Volker Kriegel - Lost Tapes: Mainz 1963-1969 (2013) {2CD Set Jazzhaus 101 726}

Posted By: ruskaval

Volker Kriegel - Lost Tapes: Mainz 1963-1969 (2013) {2CD Set Jazzhaus 101 726}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 707 Mb | MP3 @320 -> 326 Mb
Full Artwork @ 600 dpi (png) -> 463 Mb | 5% repair rar
© 1963-69, 2013 SWR / Jazzhaus | 101 726
Jazz / Bop / Cool / Guitar

The complete - and previously unheard - early work of a later celebrated jazz guitarist recorded in first-class audio quality and produced by SWF-Landesstudio Rheinland-Pfalz in Mainz, as it was then known. It is fascinating to discover the sources from which Volker Kriegel - just 19 years old at the time of the first session - derived inspiration for some of the best known jazz standards: John Lewis' Django, a relaxed Thelonious Monk (Rythm-A-Ning), Autumn Leaves, Norwegian Wood, and other down-tempo numbers of the bop and beat era before discovering his personal laid-back style.
Although Kriegel is largely remembered today as a pioneer of Germany's jazz-rock movement, the pure jazz hightlighted on this set still retains an air of freshness and impressive technical dexterity. –Mark Holston

Presented in trio, quartet, and quintet format, Kriegel comes across as an accomplished guitarist in the mainstream jazz of the period, with an unassuming manner often suggestive of the musical style of Kenny Burrell. –Cadence Magazine

This two-disc set of 29 tracks, recorded during four sessions from the early to late 1960s, documents the early career of the late German guitarist Colker Kriegel. Until now, this versatile musician's artistic output was little-known outside of his homeland. Part of the label's "Lost Tapes" series, these unreleased dates are showcased in elegant packaging that's distinguished by handsome black-and-white graphics, eye-catching photos and a sharply penned biographical essay.

Kriegel, sporting black horn-rimmed glasses and a serious gaze, was just 19 in November 1963 when he, along with a bassist and drummer, recorded eight well-known standards. Having alread mastered an extensive stylistic vocabulary, the guitarist incorporated everything from straightahead, Jim Hall-influenced jazz on John Lewis' "Django" to bluesy, rockabilly vamps on a clever arrangement of W.C. Handy's "Saint Louis Blues." Kriegel had also learned how to project a sense of humor - he had a party with bent notes and dissonant chords on Thelonious Monk's "Rhythm-A-Ning" - and an aura of bravado, as demonstrated on "Tabu", a moody bit of 1930s-era Cuban exotica. –Jazziz, July 2014

I distinctly remember how I became acquainted with the presence of Volker Kriegel, the German jazz guitarist. Back in the mid-to-late 70s, I was looking for all the wild music I could find. In German musics, from Grobschnitt to Can to Gomorrha and further, but then, one day, I happened across Achim Reichel's AR3 and was gobsmacked. Trotting down to the local Platterpuss Records, I asked Bill Furman, who was pretty much the most knowledgeable music clerk in South Bay, who else I might look up. He knew I was familiar with most of the leading cats and replied "Well, there aren't too many like Reichel, but have you been checking into Volker Kriegel?" So I started hunting and found him playing with John Marshall, Eberhard Weber, Rainer Bruninghaus, and a buncha very hip prog/jazz/fusionists. Thus I sunk my claws in.

I then followed as he turned back to the straight jazz he'd started out in because, by that time, I was big time into Martino, Montgomery, Ellis, Metheny, and others; that Furman guy was a large influence on my early listening habits and tastes. Well, it turns out that all along, from then to now, there's been a long-lost set of recordings from the very first days Volker set foot inside a studio, but no one knew where they were. Leave it to the Jazzhaus label, then, to have finally tracked 'em down, and in a 2-CD set no less (actually, the CDs capture about half the materials and you can download the rest from the Web, over two hours in total, 139 minutes—as to why things were done this way, I haven't a clue, since two CDs will easily accommodate 160 minutes of music, but that's as may be).

But like the promo sheet says: What a find! Every cut here centers right on Kriegel, and, if some of the material sounds a bit unfinished, that's because it is. Volker was using the studio to experiment around, to discover just what it was he really wanted to do and say. That was accomplished, as you probably already know, right after these sessions and within the Dave Pike Set, which set new standards for jazz fusion. You'll find other names you know (Emil Mangelsdorff, Ralf Hubner, etc.) in the mix, but all the sessioneers are tamped down so that Volker's work stands naked and prominent. And the compositions are either his own or chosen from a wide array, but perhaps the most revelatory of what was to come is the very last cut: Frank Zappa's Mother People.


Personnel:
Volker Kriegel (g)
Helmut Kampe (b)
Dieter Matschob (dr)
Claudio Szenkar (vib, conga, p)
Dieter von Goetze (b)
Peter Baumeister (dr)
Reinhard Knieper (b)
Ralf Hubner (dr)
Emil Mangelsdorff (fl)
Hans Rettenbacher (b)
Fritz Hartschuh (vib)
Gustl Mayer (ts)

tracklist:
CD 1


01) DJANGO 6:18
02) TABU 7:16
03) ISRAEL 6:05
04) SAINT LOUIS-BLUES 3:00
05) RHYTHM-A-NING 3:07
06) LES ENFANTS S’ENNUIENT LE DIMANCHE 3:45
07) AUTUMN LEAVES 7:16
08) THREE SECONDS 4:17
09) TEA AND RUM 2:37
10) MORANDI 4:44
11) DON’T WAIT 2:55
12) NA NA IMBORO 4:54
13) NYLEVE 3:23
14) CONNIE’S BLUES 8:28



CD 2:

01) VIAN-DE 4:41
02) TRAFFIC JAM 4:04
03) LITTLE PEAR 4:47
04) NORWEGIAN WOOD 4:43
05) FIVE BY FOUR 4:33
06) ROYAL HARP 3:45
07) CRY IT OUT 5:50
08) SOUL EGGS 3:21
09) NOISY SILENCE, GENTLE NOISE 6:31
10) SOMEWHAT, SOMEWHERE, SOMEHOW 5:02
11) SITTING ON MY KNEES 3:23
12) SLUMS ON WHEELS 4:26
13) I’M ON MY WAY 4:11
14) PLUNS 2:56
15) MOTHER PEOPLE 6:40



Studio Recordings Mainz

CD 1:
1-8 November 5, 1963 (Deutschhaus)
9-14 May 10, 1967 (Kammersaai)

CD 2:
1—7 February 1,1968 (Deutschhaus)
8-15 February 26,1969 (Deutschhaus)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 7. December 2014, 13:38

Volker Kriegel / Lost Tapes - CD 1

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: QoO5WtzMTfX5Obd91_MqE2SktNQ-] found, Submit result: already submitted
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==== Log checksum BC1FBC07ADB3E0D469BE7C6EE8B4067825BCC5635EFC9102AB6507E56DA46D7E ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 7. December 2014, 14:27

Volker Kriegel / Lost Tapes - CD 2

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Accurately ripped (confidence 2) [5F182061] (AR v2)
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Track 12

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Track 13

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Track 14

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Accurately ripped (confidence 2) [87F93364] (AR v2)
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Track 15

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Accurately ripped (confidence 2) [E6328ED0] (AR v2)
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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: xORcGvpbFIkTvg.EBhWGMiX94NI-] found, Submit result: already submitted
[5f49d9ed] (2/2) Accurately ripped


==== Log checksum BF621010247D3C77AF99877413FD875C5927B14B48139C18A4EABF5DCE985C63 ====




All thanks goes to the original releaser!


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