Lars von Trier-Forbrydelsens element (1984)

Lars von Trier’s stunning debut film is the story of Fisher, an exiled ex-cop who returns to his old beat to catch a serial killer with a taste for young girls. Influenced equally by Hitchcock and science fiction, von Trier boldly reinvents expressionist style for his own cinematic vision of a post-apocalyptic world. Shot in shades of sepia, with occasional, startling flashes of bright blue, The Element of Crime (Forbrydelsens Element) combines dark mystery and operatic sweep to yield a pure celluloid nightmare. Criterion




A detective plagued by headaches goes to a hypnotist and relives his investigation into a serial killer case in Lars von Trier's first feature, The Element of Crime. Fisher (Michael Elphick), a retired policeman, returns to Europe at the behest of his mentor, Osborne. Osborne, the author of an influential textbook called The Element of Crime, has given up his investigation into the Lotto Murders, in which a number of lottery ticket salesgirls have been killed and mutilated. The new chief of police, Kramer, is a trigger-happy lunatic who objects to Fisher's methodical approach to crime solving. Osborne, meanwhile, seemingly losing his grip on reality, insists that the killer, Harry Grey, died in a car crash. Using Osborne's methods, Fisher tries to delve into the mind of Grey by following the path of a trip the killer took three years earlier, while Osborne was investigating him. Along the way, Fisher hooks up with a prostitute, Kim (Me Me Lai), who also has a link to Grey. As he gets closer to unraveling the mystery, Fisher finds himself taking on more and more aspects of the killer's persona. (Product Description-Synopsis)




Von Trier uses a traditional film noir style voice-over, while visually, his film is a monochromatic sepia tone with occasional flashes of fluorescent blue. This film brought von Trier international attention, paving the way for his success with Zentropa and The Kingdom. (Product Description)




It may prove confounding to anyone expecting a more conventional narrative, but The Element of Crime–the debut feature of Danish visionary Lars von Trier–marks the arrival of an audaciously original talent; the film is deeply personal in its inspirations yet richly informed by a pure love of cinema. (–Jeff Shannon - Editorial Reviews - Amazon.com)




Approaching a hard-boiled detective plot from a hypnotically subconscious perspective (thus establishing the tone he would echo in his later films Epidemic and Europa), von Trier presents a murder case solved from the inside out. Which is to say, the plot unfolds as recollected under hypnosis by Fisher (Michael Elphick), the grizzled cop who investigates the case. (–Jeff Shannon - Editorial Reviews - Amazon.com)




This framework is arguably beside the point; it's merely von Trier's way of entering a post-apocalyptic world of his own making, flooded and decaying, and filmed entirely in an amber-tinted tone punctuated only by blue police lights and sickly green fluorescents. By following principles of crime solving conceived by his mentor (played by British film veteran Esmond Knight), Fisher closes in on an awful revelation that spins The Element of Crime into another psychological dimension. Multilayered, deliberately paced, and atmospheric in the extreme (which less appreciative viewers may find intolerable), The Element of Crime elicits a dream state that is simultaneously oppressive and visually unforgettable, crammed with symbolic subtleties and cinematic references that can only be fully absorbed over multiple viewings. To say the least, this is a film that grows on you. (–Jeff Shannon - Editorial Reviews - Amazon.com)