Monty Python- Monty Python's Contractual Obligation
Mp3 | 256 Kbps | Winrar Archive 82,3 Mb

Jimi Hendrix - Live at the Fillmore East [Live]
Mp3 | 256 Kbps | Winrar Archive : 83Mo x2 + 48Mo

Pixies - Live In Saint Paul
Mp3 | 256 Kbps | Winrar Archive x2 (76,2Mo + 73,3 Mo)

THE PIXIES LIVE IN SAINT PAUL 11.10.04 Deleted 2005 US 27-track 2-CD album set these 'official bootleg' recordings were part of a limited run of CDs that were produced by the band for the audience on the dates that brought the original line upback together for the first time since the early 90's ***LIMITED TO 1000 COPIES WORLDWIDE***

A punishing, accessible hard rock record, a marriage of the rock 'n' roll fetish of the MC5's Back in the U.S.A. with Nirvana's wicked decibel annihilation.

“A remarkable debut, this, from Thomas Dybdahl, former guitarist with white funksters Quadrophonics. Not that you would be able to trace that particular heritage on the grounds of his first full-length solo offering, on which Dybdahl poises himself somewhere Whiskeytown and Jeff Buckley, moving effor…”

“This is one of the most beautiful albums I've ever heard. His voice fills the gaps in space – Solitude – with a richness that is both untouchable and comforting at the same time. His vulnerability is echoed in the piano on a lyrical journey – It's Always Been You – that makes you feel like you're eavesdropping on a very intimate self-discovery. Though their music couldn't be more different, Dybdahl has this depth of musical complexity that reminds me of the best of the late, great Chris Whitley. Both men sing about the things that make us feel the most – the things that stay with us for our entire lives. NPR compared him with Jeff Buckley, but Buckley is much more delicate and fragile – like he and his music might disappear at any time (and sadly, they did). There is a solidness to Thomas Dybdahl's music that offers introspective confidence. A Lovestory is my favorite – the piano and guitar combined with the rich vibrato of his voice and magical lyrics … well, i'll be listening to this one for a long, long time”.

“Inventive drumming and live instruments carry the CD throughout. As other Red Snapper work, the CD is highly original and just well done. The music is excellent and the songs often shine through in their arrangement. There are small electronic elements here and there, a sweep of a synth, some stab or work (…)”

As the painter needs his framework of parchment, the improvising musical group needs its framework in time," says Bill Evans in the liner notes to Kind of Blue. "Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performance with a sure reference to the primary conception." Amen. During the past 40 years, the performances Davis' stimulated from Evans, John Coltrane, Cannonball Adderley, Paul Chambers, Jimmy Cobb, and Wynton Kelly have become some of the most storied in jazz, and all of them - classics such as "Freddie the Freeloader," "All Blues," "Blue in Green," and, of course, "So What" (featured) - are featured on this Columbia/Legacy reissue.

David Bowie - The Man Who Sold The World

With 1970's The Man Who Sold the World, David Bowie set aside his pop and singer-songwriter aspirations and headed in a harder-rocking direction. Producer Tony Visconti provided a thick, dense setting with guitarist Mick Ronson playing the role of guitar hero to Bowie's megalomaniac frontman; think Keith Richards and Mick Jagger sprinkled with fairy dust. The new approach flowered on Hunky Dory, but the outline for the master plan is here. The title track, "The Width of a Circle," and "All the Madmen" are essential Bowie, as he slips from cryptic to straightforward, celebratory wordplay.

“Victor Wooten is the greatest bassist to ever grace the earth. If you play bass, like listening to amazing bass playing, or want to hear the best bluegrass/jazzgrass jam band ever you must buy this cd. Wooten's basslines are even better live than on the original recordings, adding a whole new dimension of complexity to many of the songs.
This is the Flecktone's greatest album and one of the best live performances in the history of music. If you don't own it already, you must get it now!”