The Tallis Scholars - Requiem
2xCD | EAC+LOG+CUE | FLAC: 582 MB | Artwork | 5% Recovery Info
Label/Cat#: Gimmel Records # CDGIM 205 | Country/Year: UK 2005 (1987, 1990, 1992, 1997)
Genre: Classical | Style: Vocal, Renaissance, Sacred
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
my rip [ ] not my rip [X]
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 1. June 2010, 1:43
The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD1
Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:23.12 | 0 | 28736
2 | 6:23.12 | 2:34.58 | 28737 | 40344
3 | 8:57.70 | 3:07.55 | 40345 | 54424
4 | 12:05.50 | 4:36.15 | 54425 | 75139
5 | 16:41.65 | 2:55.37 | 75140 | 88301
6 | 19:37.27 | 2:51.43 | 88302 | 101169
7 | 22:28.70 | 3:47.05 | 101170 | 118199
8 | 26:16.00 | 9:14.32 | 118200 | 159781
9 | 35:30.32 | 3:49.73 | 159782 | 177029
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11 | 46:20.27 | 5:10.60 | 208527 | 231836
12 | 51:31.12 | 4:18.00 | 231837 | 251186
13 | 55:49.12 | 5:15.10 | 251187 | 274821
14 | 61:04.22 | 6:12.63 | 274822 | 302784
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Range status and errors
Selected range
Filename F:\Music\The Tallis Scholars - Requiem\The Tallis Scholars - Requiem - CD1.wav
Peak level 96.5 %
Range quality 100.0 %
Copy CRC 843D0452
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 1. June 2010, 1:43
The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD1
Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:23.12 | 0 | 28736
2 | 6:23.12 | 2:34.58 | 28737 | 40344
3 | 8:57.70 | 3:07.55 | 40345 | 54424
4 | 12:05.50 | 4:36.15 | 54425 | 75139
5 | 16:41.65 | 2:55.37 | 75140 | 88301
6 | 19:37.27 | 2:51.43 | 88302 | 101169
7 | 22:28.70 | 3:47.05 | 101170 | 118199
8 | 26:16.00 | 9:14.32 | 118200 | 159781
9 | 35:30.32 | 3:49.73 | 159782 | 177029
10 | 39:20.30 | 6:59.72 | 177030 | 208526
11 | 46:20.27 | 5:10.60 | 208527 | 231836
12 | 51:31.12 | 4:18.00 | 231837 | 251186
13 | 55:49.12 | 5:15.10 | 251187 | 274821
14 | 61:04.22 | 6:12.63 | 274822 | 302784
15 | 67:17.10 | 2:36.57 | 302785 | 314541
16 | 69:53.67 | 2:32.55 | 314542 | 325996
17 | 72:26.47 | 3:08.15 | 325997 | 340111
18 | 75:34.62 | 3:58.18 | 340112 | 357979
Range status and errors
Selected range
Filename F:\Music\The Tallis Scholars - Requiem\The Tallis Scholars - Requiem - CD1.wav
Peak level 96.5 %
Range quality 100.0 %
Copy CRC 843D0452
Copy OK
No errors occurred
End of status report
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 1. June 2010, 2:31
The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD2
Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:12.55 | 0 | 36954
2 | 8:12.55 | 4:41.02 | 36955 | 58031
3 | 12:53.57 | 6:00.00 | 58032 | 85031
4 | 18:53.57 | 7:53.60 | 85032 | 120566
5 | 26:47.42 | 3:25.58 | 120567 | 135999
6 | 30:13.25 | 3:35.62 | 136000 | 152186
7 | 33:49.12 | 3:27.58 | 152187 | 167769
8 | 37:16.70 | 10:11.62 | 167770 | 213656
9 | 47:28.57 | 3:58.63 | 213657 | 231569
10 | 51:27.45 | 3:48.25 | 231570 | 248694
11 | 55:15.70 | 3:24.12 | 248695 | 264006
12 | 58:40.07 | 2:03.05 | 264007 | 273236
13 | 60:43.12 | 4:12.70 | 273237 | 292206
14 | 64:56.07 | 3:15.20 | 292207 | 306851
15 | 68:11.27 | 2:52.63 | 306852 | 319814
16 | 71:04.15 | 4:29.22 | 319815 | 340011
Range status and errors
Selected range
Filename F:\Music\The Tallis Scholars - Requiem\The Tallis Scholars - Requiem - CD2.wav
Peak level 98.0 %
Range quality 100.0 %
Copy CRC FB9E61A7
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 1. June 2010, 2:31
The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD2
Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:12.55 | 0 | 36954
2 | 8:12.55 | 4:41.02 | 36955 | 58031
3 | 12:53.57 | 6:00.00 | 58032 | 85031
4 | 18:53.57 | 7:53.60 | 85032 | 120566
5 | 26:47.42 | 3:25.58 | 120567 | 135999
6 | 30:13.25 | 3:35.62 | 136000 | 152186
7 | 33:49.12 | 3:27.58 | 152187 | 167769
8 | 37:16.70 | 10:11.62 | 167770 | 213656
9 | 47:28.57 | 3:58.63 | 213657 | 231569
10 | 51:27.45 | 3:48.25 | 231570 | 248694
11 | 55:15.70 | 3:24.12 | 248695 | 264006
12 | 58:40.07 | 2:03.05 | 264007 | 273236
13 | 60:43.12 | 4:12.70 | 273237 | 292206
14 | 64:56.07 | 3:15.20 | 292207 | 306851
15 | 68:11.27 | 2:52.63 | 306852 | 319814
16 | 71:04.15 | 4:29.22 | 319815 | 340011
Range status and errors
Selected range
Filename F:\Music\The Tallis Scholars - Requiem\The Tallis Scholars - Requiem - CD2.wav
Peak level 98.0 %
Range quality 100.0 %
Copy CRC FB9E61A7
Copy OK
No errors occurred
End of status report
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-08-22 06:05:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.02 dB -22.55 dB 6:23 01-Victoria: Requiem - Introitus
DR9 -3.36 dB -21.51 dB 2:35 02-Victoria: Requiem - Kyrie
DR14 -0.34 dB -21.31 dB 3:08 03-Victoria: Requiem - Graduale
DR12 -0.30 dB -20.83 dB 4:36 04-Victoria: Requiem - Offertorium
DR11 -0.85 dB -18.38 dB 2:55 05-Victoria: Requiem - Sanctus & Benedictus
DR11 -5.67 dB -22.45 dB 2:52 06-Victoria: Requiem - Agnus Dei
DR12 -3.19 dB -21.34 dB 3:47 07-Victoria: Requiem - Communio
DR14 -3.06 dB -23.45 dB 9:14 08-Victoria: Requiem - Responsorium
DR12 -2.38 dB -21.10 dB 3:50 09-Victoria: Versa est in luctum
DR12 -2.61 dB -22.97 dB 7:00 10-Duarte Lobo: Requiem - Introitus
DR13 -3.42 dB -23.88 dB 5:11 11-Duarte Lobo: Requiem - Kyrie
DR14 -3.33 dB -22.88 dB 4:18 12-Duarte Lobo: Requiem - Graduale
DR16 -0.85 dB -23.59 dB 5:15 13-Duarte Lobo: Requiem - Sequentia pro defunctis
DR13 -1.28 dB -21.68 dB 6:13 14-Duarte Lobo: Requiem - Offertorium
DR11 -5.70 dB -22.76 dB 2:37 15-Duarte Lobo: Requiem - Sanctus & Benedictus
DR11 -7.49 dB -24.02 dB 2:33 16-Duarte Lobo: Requiem - Agnus Dei
DR13 -1.11 dB -21.73 dB 3:08 17-Duarte Lobo: Requiem - Communio
DR11 -5.92 dB -26.43 dB 3:58 18-Duarte Lobo: Requiem - Responsorium
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 519 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.77 dB -21.67 dB 8:13 01-Cardoso: Requiem - Introitus
DR12 -8.00 dB -25.26 dB 4:41 02-Cardoso: Requiem - Kyrie
DR12 -3.64 dB -22.18 dB 6:00 03-Cardoso: Requiem - Graduale
DR14 -0.17 dB -21.53 dB 7:54 04-Cardoso: Requiem - Offertorium
DR11 -0.28 dB -18.98 dB 3:26 05-Cardoso: Requiem - Sanctus & Benedictus
DR11 -2.19 dB -20.51 dB 3:36 06-Cardoso: Requiem - Agnus Dei
DR12 -3.83 dB -20.26 dB 3:28 07-Cardoso: Requiem - Communio
DR14 -7.62 dB -27.13 dB 10:12 08-Cardoso: Requiem - Responsorium
DR12 -1.46 dB -20.44 dB 3:59 09-Cardoso: Non mortui
DR12 -0.75 dB -21.61 dB 3:48 10-Cardoso: Sitivit anima mea
DR13 -5.57 dB -25.83 dB 3:24 11-Cardoso: Mulier quae erat
DR12 -0.80 dB -19.63 dB 2:03 12-Cardoso: Nos autem gloriari
DR13 -1.96 dB -19.78 dB 4:13 13-Alonso Lobo: Versa est in luctum
DR12 -3.75 dB -23.67 dB 3:15 14-Alonso Lobo: Credo quod redemptor
DR12 -4.10 dB -23.57 dB 2:53 15-Alonso Lobo: Vivo ego, dicit Dominus
DR12 -4.86 dB -22.68 dB 4:29 16-Alonso Lobo: Ave Maria
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================
log date: 2014-08-22 06:05:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.02 dB -22.55 dB 6:23 01-Victoria: Requiem - Introitus
DR9 -3.36 dB -21.51 dB 2:35 02-Victoria: Requiem - Kyrie
DR14 -0.34 dB -21.31 dB 3:08 03-Victoria: Requiem - Graduale
DR12 -0.30 dB -20.83 dB 4:36 04-Victoria: Requiem - Offertorium
DR11 -0.85 dB -18.38 dB 2:55 05-Victoria: Requiem - Sanctus & Benedictus
DR11 -5.67 dB -22.45 dB 2:52 06-Victoria: Requiem - Agnus Dei
DR12 -3.19 dB -21.34 dB 3:47 07-Victoria: Requiem - Communio
DR14 -3.06 dB -23.45 dB 9:14 08-Victoria: Requiem - Responsorium
DR12 -2.38 dB -21.10 dB 3:50 09-Victoria: Versa est in luctum
DR12 -2.61 dB -22.97 dB 7:00 10-Duarte Lobo: Requiem - Introitus
DR13 -3.42 dB -23.88 dB 5:11 11-Duarte Lobo: Requiem - Kyrie
DR14 -3.33 dB -22.88 dB 4:18 12-Duarte Lobo: Requiem - Graduale
DR16 -0.85 dB -23.59 dB 5:15 13-Duarte Lobo: Requiem - Sequentia pro defunctis
DR13 -1.28 dB -21.68 dB 6:13 14-Duarte Lobo: Requiem - Offertorium
DR11 -5.70 dB -22.76 dB 2:37 15-Duarte Lobo: Requiem - Sanctus & Benedictus
DR11 -7.49 dB -24.02 dB 2:33 16-Duarte Lobo: Requiem - Agnus Dei
DR13 -1.11 dB -21.73 dB 3:08 17-Duarte Lobo: Requiem - Communio
DR11 -5.92 dB -26.43 dB 3:58 18-Duarte Lobo: Requiem - Responsorium
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 519 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: The Tallis Scholars, Peter Phillips / The Tallis Scholars - Requiem - CD2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.77 dB -21.67 dB 8:13 01-Cardoso: Requiem - Introitus
DR12 -8.00 dB -25.26 dB 4:41 02-Cardoso: Requiem - Kyrie
DR12 -3.64 dB -22.18 dB 6:00 03-Cardoso: Requiem - Graduale
DR14 -0.17 dB -21.53 dB 7:54 04-Cardoso: Requiem - Offertorium
DR11 -0.28 dB -18.98 dB 3:26 05-Cardoso: Requiem - Sanctus & Benedictus
DR11 -2.19 dB -20.51 dB 3:36 06-Cardoso: Requiem - Agnus Dei
DR12 -3.83 dB -20.26 dB 3:28 07-Cardoso: Requiem - Communio
DR14 -7.62 dB -27.13 dB 10:12 08-Cardoso: Requiem - Responsorium
DR12 -1.46 dB -20.44 dB 3:59 09-Cardoso: Non mortui
DR12 -0.75 dB -21.61 dB 3:48 10-Cardoso: Sitivit anima mea
DR13 -5.57 dB -25.83 dB 3:24 11-Cardoso: Mulier quae erat
DR12 -0.80 dB -19.63 dB 2:03 12-Cardoso: Nos autem gloriari
DR13 -1.96 dB -19.78 dB 4:13 13-Alonso Lobo: Versa est in luctum
DR12 -3.75 dB -23.67 dB 3:15 14-Alonso Lobo: Credo quod redemptor
DR12 -4.10 dB -23.57 dB 2:53 15-Alonso Lobo: Vivo ego, dicit Dominus
DR12 -4.86 dB -22.68 dB 4:29 16-Alonso Lobo: Ave Maria
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 16
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 532 kbps
Codec: FLAC
================================================================================
CD Info:
The Tallis Scholars - Requiem
The Tallis Scholars Sing Iberian Requiems by Victoria, Duarte Lobo, Cardoso, Alonso Lobo
Label: Gimmel Records
Catalog#: CDGIM 205
Format: 2xCD, Compilation
Country: UK
Released: 2005 (1987, 1990, 1992, 1997)
Genre: Classical
Style: Vocal, Renaissance, Sacred
Tracklist:
CD1
Tomas Luis de Victoria (1548-1611)
[1]-[8] Requiem
[9] Versa est in luctum
Duarte Lòbo (c.1565-1646)
[10]-[18] Requiem for six voices
CD2
Manuel Cardoso (c.1566-1650)
[1]-[8] Requiem
[9] Non mortui
[10] Sitivit anima mea
[11] Mulier quae erat
[12] Nos autem gloriari
Alonso Lobo (1555-1617)
[13] Versa est in luctum
[14] Credo quod redemptor
[15] Vivo ego, dicit Dominus
[16] Ave Maria
The Tallis Scholars
Peter Phillips
Recording Engineers and Venues:
1-9 Mike Clements in the Church of St John at Hackney, London
10-18 Sean Lewis and Philip Hobbs in Salle Church, Norfolk, England
19-30 Mike Hatch in Salle Church, Norfolk, England
31-34 Philip Hobbs in Salle Church, Norfolk, England
Singers participating in these recordings:
Paul Agnew, Simon Birchall, Tessa Bonner, Barbara Borden, Harvey Brough, Charles Daniels, Simon Davies, Ruth Dean, Sally Dunkley, Robert Evans, Donald Greig, Robert Harre-Jones, Adrian Hill, Ruth Holton, Michael Lees, David Lowe, Ghislaine Morgan, Rufus Müller, Mark Padmore, Rachel Platt, Deborah Roberts, Richard Wyn Roberts, Nicolas Robertson, Nigel Short, Angus Smith, Francis Steele, Caroline Trevor and Richard Wilson.
"From the split second that the opening Requiem aeternam chant is heard, every listener is inevitably transported. It is a classic instance of the power of music to communicate without reserve." Peter Phillips
Review by James Manheim
This two-disc set compiles what England's Tallis Scholars call a "mini-project," a group of several related recordings made at different times (the buyer does not learn exactly when) for the Gimell label. The compilation appeared in 2005. Even with the strong similarities among the three major works involved, the release as a whole makes a lot of sense; you might not want to sit and listen to three substantial requiem masses in a row (plus some motets of a similarly dark hue), but all of them are gorgeous, and all have a great deal to offer the listener who enjoys a cappella sacred polyphony of the late Renaissance. The opening work, and the first recorded in this series by this marvelous mixed-gender adult choir, is the six-part Requiem of Tomás Luís de Victoria, composed in 1603 and one of the undisputed masterpieces of the late Renaissance. This work is justly famous for its fusion of perfect Palestrinian balance in the counterpoint with a sort of sober warmth (the Brahms German Requiem may come to mind) that is Victoria's own, and it is hard to think of a recording that better captures its mood than this one. Yet equally interesting is the chance to see how Victoria's followers dealt with this towering example. The other two requiem masses included, by Duarte Lôbo and Manuel Cardoso, come from the pens of Victoria's Portuguese followers. They are obviously inpsired by the Victoria mass, and they follow its general outlines: the careful, slow-moving polyphony; the unique mood; and the extraordinarily intense alternation of plainsong and polyphony in the concluding Responsorium with its dire warnings of judgment. Yet the Cardoso mass, especially, is as interesting for its departures as for the ways in which the composer follows Victoria. Start with the unusual voice deployment: one soprano part, two for alto, two for tenor, and one bass part. This generates a low sound that's dense in the middle, and Cardoso exploits these timbres with various pungent harmonic moves. Cardoso was working almost in the middle of the seventeenth century, and although he was writing here in pure Renaissance style, he was certainly aware of Monteverdi's revolutionary new way of treating what would become known as harmony. Parts of the music sound like passages from a Monteverdian monodic madrigal, fleshed out for full choir and greatly slowed down. It's an intense, rich effect, and it's just one of the many joys of this collection. The music was recorded in two separate churches; Norfolk's Salle Church, used for the Lôbo and Cardoso masses, has a sparer ambiance than the Church of St. John at Hackney, London, where the Victoria was recorded. It is ideal for the clarification of the subtle innovations of the two Portuguese composers, and the engineering is superb throughout. Virtually a must-have Renaissance disc. allmusicguide
Thanks to A-Z!