The Tallis Scholars - Sing Palestrina (2005, Gimmel Records # CDGIM 204)

Review by James Manheim

The Tallis Scholars have done a lot to keep Palestrina's star up there in the firmament during a wild, sensual age that generally has preferred wilder, more sensual music from the late Renaissance. By their count, they have performed the famed Missa Papae Marcelli (Pope Marcellus Mass) alone 75 times since first programming it in 1977. The group's approach to this musical exemplar of the middle-of-the-road principles of the Catholic Counter Reformation is exacting but not restrictive of surface beauty; The Tallis Scholars are a mixed choir capable of extraordinary gradations of blend, not a "pure" boychoir devoted to a Grail of historical authenticity. Their catalog of Palestrina recordings on England's Gimell label has been successful and rapturously reviewed. The Tallis Scholars Sing Palestrina is a compilation of earlier recordings, the first of which, that of the Missa Papae Marcelli, was made in Oxford's Merton College Chapel and dates from 1980. It's a fine survey of work by a group that's arguably the best in the business when it comes to this repertoire. Four full masses are included: the Missa Assumpta est Maria in caelum, Missa sicut lilium inter spinas, and Missa brevis in addition to the Missa Papae Marcelli. There are also the two motets upon which the first two of these masses were based, and a set of Lamentations that show a darker-hued side of Palestrina's music. To appreciate something of the sound engineer's art and also to immerse yourself in the precision with which this choir renders Palestrina's ultra-gracefully transitioned textures, compare the Missa brevis on the second CD, also recorded at Merton College Chapel, with the concluding Missa Papae Marcelli. The former is sonically bright and bold, the latter warm and enfolding, and each captures different facets of the diamond that is the sound of The Tallis Scholars. If there must be a complaint, it's that Michelangelo, who represented everything Palestrina was reacting against, was a poor choice for the cover artwork. These are classic recordings of Renaissance music, library cornerstones, and worthy sustainers of the tradition of English choral singing. allmusicguide

Artistic Quality - 10 / 10
Sound Quality - 9 / 10

Although it's difficult to discern from the outer packaging, this two-disc Palestrina compilation is made from several earlier Tallis Scholars recordings, including the group's groundbreaking Missa Papae Marcelli from 1980. There's not much to say here that hasn't already been said regarding the performances, which are exemplary and remain the standard against which other choirs must be measured in this repertoire. If you have the original Gimell recordings–most of these appear on the four-disc set "The Palestrina 400 Collection" and also are available on several individual discs, then you don't really need this–unless you want all of these superb works (and performances) under one roof. My only slight caution is that the Missa Papae Marcelli, the earliest-recorded of the selections, is somewhat brassy and harsh in loud passages–otherwise, the sound is excellent. If your collection lacks Palestrina, I can only surmise that the reason is you've been waiting for this release. So what are you waiting for? This is it. classicstoday