VA - Karol Szymanowski: Concerto pour violon n°1 - Symphonie n°4 - Mythes - Mazurkas (2021)
EAC Rip | FLAC (tracks+log+.cue) - 326 Mb | MP3 CBR 320 kbps - 172 Mb | Covers included | 01:12:20
Classical | Label: Les indispensables de Diapason
EAC Rip | FLAC (tracks+log+.cue) - 326 Mb | MP3 CBR 320 kbps - 172 Mb | Covers included | 01:12:20
Classical | Label: Les indispensables de Diapason
« Paul and I initiated in Myths and the Concerto a new style, a new way of playing the violin. » Without Paul Kochanski, one of the greatest violinists of his time, Karol Szymanowski (1882-1937) would he have written for the instrument, daring these escapes in the high-pitched, these well-known sound effects but which he was the first to use for expressive purposes and integrates in a form as free as it is rigorous? His “impressionism” would then have been limited to the orchestra and the piano, depriving us of these “three poems” (1915) and of this Concerto (1916) which, breaking with traditional virtuosity, is no less a poem - "Symphonic work with solo violin, which has the effect of a concerto". Two incandescent works, Dionysiac or opalescent, of a heady sensuality, inspired by ancient myths and, undoubtedly, by The Night of May, pantheist poem of Tadeusz Micinski where "ignites the fire of love". As war sets Europe ablaze, reclusive in his native Ukrainian mansion, Szymanowski relives his Mediterranean dazzles and remembers all that Diaghilev's musicians revealed to him.Tracklist:
Barely known, La Fontaine d'Arethuse, more than Narcissus or Dryads and Pan (where Szymanowski uses quarter-tones), entered the repertoire of violinists, notably a Yehudi Menuhin in shorts. David Oпstrakh and the faithful Vladimir Yampolski engraved the triptych in 1958 in Moscow, but let us rather listen to them in Bucharest, the same year, to deploy on the spot its evocative witchcraft. Wanda Wilkomirska and Witold Rowicki are no less a reference, revealing the mysteries, the scents and the obscure light of the night, joining the two Russians through an interpretation as controlled as it is quivering.
In independent Poland, Szymanowski turns to Tatra folklore to deeply renew his language and promote national music freed from exotic junk. The Symphonie concertante (1932), a concerto that does not speak its name, overflows with rhythmic verve, with a finale that swirls to vertigo, while his Lento sostenuto resuscitates the impressionist shimmers. How not to hear the dedicatee, the lifelong friend Arthur Rubinstein, the pianist of Szymanowski with his cousin Neuhaus? If the composer, short of money, created and then toured his Concertante throughout Europe, he intended it "for real pianists".
In 1925, Rubinstein had received (as dedicatee) the first of the five notebooks of the Mazurkas op. 50, where the mountain modes bend to the three times of the mazurka - in the Tatras, the rhythms are binary. Almost a century after those of Chopin, his absolute model, Szymanowski renewed the genre. Dear Arthur remains inimitable there.
Concerto pour violon n° 1
Wanda Wilkomirska (violon), Orchestre philharmonique de Varsovie under Witold Rowicki -1961-
Mythes
David Oïstrakh, Vladimir Yampolski -1958-
Symphonie concertante (n°4)
Arthur Rubinstein, Los Angeles Philharmonic Orchestra under Alfred Wallenstein -1953-
Mazurkas
Arthur Rubinstein -1961-
01. Wanda Wiłkomirska, Witold Rowicki - Concerto pour violon n°1 op.35 -1.Vivace assai, Tempo comodo …
02. Wanda Wiłkomirska, Witold Rowicki - Concerto pour violon n°1 op.35 -2.Vivace scherzando, Tempo comodo …
03. Wanda Wiłkomirska, Witold Rowicki - Concerto pour violon n°1 op.35 -3.Cadenza (Vivace), Allegro moderato …
04. David Oïstrakh, Vladimir Yampolski - Mythes op.30 -1.La Fontaine d'Aréthuse
05. David Oïstrakh, Vladimir Yampolski - Mythes op.30 -2.Narcisse
06. David Oïstrakh, Vladimir Yampolski - Mythes op.30 -3.Dryades et Pan
07. Arthur Rubinstein, Alfred Wallenstein - Symphonie concertante op.60 -1.Moderato
08. Arthur Rubinstein, Alfred Wallenstein - Symphonie concertante op.60 -2.Andante molto sostenuto
09. Arthur Rubinstein, Alfred Wallenstein - Symphonie concertante op.60 -3.Allegro non troppo
10. Arthur Rubinstein - Mazurka op.50 n°1 - Sostenuto, Molto rubato
11. Arthur Rubinstein - Mazurka op.50 n°2 - Allegramente, Poco vivace
12. Arthur Rubinstein - Mazurka op.50 n°3 - Moderato
13. Arthur Rubinstein - Mazurka op.50 n°6 - Vivace, Junacko
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 31. May 2021, 17:15
- / Les Indispensables de Diapason n°136
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==== Log checksum F921B6EF47C71CAEC3A5906D458BD3CADFD21CF743BB16E0E24AE907CC8E612B ====
EAC extraction logfile from 31. May 2021, 17:15
- / Les Indispensables de Diapason n°136
Used drive : HL-DT-STDVDRAM GH24NSD5 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
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Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
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Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 10:43.39 | 0 | 48263
2 | 10:43.39 | 8:03.34 | 48264 | 84522
3 | 18:46.73 | 4:59.39 | 84523 | 106986
4 | 23:46.37 | 5:12.72 | 106987 | 130458
5 | 28:59.34 | 6:20.33 | 130459 | 158991
6 | 35:19.67 | 6:38.13 | 158992 | 188854
7 | 41:58.05 | 8:51.08 | 188855 | 228687
8 | 50:49.13 | 6:30.65 | 228688 | 258002
9 | 57:20.03 | 6:23.03 | 258003 | 286730
10 | 63:43.06 | 2:03.00 | 286731 | 295955
11 | 65:46.06 | 2:00.18 | 295956 | 304973
12 | 67:46.24 | 2:26.24 | 304974 | 315947
13 | 70:12.48 | 2:08.13 | 315948 | 325560
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[CTDB TOCID: VSSt4VTjxJJXsoItk7DVXZnwSSc-] found
Submit result: VSSt4VTjxJJXsoItk7DVXZnwSSc- has been confirmed
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==== Log checksum F921B6EF47C71CAEC3A5906D458BD3CADFD21CF743BB16E0E24AE907CC8E612B ====
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