.32 | 3602 | 4683
5 | 1:02.34 | 0:14.46 | 4684 | 5779
6 | 1:17.05 | 0:14.58 | 5780 | 6887
7 | 1:31.63 | 0:14.57 | 6888 | 7994
8 | 1:46.45 | 0:14.52 | 7995 | 9096
9 | 2:01.22 | 0:14.54 | 9097 | 10200
10 | 2:16.01 | 0:15.03 | 10201 | 11328
11 | 2:31.04 | 0:14.68 | 11329 | 12446
12 | 2:45.72 | 0:14.63 | 12447 | 13559
13 | 3:00.60 | 0:14.16 | 13560 | 14625
14 | 3:15.01 | 0:14.15 | 14626 | 15690
15 | 3:29.16 | 0:13.66 | 15691 | 16731
16 | 3:43.07 | 0:13.62 | 16732 | 17768
17 | 3:56.69 | 0:14.13 | 17769 | 18831
18 | 4:11.07 | 0:14.19 | 18832 | 19900
19 | 4:25.26 | 0:14.15 | 19901 | 20965
20 | 4:39.41 | 0:14.61 | 20966 | 22076
21 | 4:54.27 | 0:14.46 | 22077 | 23172
22 | 5:08.73 | 0:14.22 | 23173 | 24244
23 | 5:23.20 | 0:14.09 | 24245 | 25303
24 | 5:37.29 | 0:14.13 | 25304 | 26366
25 | 5:51.42 | 0:13.23 | 26367 | 27364
26 | 6:04.65 | 0:13.59 | 27365 | 28398
27 | 6:18.49 | 0:14.14 | 28399 | 29462
28 | 6:32.63 | 0:13.17 | 29463 | 30454
29 | 6:46.05 | 0:13.14 | 30455 | 31443
30 | 6:59.19 | 0:13.64 | 31444 | 32482
31 | 7:13.08 | 0:13.33 | 32483 | 33490
32 | 7:26.41 | 0:13.60 | 33491 | 34525
33 | 7:40.26 | 0:35.43 | 34526 | 37193
34 | 8:15.69 | 0:26.46 | 37194 | 39189
35 | 8:42.40 | 0:23.59 | 39190 | 40973
36 | 9:06.24 | 0:45.51 | 40974 | 44399
37 | 9:52.00 | 0:44.16 | 44400 | 47715
38 | 10:36.16 | 0:44.48 | 47716 | 51063
39 | 11:20.64 | 0:43.69 | 51064 | 54357
40 | 12:04.58 | 0:43.51 | 54358 | 57633
41 | 12:48.34 | 0:24.65 | 57634 | 59498
42 | 13:13.24 | 0:42.09 | 59499 | 62657
43 | 13:55.33 | 0:41.39 | 62658 | 65771
44 | 14:36.72 | 0:35.65 | 65772 | 68461
45 | 15:12.62 | 0:25.31 | 68462 | 70367
46 | 15:38.18 | 0:13.43 | 70368 | 71385
47 | 15:51.61 | 0:13.44 | 71386 | 72404
48 | 16:05.30 | 0:14.05 | 72405 | 73459
49 | 16:19.35 | 0:13.45 | 73460 | 74479
50 | 16:33.05 | 0:13.22 | 74480 | 75476
51 | 16:46.27 | 0:13.24 | 75477 | 76475
52 | 16:59.51 | 0:13.34 | 76476 | 77484
53 | 17:13.10 | 0:13.22 | 77485 | 78481
54 | 17:26.32 | 0:13.23 | 78482 | 79479
55 | 17:39.55 | 0:13.29 | 79480 | 80483
56 | 17:53.09 | 0:13.49 | 80484 | 81507
57 | 18:06.58 | 0:14.09 | 81508 | 82566
58 | 18:20.67 | 0:15.68 | 82567 | 83759
59 | 18:36.60 | 0:57.47 | 83760 | 88081
60 | 19:34.32 | 0:55.62 | 88082 | 92268
61 | 20:30.19 | 0:56.31 | 92269 | 96499
62 | 21:26.50 | 1:14.36 | 96500 | 102085
63 | 22:41.11 | 1:07.39 | 102086 | 107149
64 | 23:48.50 | 0:35.72 | 107150 | 109846
65 | 24:24.47 | 0:40.02 | 109847 | 112848
66 | 25:04.49 | 1:38.28 | 112849 | 120226
67 | 26:43.02 | 1:25.48 | 120227 | 126649
68 | 28:08.50 | 1:19.57 | 126650 | 132631
69 | 29:28.32 | 1:13.66 | 132632 | 138172
70 | 30:42.23 | 1:06.62 | 138173 | 143184
71 | 31:49.10 | 1:08.00 | 143185 | 148284
72 | 32:57.10 | 0:42.32 | 148285 | 151466
73 | 33:39.42 | 0:46.00 | 151467 | 154916
74 | 34:25.42 | 0:18.47 | 154917 | 156313
75 | 34:44.14 | 0:19.60 | 156314 | 157798
76 | 35:03.74 | 1:01.20 | 157799 | 162393
77 | 36:05.19 | 0:45.14 | 162394 | 165782
78 | 36:50.33 | 1:41.46 | 165783 | 173403
79 | 38:32.04 | 1:24.04 | 173404 | 179707
80 | 39:56.08 | 1:32.67 | 179708 | 186674
81 | 41:29.00 | 1:00.63 | 186675 | 191237
82 | 42:29.63 | 1:36.38 | 191238 | 198475
83 | 44:06.26 | 2:03.12 | 198476 | 207712
84 | 46:09.38 | 1:03.12 | 207713 | 212449
85 | 47:12.50 | 1:49.73 | 212450 | 220697
86 | 49:02.48 | 2:38.70 | 220698 | 232617
87 | 51:41.43 | 1:42.08 | 232618 | 240275
88 | 53:23.51 | 1:07.56 | 240276 | 245356
89 | 54:31.32 | 0:34.55 | 245357 | 247961
90 | 55:06.12 | 0:54.21 | 247962 | 252032
91 | 56:00.33 | 0:26.28 | 252033 | 254010
92 | 56:26.61 | 2:50.13 | 254011 | 266773
93 | 59:16.74 | 1:03.49 | 266774 | 271547
94 | 60:20.48 | 0:28.24 | 271548 | 273671
95 | 60:48.72 | 0:32.32 | 273672 | 276103
96 | 61:21.29 | 0:20.54 | 276104 | 277657
97 | 61:42.08 | 5:20.68 | 277658 | 301725
98 | 67:03.01 | 5:19.66 | 301726 | 325716
99 | 72:22.67 | 0:33.37 | 325717 | 328228
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла G:\Rips\Pro - Alan Parsons - Sound Check 2 Audio Test and Demonstration CD 2003.wav
Пиковый уровень 99.2 %
Качество диапазона 100.0 %
CRC теста 8CC9DCE2
CRC копии 8CC9DCE2
Копирование… OK
Ошибок не произошло
Конец отчёта