Outcast (2010)

It tells the tale of Petronella (a Scottish/Romany girl) and Fergal (her mysterious Irish traveller boyfriend). As their doomed relationship plays out, a Beast stalks the estate, killing locals, working its way towards our protagonists. Meanwhile Cathal and Liam, two mysterious travellers from Ireland use ritual and magic on a blood hunt. Mary, Fergal's mother performs ritual and magic of her own. As Cathal comes face to face with Mary in a vicious finale we know one thing: the Beast must die.

IMDB

"Outcast" looked like one of the most anonymous and modest titles that were scheduled in this year's edition of the Brussels Festival of Fantastic Films, but I'm nevertheless very glad that I went to see it, as this was one of the most imaginative & courageously ambitious stories in a long time. The film is still quite flawed and lacks steadiness, but it's most definitely a welcome chance of pace from the nowadays overload of brainless slashers and tepid remakes. Strange as it may sound, "Outcast" is a fusion between fantasy horror and social drama. And it works, too! Imagine yourself an alliance between directors Ken Loach, with his typical proletariat setting and characters, and Mike Newell how he directed "Harry Potter and the Goblet of Fire". The convoluted plot, courtesy of the brothers Tom and Colm McCarthy, hints at multiple themes and maintains a mysterious atmosphere throughout, but still unfolds as a coherent and surefooted horror story. Mary and her shy adolescent son Fergal carry a sinister secret with them. This secret forces them to continuously move between cities, because they're hunted down by a couple of warriors that use black magic to track them down. They end up in a lower class apartment block in Edinburgh, where the unworldly Feral promptly falls for the local foul-mouthed and feisty Petronella. Mary desperately tries to boycott the relationship, especially because she senses the hunters Cathal and Liam approaching, but the love is for real. Meanwhile, the family's aforementioned secret is spreading mayhem and terror in the grisly Edinburgh neighborhood. I know this is all very vague, but it would really be a shame to reveal too much about the widely versatile story. The script features Irish folklore elements as well as Scottish mythology, and everything wonderfully merges together with the grim and depressing setting. In fact, everything in this movie merges together well, even the hardcore gory massacres with the genuinely touching romance sub plot. The acting is great, with particularly the young Hanna Stanbridge excelling above the rest. She even makes the plebs Scottish accent sound like poetry; what a marvelous girl.

IMDB Reviewer

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